Here, have a sucker. @sheriffsunshine - Tumblr Blog

scragon

Vampire and his human wife after years of marriage

scragon

Charles took her to macy’s

teaboot

Cheryl and Charles are my OTP.

yagithegoat

hanging out with a fennec girl

yagithegoat

pemprika

OC! bat the baseball batter!! she’s got some kinda sweet tooth for candy

boota

yeah jason i dont even care just put my fuckin whole-ass head on a lamb and post it up

dr-archeville

@woahrebexxa (bec @ #vax4pax) “september is bisexuality awareness month. all bisexual rogues have disadvantage on stealth checks sorry that’s the rules”

the-geeky-dom

Welp.. xD

sheriffsunshine

Fuck

rosarrie

a bunny’s rainy day out

taikova

loved drawing rose after so long! i was super inspired by friends who love her :3c

qualitytrashmaterial

Y'all can we please stop putting down other wlw shows for giving us what they can?

Stop shitting on Korrasami when they had to fight hard to even give us that ending.

Stop shitting on Steven Universe when Sugar was the first to really give us an actual wlw marriage on screen.

Stop shitting on She-ra for "not giving it to us till the last episode" or "some six blush lines vs a whole red face" when Noelle had to strategically plan the show to make sure it ended the way it did.

Stop shitting on and putting down actually good representation that we get in these shows. They're all important.

Korrasami, Catradora, Garnet (Ruby/Sapphire), Bubbline have all been extremely important and have done so much for us. And I'm glad they were able to pace the way to give us what we have in Owl House

vonnabeee

NONSTOP

spideyyeet

backintheblackparade

“It is easier for a camel to for through the eye of a needle than it is for a rich man to reach heaven” -literally Jesus

everythingfox

Not sure what this is but I love him

daglout

officialmacgyver2-deactivated20

Him’s a Sable. Think Russian Wolverine but on a lot of weed and friendly.

ottosgotanothergun

Big Paw.

zevzevarainai

@cutetauriel requested:

Pearl + Pink Tones

winntir

A word to those aiming to watch Legend of Korra now that it's on Netflix, but haven't gotten around to: Don't expect Avatar.

ATLA and LoK are similar in multiple ways, but have fundamental differences you can't change. Here are a list of differences you'll want to keep in mind:

Korra isn't Aang. Aang was a twelve year old raised to be a pacifist, Korra is a seventeen year old raised to be the Avatar. Aang said "I don't wanna be the Avatar", Korra said "Why won't you let me be the Avatar?" Don't expect another Aang.

The series wasn't planned. It was originally intended to be a mini-series, but then someone said "Make it a series", and they were never been certain if there was going to be another season or there wouldn't be until the end of season 4. As such, the seasons are more self-contained. You don't have the overarching plot of Avatar.

The tone isn't as cheerful. With the characters getting older, the conflicts have gotten less "generally acceptable for children", whatever the hell that means. You have fascists, not imperialists. You have a blatant parallel to a race war in the first season, if that didn't tip you off. The characters are also more serious, and that might not be your cup of tea.

The world has changed. The technology has advanced, and places have changed, peoples aren't the same. The rarity of certain bending styles has gone down, though they're not universal. The Southern Water Tribe is a thriving port town, not barely a village! The land might not have changed, but the map isn't the same.

That's what isn't the same. I don't want you to think that makes it inferior. In fact, I don’t think they could ever reach the heights of the original series. However, that doesn't mean it's worthless. There's a lot for it to offer, but I want you to discover those things for yourself.

Oh, and badly written romances are a trend, not a fluke. That's something that stayed the same.

tanoraqui

it’s just hard not to think about the fact that in 1915, JRR Tolkien went to war not with but certainly in the same army and many of the same battles as his 3 best school friends, all nicely upper class young men who had never known much loss, and only he and one other came back alive - and a couple decades later, he wrote a book in which 3 nicely upper class young men (and one very excellent gardener) who have never known much loss go to war together, or at least they start out together, and they all come home alive. (Though one cannot bear it, and does not stay.)

meerius

What more it wasn’t just losing his friends, he was a commanding officer of a battalion of working class men. All farmers and miners from the same area of Lancashire. He felt affinity for them, but wasn’t allowed to socialize between the ranks due to military protocol and he hated it.

"The most improper job of any man … is bossing other men. Not one in a million is fit for it, and least of all those who seek the opportunity.“

I don’t think it was even 6 months later that he contracted trench fever and was sent home.

His entire command was wiped out in one charge shortly after, the majority of a whole countryside’s youths slaughtered while he survived. Youths who were brave and steadfast, but thought of as lesser than their superior officers while still being the ones carrying the actual battle. Youths who deserved fellowship, respect, and above all to go home and dance with their own Rosie.

“My Sam Gamgee is indeed a reflection of the English soldier, of the privates and batmen I knew in the 1914 war, and recognised as so far superior to myself”.

seriousfic

themightyglamazon

TRIES NOT TO CRY

jenniferrpovey

There is a reason Frodo, who represents the English gentry, in the end falls and is caught by Samwise, who represents the common man.

But there is a soldier in Lord of the Rings who does not come back, and I don’t mean Boromir.

I mean the being who was a common hobbit, but who became corrupted by darkness and poison, who’s face is described in ways reminiscent of a gas mask.

The soldier who doesn’t come home, who is poisoned by gas and stress and insanity.

Is Gollum.

sniperct

The Lord of the Rings repeatedly stresses the horrors of war. Eowyn’s entire arc is about the truth of warfare versus the way it’s glorified. She starts out glorifying war and combat and soldiers, even when her own brother is telling her war sucks and is terrible. And then in the end, she sees first hand what war does to people.

Aragorn’s entire arc isn’t to be the steadfast hero saving the day, it’s to hold the line in terror and horror and blood while the overlooked folk are the people who save the world. And then, what makes him a king, is not his skill in battle, but his healing hands.

Which then ties into both Eowyn and Faramir’s arcs. Eowyn goes into healing not because she’s a weak and meek woman, but because war is horrible and saving lives is better than taking them. Aragorn is glorified within the text for his healing, and so is Eowyn.

Also, tying into the common man thing, in the movies it’s Faramir but in the books it’s SAMWISE who questions what brings a man so far from home to fight in a war and if he is really so different.

LOTR is anti-war propaganda.

lookashiny

And this is why I don’t get people who find Eowyn’s fate to be anti-feminist. She doesn’t become a healer because she’s a woman, she does because it’s the right thing to do. Both her and Faramir’s futures are to renew the world. That’s a good thing.