After 84 years I finally sketched Orion
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@silvertonguedsiren
After 84 years I finally sketched Orion
scrolled through you art tag for agessss today, you’re so talented! requesting a little sirius/lily, (post james’ death) if you would be so inclined :)
here you go! sorry it’s been a minute!
HC: In Goblet and Order for the few occasions he bathes, Sirius used Buckbeak’s Hipppgriff shampoo on his hair (usually as double duty when Beaky needs to bathe).
Actual image of Sirius getting ready to bathe at the same time as he’s hosing Buckbeak down:
it’s the way sirius and lily both do “impossible” things through their love for harry…breaking out of azkaban, blocking the killing curse…
I remember that back in 2020 people really wanted a Marauders series, before all the J.K. Rowling controversies.
But wouldn’t that be kind of boring? Like, just teenage drama?
At least until they all leave Hogwarts and join the Order.
They want that series because they live in their own little delulu fantasy where the Marauders were a gang of social justice warriors living their best lives and having epic adventures at the castle. They’re so convinced of that version of reality that they fail to see no production company with even a shred of sense would greenlight a show about a bunch of privileged white boys who abuse their power and bully their classmates, framing them as noble heroes.
What they don’t get is that the story of the Marauders isn’t really theirs: it’s Severus Snape’s story. That era doesn’t belong to the Marauders, it belongs to Severus and what he went through, what pushed him towards the Death Eaters. If they did make a series about that time, the protagonists wouldn’t be James and his gang, it would be Severus. Because he’s the one who matters. He’s the mystery, the ultimate plot twist of the entire original saga.
Severus is the fucking main character. The series would follow his journey, from his beginnings to his fall to the dark side, and the Marauders would be seen for what they really were: cruel, entitled bullies. And that’s what their fans can’t seem to grasp, because either they haven’t read the books or, if they have, they didn’t understand a single word. They still haven’t realised that the only reason we even have information about that time period is because Snape’s character demands it.
i’m sure there are fickle people whose political views and morals depend on the social groups they are a part of, but Sirius was never one of them
💘 "Lily Evans... Vivacious, you know. Charming girl." 💘
James and Sirius stare at each other in admiration whenever the other does something incredibly smart or something incredibly stupid
They feel proud at a time like this, literally: look, all! It's my best friend, my soulmate, the love of my life. Isn't he fucking awesome?
Why do you use It/Its pronouns...
i got tagged in elementary school and never recovered
Everyone is so mean about Dolores' clothes, like what is wrong with a fluffy pink cardigan 😥
Yes, Lily can be a strong, independent woman and still marry a man and take his last name. No, motherhood doesn’t make her any less brilliant or any less herself. I don't like how some people try to police her choices just to force her into some perfect little aesthetic. She didn’t need to reject James just because people decided he “didn’t deserve her” because he did. How do I know that? Because one thing about Lily Evans is that she was incredibly smart. Too smart, too brilliant, and too fiercely opinionated to ever choose someone who didn’t deserve her. She saw that he grew into someone kind, loyal, and brave, and she loved that person. And if you don’t trust her judgment, then you never really respected her intelligence in the first place.
Voldemort, Nietzche & Dionysus-Where the Dark Lord Comes Down in Order Versus Chaos
Cadmus Peverell-the second brother who took his own life when the woman he brought back to life couldn’t be happy in the mortal realm draws him name from Greek Mythology. A king of Grecian Thebes whose patron deity is Dionysus.
Dionysus is the god of getting drunk & wild, for those unfamiliar. Nietzche juxtaposed the suffering & instinctive Dionysus with the orderly & peaceful Apollo in order to describe two balancing forces inside the human psyche.
Recall though that Voldemort, by virtue of being a Slytherin is also a Peverell. Voldemort is one of two living descendants of the second brother alongside his young daughter, Delphini.
Recall now, too that Voldemort is the descendant of the brother who died for love. The Dionysian brother. So Voldemort is the son of a woman who also died for a love she felt, thus abandoning him, the Gaunts still have the resurrection stone in their possession. The object death gave then seems to read more like a generational curse than a tool of spirit communication. Voldemort with his unique background & psychology for the scion of a great house seems primed to actually break the family cycle & not die for unrequited/doomed love. He’s made of more disciplined & colder stuff.
Meaning Voldemort comes down on the Apollonian side of the equation. Tempering his family’s naturally intense emotional tendencies with cold headed reason & pragmatic self interest. The Stone was used as a vessel for his soul, in a sense he is the resurrection stone & the stone is him. Voldemort has a power over the stone his predecessors lacked & that in turn leaves that stone nigh-on powerless over him.
The Apollonian logos is more than just a right brained sort of thing, it’s actually also beauty & the alleviation of suffering through discipline, it allows the human animal to use their reason to ascend beyond the physical plane & rise above unrestrained human suffering which is what Cadmus stone brings about through its victim’s passions.
Notice Voldemort takes a disciplined, rational approach to the meaning of human relationships & feings. He has a child, he’s not immune to passion but what he is, is uniquely geared to apply the kind of rigid self discipline that he requires to survive Death’s curse upon that resurrection stone.
Another consideration is that for the Peverell descendants death may well have been not an abstract concept but a real figure with a real grudge against the Peverell Brother’s descendants. Which might explain why Voldemort is so pathologically terrified of death. In which case his fear to love & extreme suppression of his emotions & attachments become more forgivable.
Voldemort is not a Dionystuc hedonist then. He’s the Apollonian disciplinarian who chooses to live in a world of order insulated from chaos & therefore suffering & pain whether it’s realistically part of a human’s full nature or not. He’s Apollo the logos, he’s not his ancestor. He’s an orderly force emphasis on the forceful. But a force for order nonetheless. This is a “I protect my personal peace” not peace itself which is individual & illusory at the collective level but his personal peace. This grants some insight into Voldemort’s internal frame work about controlling his own suffering through taking logical steps to mitigate his passions.
Why Voldemort's Reaction to Bellatrix's Death Cannot be Strategic
Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart.
Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.
Harry felt as though he turned in slow motion; he saw McGonagall, Kingsley, and Slughorn blasted backward, flailing and writhing through the air, as Voldemort’s fury at the fall of his last, best lieutenant exploded with the force of a bomb. Voldemort raised his wand and directed it at Molly Weasley.
Three distinct elements characterise this reaction: a scream, an uncontrolled magical explosion powerful enough to blast three accomplished fighters backward simultaneously, and an immediate attempt to kill her murderer and avenge her death.
He never showed concern for anyone's survival before, so why would Bellatrix suddenly change that? Voldemort's battle mentality simply does not match this reaction. Throughout the series, he is focused on the big picture. Even after being told that his Horcruxes were being hunted, he didn't have an uncontrolled magical outburst, yet here, in the middle of a battle, he completely loses control when Bellatrix dies.
Consider the context of the battle itself. The Ministry has fallen, Hogwarts is under siege, he possesses the Elder Wand, and he believes Harry Potter is dead so the prophecy that threatened him is fulfilled in his favour. The battle, from his point of view, is merely the final cleanup of the last pockets of resistance. In this context, losing even a powerful lieutenant like Bellatrix should be unfortunate but not catastrophic.
He has already demonstrated that he can fight multiple powerful opponents simultaneously, as shown when he duels McGonagall, Kingsley, and Slughorn all at once. His power invalidates the pragmatic argument even more because one Fiendfyre from him could have ended everyone there. Ask yourself what could she have done if he was truly losing. The notion that he needed Bellatrix to win this battle is absurd. He did not need her strategically, therefore his reaction cannot be strategic.
He didn't even look back when Yaxley, Dolohov, Macnair, Greyback, Rookwood, and Thicknesse fell:
Harry saw Yaxley slammed to the floor by George and Lee Jordan, saw Dolohov fall with a scream at Flitwick’s hands, saw Walden Macnair thrown across the room by Hagrid, hit the stone wall opposite, and slide unconscious to the ground. He saw Ron and Neville bringing down Fenrir Greyback, Aberforth Stunning Rookwood, Arthur and Percy flooring Thicknesse.
Nor did he care when the Malfoys were escaping:
Lucius and Narcissa Malfoy running through the crowd, not even attempting to fight, screaming for their son.
Were they not useful as well? If Voldemort's reaction to Bellatrix was about the battle, we would see a pattern of responses building throughout these moments, just as we saw with the Horcruxes:
The diary:
… but he was not aware, for instance, that the diary had been destroyed until he forced the truth out of Lucius Malfoy. When Voldemort discovered that the diary had been mutilated and robbed of all its powers, I am told that his anger was terrible to behold.’
The ring:
...he was standing inside a ruined stone shack, and the rotting floorboards were ripped apart at his feet, a disinterred golden box lay open and empty beside the hole, and Voldemort’s scream of fury vibrated inside his head.
The Cup:
The scream of rage, of denial, left him as if it were a stranger’s: he was crazed, frenzied, it could not be true, it was impossible, nobody had ever known: how was it possible that the boy could have discovered his secret?
The Elder Wand slashed through the air and green light erupted through the room, the kneeling goblin rolled over, dead, the watching wizards scattered before him, terrified: Bellatrix and Lucius Malfoy threw others behind them in their race for the door, and again and again his wand fell, and those who were left were slain, all of them, for bringing him this news, for hearing about the golden cup –
The locket:
As she said it, a wrath that was like physical pain blazed through Harry, setting his scar on fire, and for a second he looked down upon a basin whose potion had turned clear, and saw that no golden locket lay safe beneath the surface –
The diadem:
‘“Got Potter”?’ said Professor McGonagall sharply. ‘What do you mean, “got Potter”?’
‘He told us Potter might try and get inside Ravenclaw Tower, and to send for him if we caught him!’
Nagini:
The slash of the silver blade could not be heard over the roar of the oncoming crowd or the sounds of the clashing giants or of the stampeding centaurs, and yet it seemed to draw every eye. With a single stroke Neville sliced off the great snake’s head, which spun high into the air, gleaming in the light flooding from the entrance hall, and Voldemort’s mouth was open in a scream of fury that nobody could hear, and the snake’s body thudded to the ground at his feet —
Hidden beneath the Invisibility Cloak, Harry cast a Shield Charm between Neville and Voldemort before the latter could raise his wand.
Now compare this to the Battle of Hogwarts. If Voldemort's reaction to Bellatrix's death were the result of frustration from losses mounting throughout the battle finally breaking through his control, we would see the same pattern. We would see smaller reactions to earlier losses that escalate as more followers fall. We would see him becoming more tense and erratic as every pawn falls until finally, when Bellatrix dies, the structure collapses entirely and the explosion happens.
Instead, we see indifference to other losses followed by an explosive and immediate reaction to Bellatrix specifically, which shows she is a specific trigger producing a specific response.
The narrative structure makes this explicit by positioning Bellatrix's death as the sole cause of his loss of control. It specifically tells us that 'his last, best lieutenant' was the cause of his reaction. This contrast tells us that Bellatrix is different and matters in a way that no one else does.
The text's structure itself argues against the idea that this was because he was losing. If it were, Rowling would not have isolated Bellatrix's death so completely. She would not have surrounded it with all these other losses that Voldemort does not react to. She would not have created such a stark before-and-after where before she dies, Voldemort is controlled and focused and after she dies, he is acting so irrationally it leads to his own Killing Curse rebounding on him again. The structure itself tells us this is about her specifically.
And Bellatrix alone simply does not warrant such an extreme reaction if it was just about usefulness because she wasn't more useful than Nagini and every Death Eater who fell. This is fiction and in fiction, every narrative choice is intentional. Rowling did not have to structure this moment the way she did. She could have written Voldemort's reaction to Nagini's death as just as explosive or she could have had Nagini die last, as in the movie, which would have made the 'final loss' argument more plausible since Nagini is objectively more important than Bellatrix from a survival standpoint.
Instead, she made specific choices that showed us Nagini dying early and Voldemort having a restrained reaction, then six Death Eaters falling or fleeing and Voldemort not reacting at all. She showed him continuing to fight without pause, distraction, or any sign that losing followers matters to him, and then she showed Bellatrix dying and Voldemort completely losing all control. The text doesn't leave this open to interpretation. It shows us what Voldemort cares about through what he reacts to and what he doesn't, and what he reacts to violently and uncontrollably is Bellatrix's death. You cannot make up an explanation the text does not directly support and have your entire argument hinge on that.
The comparison to Nagini's death merits deeper examination because Nagini was objectively more important to Voldemort's survival than Bellatrix. She was his final Horcrux, the last piece of his soul anchoring him to life, the ultimate protection against death. Her destruction meant Voldemort was now mortal, vulnerable in a way he had not been since he created his first Horcrux as a teenager. If ever there were a moment for Voldemort to lose control and for his emotions to explode like a bomb, it would be the moment his immortality was stripped away yet the text gives us the opposite. He doesn't even try to kill Neville.
This contrast cannot be explained through the usual tired arguments. Nagini's death is the greater strategic loss by any objective measure for she was unique and irreplaceable. Bellatrix, while powerful, was ultimately one Death Eater among many and she could be replaced in her utility, yet the loss that should have devastated him strategically produces a simple response while the loss that should have been merely unfortunate produces in him emotion so intense it's likened to a bomb.
The only explanation that accounts for this is that Voldemort's response to Bellatrix's death was not about strategy at all but about the person and losing her specifically, as an individual who mattered to him in ways that transcended her utility.
Additionally, there was little strategic value in targeting Molly because Bella was already dead. If it was about strategy, Voldemort would focus on more pressing threats rather than on someone who just killed a distracted Bellatrix not because she had the power to do so but because Bellatrix was carelessly capering around her curses to deflect them rather than using her wand, or he may have focused on securing his position, but if his goal was to make the person who killed the most important person in his life pay, then Molly Weasley was exactly the right target.
After directing his wand at Molly, what happens? Harry reveals himself. The entire trajectory of the battle shifts because Voldemort's emotional reaction to Bellatrix's death created the opening for Harry to intervene. The narrative structure here parallels the Department of Mysteries incident where Voldemort's decision to rescue Bellatrix led to his exposure to the Wizarding World. In both cases, Bellatrix's presence at a critical moment creates a turning point that revolves around Voldemort's choices regarding her.
Bellatrix has been positioned at two pivotal points in the series. She matters structurally because she's the hinge upon which the plot turns through Voldemort's reactions to her. His attachment to her is what determines the course of the war itself. She is the one person whose fate he cannot be indifferent to, the one person whose loss destabilises him so completely that it changes the trajectory of everything.
The Second Wizarding War is structurally bookended by Bellatrix. It officially begins when Voldemort rescues her from the Ministry and officially ends when her death provokes his loss of control, creating the opening for Harry to reveal himself and defeat him.
If she were merely a useful lieutenant, she would not serve this function in the narrative.
After the war, Hermione went on a date with the fugitive Bellatrix in Muggle London, only to be spotted by patrolling police officers.(A darkly humorous notion—I simply want Hermione and Bellatrix to be caught on a secret date.)
i love whatever the fuck james potter and sirius black have going on. i bet it looks wild from the outside. its undefinable. its romantic. its deeply platonic. its obsessive. its a secret fifth thing. its a little feral. they're soulmates. they're brothers. they're best friends. they're partners in crime. they're creepy twins in a horror movie. they're each other's person. they can read each others minds. they're not technically two seperate people anymore. no one knows where one ends and the other begins. i'm voting them 'most likely to have a folie à deux thing going on' in the school yearbook.