@salticid - Tumblr Blog

i would like to officially thank sesame for its seeds, its oil, and of course its street

can i be honest for a sec. if you see one of those things where they draw male comic book characters in female characters’ poses or use female video game characters’ animations with male models or whatever and your response is “haha yay i love it when men are sluts” you should strongly consider shutting up forever.

wifegideonnav

seeing a certain post go around again. i don’t know how to tell you guys this but the reason it’s funny to watch ganon run around like zelda is because the edit exposes the inherent lack of dignity in that kind of hyperfemininity. the humor comes from the juxtaposition between a “strong” and “serious” character and the visual signifiers of womanhood. they were crucifying anita sarkeesian in the mainstream for this surface level feminist analysis over a decade ago.

archduchesskittycat

2012.

sprouch

short film by jonathan djob nkondo, posted to tiktok by the artist who did the sound, nicholas snyder

goodscreencaps

librarycards

people in real life aren't randomly mentioning tiktok conspiracies and they're not saying "hey how's it going." they're mostly just screaming their coffee order at a barista they do not view as human

librarycards

barista: hey how's it going

person in real life: EXTRA LARGE HOT CREAM AND SUGAR

romanceyourdemons

1400's Jerry Seinfeld: "What's the deeeeeal with those spanish inquisition guys? They call them Moors, and then they spend their whole career making sure there's less of them!"

unfortunately in the 1400s the sedition-heresy double whammy of ridiculing the crown’s wars against the moors was not the safest bet on the board, especially for jewish writers and new christian writers of jewish descent (the latter demographic being especially known to vocally support the war effort as an ultimately unsuccessful gambit to direct inquisitorial attention away from themselves). luckily for jerónimo de seinfeld, the inquisition would not ban anonymous publication until 1559, so if he’s feeling good about this comedy set he can still choose to circulate the manuscript without his name attached

dramaticpokemonpictures

Rest in peace Akihiro Miwa (1935-2026)

I haven't seen anyone talking about this and just wanted to make a quick post on here.

Akihiro Miwa recently passed away peacefully june 20th, and was not only a drag queen and a queer icon, but also the japanese voice of Arceus in the movie Arceus and the jewel of life, as well as the witch from Howl's moving castle and Moro from Princess Mononke.

Rest in peace and thank you for the wonderfull impact you made in this world.

swagophile

jf i was vladimir nabokov and i was writing lolita i would make her an adult becaude then it would t be dark problematic media and instead a sweet romabce between two adults (woke and pure)

gatherround

hiveswap

Everyone go look up the song nasa banned from space

hiveswap

Don't forget to play it loud as fuck

kowai-kabuki-tanuki

please….listen to the whole thing. And imagine that you are IN SPACE in 1973 and you JUST woke up. Every time you adjust…it escalates somehow.

This song had to be designed in a lab for the sole purpose of fucking with astronauts. whoever added it to the NASA playlist was a genius.

hiveswap

It took them two tries to ban it?

I went to the club and it was empty...i touched grass and it was dry and wilting at the blade tips. And it was dark. And I was cold

fuckblast

Tried standing with my feet in a stream but it wasn't the same river and I wasn't the same man

likeafieldmouse-deactivated2015

Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

“Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’

The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.