losing it

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losing it
Do you think they ever called each other "good boy"
watching paul's brain cell expire in real time bc john blew his mind with a little bit of science is probably one of my favorite Get Back exchanges
the good thing is that john lennon was a man who loved haunting him and paul mccartney is a man who loves to be haunted by him so i think it's fine. it's fine actually. like when paul says john's soul is still in his (2026) like that's so fine and okay. really. seriously. and john last words to him being "think about me now and then" it's okay. so paul is just doing this right, thinking about him now and then and then and then and then and then and then and then and then and then
mclennon is more than a "ship" or "rpf" it is essentially a series of diabolical historical accounts
this is diabolical on so many levels. sucking face in front of the man that is singing the song he wrote about you and then turning to him, and only him, to immediately justify why because you're still one part of a codependent permanent homoerotic quantum entangled soul bond. paul is trying so hard to be cool but immediately launches into the song only to realize john has used the song to sing about the new person he loves and stops singing mid-sentence. i would kms. heartbreak hard launch singing strawberry fields forever over a bed of newspapers proclaiming john and yoko's love, whilst staring forlornly at john and singing the song paul would later go on to say is quintessential john. they were doing tragedy like no one else
basically
john lennon & paul mccartney in the rooftop concert (1969)
"and the fact that you are working so well together: you are looking at each other, you are seeing each other, you are... just happening"
ㅡ george martin to john lennon & paul mccartney after recording "two of us"
*as if there's been a single interview in the last 50 years where paul didn't speak about john* guys paul has an interview with bbc radio 2 in two weeks and one of the songs he's gonna talk about is imagine
thinking of how he has said that he used to play god only knows to john constantly so it would be hard for him to escape the influence.
also thinking of how john wrote a short story about two lovers in paris in which one of them makes the other listen to god only knows by the beach boys.
and now it's in the soundtrack of his life, i wonder who he's associated this song with...
The Physicality of Wild Paul McCartney
According to the Beatles narratives, Paul McCartney was something of a restless animal onstage, throwing himself thither and yon as the music moved him. There is some evidence that this is true, most particularly the odd picture that looks like Paul is the devil tempting John to get on his knees, and there is also a drawing by Klaus Voormann, sketched out while the boys were performing in Hamburg, that suggests that (back around 1960) Wild Paul may have “invented” the “knees-together-legs-splayed-high-jump-with-guitar” move that became ubiquitous in the late 60′s and early 1970′s.
The legend has it that Brian Epstein, as he got the boys to tame their stage personas, dropping the leather, the cussing and eating on stage and the wearing of toilet seats, he in particular told Paul to curb his enthusiasm as he played to the crowd, moved to the beat, and served whatever inner agent of chaos he tended to unleash while onstage.
Obediently, he did calm it down. Although it still came out in the way he’d all but bite the air (or George) as he played.
It still came out in the headshakes and the excessive sweat that would pour from him during their (only 30-minute-long) sets. Of course. They weren’t exactly standing still…
If this is how he sweated in a suit, imagine him in leather, and bouncing around the stage:
Also, I do think he might have “invented” this posture. Was Paul the first rocker to play guitar as though it were an extension of his penis?
Did he invent the moonwalk? Nah. Still cute, though.
Still, every once in a while, Paul got playful on stage, even despite Brian’s warning. This post was put together simply because I crack up every time I see this little move at NEMS 1965, which I’m sure he perfected in Hamburg – as though he’s being pulled away from the mic by a large magnet. Rather like a human looney tunes cartoon.
The dynamic of their friendship in a single gif.
when creative partnerships are more intimate than a marriage and the break up is worse than a divorce
thinking soft thoughts about how scrambled eggs / oh my baby how I love your legs was written during John’s hot girl summer
ik it’s not canon. ik it’s not-
Paul was John’s first fan. Saw how great he was before the world did.
anyone else ever feel kind of crazy that the love of those two twinks kind of really did change the world
The Beatles in foundation and winged eyeliner, late 1962
“Ted Taylor first told us how use make-up. We were playing the Embassy Cinema at Peterborough […]. It was Ted that said, ‘You looked a little pale out there, lads. You should use make-up.’ We asked him how. He said, ‘There’s this pancake stuff, Leichner 27. You can get it from the chemist. Take a little pad and rub it on; it gives you a tan. And put a black line around your eyes and lips.’ We said, ‘That’s a bit dodgy, isn’t it?’ He said, ‘Believe me, they will never see it, and you’ll look good.’
Right afterwards we were being photographed for a poster for Blackpool. They had been bootlegging posters, which meant we were obviously getting quite popular, and the poster company said we should do an official one. So they did four squares – one of us in each square. And you can see the black line around our eyes. We never lived it down!”
- Paul McCartney (the Anthology book)