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@saltydornishman
best friends 4 eva
fiction can be really dangerous there might be a deeply tragic woman in there who starts living in your head forever
nobody else doing it like me. particularly because the way i’m doing it is needlessly difficult
Princess Elia Martell of Dorne.
— By the talented @faefelicet on Instagram
【2026.5.31】
Ryan Condal and his hatred of Alicent: constantly punishing her sexually.
Ryan Condal only does this specifically with Alicent. He doesn’t subject the other female characters to the same kind of repeated sexual violence and humiliation - only Alicent.
Aliceny is SA’d by everyone, got incest SA’d by her own son and was sexually humiliated just to blame her for B&C (even Ryan Condal doesn’t hide his bias toward the Blacks, saying that in the books Blood and Cheese is TG propaganda against Rhaenyra, which is why that scene was adapted the way it was.) Olivia Cooke talked in interviews about how heavy and uncomfortable some of Alicent’s sexual content has been to film. It really raises questions about how sexual violence is used in HotD, especially when it keeps happening to the same character in ways that can start to feel repetitive rather than narratively necessary.
Condal just hates Alicent because she’s prudish. And I think that speaks the misogyny disguised as “criticism” of prudishness, religiousness, or traditional behavior in women by using their sexuality to punish them. So you hate Alicent because she’s… religious? Because she’s prudish? I know modern audiences, with 21st-century lenses and zero knowledge of history dislike women who don’t express sexuality or power in a “liberated” way, but that doesn’t justify sexually humiliating them this is very disturbing and disgusting.
At the same time, you have Rhaenyra, who is written with a much more openly “sexually liberated” energy and is written in a way where her sexuality is not used against her in the same punitive way. That contrast is what makes the treatment of Alicent stand out more.
And what makes Rhaenyra sexually liberated? Because her so called sexual freedom or extramarital affairs were literally the fallout of Daemon’s grooming? Isn’t it true that he groomed her for his own ends, “liberating” her to sleep with him and others, and in doing so destroyed her own reputation & claim to the throne? And because it looks “exotic” or “liberated” next to the fantasy Catholics coded Alicent?
Bk!Alicent is certainly written within a world that is hostile to women, especially women at court, but her arc is not around sexualized punishment or humiliation as a thematic goal. She’s actually one of the more politically respected women of her position.
Condal need to understand that for a noblewoman living in a quasi-medieval world chastity wasn’t just a matter of personal morality it was political. Her reputation affected her family’s standing, her husband’s authority, and her children’s legitimacy. A scandal could damage her entire house, and even a rumor could cost her safety, influence, and dignity. Modesty wasn’t simply “prudishness” in that world, it was a strategy for survival. So why punish that kind of character through sexual humiliation in the narrative?
When a character is repeatedly written through sexual punishment or humiliation while another is written through sexual empowerment, it just shows the biased written of who gets to be “liberated” and who gets to be degraded and humiliated.
Condal could easily make Alicent more sympathetic by showing how her religion functions as one of her few sources of identity and stability. As queen, her piety could also be shown through genuinely compassionate actions - like giving alms, supporting motherhouses, and helping women and children under the Faith - rather than relying so heavily on sexual humiliation to define her arc.
genuinely do think house hightower is cooler and more interesting than the targaryens, like dont get me wrong i like both but the hightowers take it. easily. their shadowy history of alchemy and necromancy, patronage of westeros' cultural and religious institutions, and big fuckass taller-than-the-wall lighthouse has bewitched me body and soul. dragons, blood magic, and a destabilising obsession with incest is all well and good - but institutional corruption and the delicate mastery of soft power? just too tasty. been on the wrong side of several wars and never lost a head or a penny from their main line because they know how to play the game. one of the richest houses in westeros and they know how to do it right ! funding the arts, sciences, faith. controlling the narrative. every message goes through the maesters, them and septas tutoring little lords and ladies, all roads lead to oldtown, and thats just how its done why would you even question it. how could you question it. and all the while the lord of the hightower sits up in the clouds in a tower built atop an unsettling ancient labyrinth of black stone, burning a flame that can be seen for miles, lighting the city every night. like good luck getting away with shit when theres no shadowy corners to hide in. the metaphor isnt subtle. every other house would wish they were the hightowers if they could conceptualise the higher plane this familys operating on.
Don’t let HOTD fool you guys, the Hightower’s are genuinely interesting in their own right and are more than the “people who DARED defy Rhae-Rhae” propaganda made by Conspiracy and Mess
elia martell and rhaenys
Princess Nymeria of Ny Sar
they couldn't villainize helaena like they did with aegon, aemond and alicent so instead she's not allowed to express any emotion, mourn her dead child or fear for the safety of her family in any way because that could potentially make rhaenyra look bad. however we must see rhaenyra cry every 5 minutes to showcase how tragic and tortured she is
Queen Myriah Martell
Hi there! Day nineteenth of my Seven Kingdom’s Queens serie!
Today, Queen Myriah Martell, wife of Daeron II The Good, and mother of Baelor Breakspear, Aerys I, Rhaegel and Maekar the Anvil.
I love litteraly everything about her design, it just feels and seems right to me. She’s just perfect ✨
Enjoy (;
This statement from Ryan Condal only confirms what everyone had already realized.
cutting Nettles and merging her storyline with Rhaena's was purely motivated by a desire to protect Daemon and Rhaenyra ("Daemyra") from the audience's judgment.Of course that’s what it was! The showrunner himself admits that the main focus was to avoid an "infidelity storyline" because he believes the audience "really wants to see this couple work out."Claiming that it’s "interesting to pair a wild dragon with a noblewoman who becomes wild herself" sounds more like a script excuse to give Rhaena screen time than organic development. In the books, the dynamics between Nettles and Daemon added massive layers of ambiguity (was she a lover, a daughter, or a protégé?), something that is completely lost by putting his own daughter in that role.
I’m crying why is hotd trying to give the targ blood supremacy thing to the hightowers now. obviously all feudal lords believe in blood purity and there’s certainly racial othering going on with how westeros views the targaryens, but in what world would ormund call them “savages” or “brutes” or claim that they’re below other men? that’s how westeros others the northerners if anything, but the dehumanization of the targs stems from the same place that targaryen exceptionalism stems from - the idea of the targaryens being closer to gods than men aka not being fully human but something higher. that’s kind of a major aspect of their monopoly over dragons and their incestuous relationships and how they claimed the right to conquer westeros in the first place. but now hotd has given the hightowers the attitude of being “the superior men”…man this show really hates those little green guys huh. whatever raymun fossoway did the anti targ rant better anyway.
Raymun "the woke" Fossoway
lunch with his bald ass brother
don’t go to school in the south, northern boy
Freddie Fox as Gwayne Hightower
HOUSE OF THE DRAGON S3E4
HOUSE OF THE DRAGON | Season 3, Episode 4, "Tumbleton"