Official Concept Art of Zuko in Avatar Aang: The Last Airbender by Judy Jong (@CutTimeComic) ā Twitter post
One Nice Bug Per Day
Cosmic Funnies

oozey mess
Not today Justin
YOU ARE THE REASON
I'd rather be in outer space šø
KIROKAZE
$LAYYYTER
Mike Driver
Game of Thrones Daily

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Show & Tell
Fai_Ryy

romaā
Noah Kahan
cherry valley forever
Lint Roller? I Barely Know Her
šŖ¼

titsay
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

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@sin-nombre-no-name
Official Concept Art of Zuko in Avatar Aang: The Last Airbender by Judy Jong (@CutTimeComic) ā Twitter post
acrylic, canvas 30*40 cm "lavender cloud" 2025
i know theyāre eventually gonna fall in love but tbh the spy x family living situation really is my aroace dream. deep mutual respect and care for one another. sharing domestic tasks. eating meals and spending quality time together. separate bedrooms. zero expectation of physical intimacy. coparenting a four year old. i canāt emphasize enough how much these are all absolute wins to me
I'm coming at this from a perspective of 1) anime watcher primarily (haven't read the manga) and 2) myself ace, so I'm not without my biases, but I think SxF carries some pretty strong ace and aro advocacy vibes in its core, round about the same place as the anti-war themes.
In the same way the series will play episodes of ha-ha spy themed hijinks and antics and will then turn around and look you dead in the eye and say with no humor whatsoever "war is a hell that degrades bodies and spirits of everyone it touches," they will play many episodes of happy home life and teasing tension between the ML and FL and then hit you with "amatonormativity is a tool of the fascist state, actually."
The entire reason this household comes to exist in the first place is that neither Loid nor Yor can exist freely in Ostanian society without checking all the socially expected boxes of being in a married heterosexual relationship with child. The ways that the authoritative Ostanian state demands this conformity, this biological labor, are markers of its oppressiveness as much as their paranoia and their secret police. Yor in particular was drawing so much hostility and suspicion from her coworkers just for being a single woman in her twenties that they were on the verge of reporting her for subversive behavior until she casually mentioned that she had met someone and was getting married soon.
Marriage and parenthood are, explicitly, the camouflage and cover that allow Yor and Loid to continue living their lives unimpeded, as they could never do openly. Having established that unequivocally, this unconventional household -- parenthood without biology, partnership without sex -- continues to be a successful place of stability and happiness for all three of them, despite lacking the elements that their amatonormative society insists are non-negotiable.
I don't disagree that Yor and Loid romance is probably endgame; but if they ever get there, they still will have lived for howevermany chapters episodes and seasons without it. And they were happy.
Something neuroscience-y that helps with prose: attention is selective. A character will not notice everything in a room. They will notice what matters to their goal, fear, desire, training, wound, or obsession. A jealous character notices hands. a hungry character notices food. A soldier notices exits. A lonely character notices pairs. Description becomes character when attention has a bias.
Edit: the title for this comic is āPuzzle Ratā this oneās a few days late due to having a lot of doctors appointments sorry itās Ā just 9 pages, and about some rats⦠itās more symbolic than anything really
(itās completely unrelated to any of my songs that have to do with āpuzzleboyā) Patreon: www.patreon.com/PengoSolvent
making a collection
Wait I have more
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you canāt not have servants in those times but many modern readers think ābut I would never have servants. it would be so weird to have servantsā and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldnāt it be so awful if your boss was always trying to be friends with you. a really common thing youāll see is the woke baronet having tea in the kitchen with the servants bc heās not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
Big master post compiling everything Iāve done for this personal visdev project. Itās A Thousand and One Nights but it goes by Once Upon a Time (tv show) rules where most of the stories exists within the same universe and characters interact with each other in their respective stories.
Rejoice, For the Herald Of Hope Flies Above Us
Hi guys! I thought I should just share my whole mini little library of Project Hail Mary-related things so they're all in one place:
It includes:
A telesync of the movie (with English soft subtitles)
A digital copy of the movie (with occasional Russian hard subtitles)
My transcript of the movie (more on that here)
Audio recordings of the movie
A PDF of the book
An EPUB of the book (for e-readers)
The full audiobook
A copy of Andy Weir's doc on Eridians
A copy of Andy Weir's spreadsheet on Astrophage physics (among many other things!)
A draft of the screenplay for the film from 2022
An audio recording of the director's commentary
My transcript of the director's commentary
The telesync subtitle SRT file
The audiobook, audio recordings, and commentary all have their properties programmed so they (should) work just like songs with a track number, album cover, artist, and so on if you download them.
There are two audios of the movie, one is the entire film untouched and one is that same audio cut up and broken down into separate scenes for convenience.
Additionally, there are two versions of the transcript, one with time stamps that match the audio and one without. The time stamps (+ their titles from the audio) are outlined in that version, so if you double-click on that tab or click "show outline," they'll all show up and you can pick a specific scene.
The first few seconds of the commentary are missing unfortunately as my US friend who was kind enough to record it for me had some technical difficulties at the start, but the commentary starts around the shot of the robot arms right before the shot of "good luck!" written on Grace's sleeping bag. It's also about 40-45-ish seconds behind the audio recording if you can only listen.
There's also a google doc with some instructions to follow if any of the files aren't working, which usually happens when too many people try to access or download something at the same time.
As always, if anything's not working right or you notice any mistakes in anything, please let me know and I'll fix it as soon as I can!
Apologies for the long and unexpected delay, but the transcript for the director's commentary is finished and now available in the drive!Ā
There are two different versions of the transcript, the first is made to listen along to the commentary, while the second is more intended to be read on its own. The first is a direct transcription of everything that's said (an attempt, at least), while the second is slightly cleaned up for easier reading, meaning things like jumbled sentences and stuttering were removed or reorganised, but nothing has been actually paraphrased or anything. Both are broken down into different scenes based on how their conversation goes, and the listening version includes timestamps.Ā
Like I said in the movie transcript's post, I am not a professional transcriber and this is just something I did for fun, so it is definitely not perfect. Additionally, there are a few spots throughout the transcript where I couldn't figure out exactly what they were saying, mostly because there wasn't enough diction, and those are all marked with a question mark in brackets. So if you know what they're saying in those spots (or any other spots I may have misheard without realising it), please let me know and I'll correct it!
What means so much to me about Ryland Grace being widely headcanonned as AceAro, is who he is.
Grace is not a robot. Grace is not a child. Grace is not the youngest of a group. Grace is not naive and innocent.
Doctor Captain Ryland Grace is a full person, with a full life, who feels strongly and loves humanity. So many people head cannoning a fully grown and competent and emotional person as AceAro means the world to me
you don't even have a dog
obsessed with "you have no immediate family you don't even have a dog" spoken by one of the people closest to grace in a situation SHE put him in, isolated from the connections he DID have (his students, presumably other teachers). the amanormativity of it all. you did have people, and now you have us, and we will drink and sing and work with you but it's not enough to justify letting you live. we might as well be phantoms for how little it matters that you had us because we weren't your partner your blood family or a pet. and then he goes into space and makes a friend who is not a partner or blood family or a pet who he laughs and talks and works with and who says you deserve to live, you deserve to go home, because i am here and i care about you and i can make it happen. literally friendship saves the day forever and ever
Grace being aroace, and Project Hail Mary's focus on platonic relationships, is so important to me, for so many reasons.
It's like. Project Hail Mary is a big, popular movie. It has fucking Ryan Gosling in it. And there's not a hint of a romance plotline anywhere! It's all entirely focused on platonic relationships. The friendship between Grace and Rocky is the focus of the movie, and it's so important to the story. They both found someone to be brave for, someone they were willing to die for. Without their friendship and collaboration, neither of them would have been able to save their home planets. Their bond is so close and special and above all their best friends, and it's beautiful.
There's also Grace's relationship with Stratt. Stratt is the main female supporting character. In any other story -- any other story -- I can almost guarantee she would've been the love interest. But she isn't and it's fucking wonderful. Just. Just think about it for a moment. Project Hail Mary is this big blockbuster movie -- and it looked at Eva Stratt and said, we're not going to make her the love interest, because she wasn't in the book and she doesn't need to be. Their dynamic is just as fucked up and wonderful and traumatic when they're friends. That's such an amazing thing to see in such a mainstream movie.
And, of course, it means so much to me that Grace is aroace and that the film (and the book) continuously point this out. He leaves the party when he sees people getting together. He's only had one girlfriend. Half the time he's wearing the colors of the aroace flag. (In the book, he's incredibly confused when people think he and Stratt are sleeping together).
Stratt uses his lack of romantic relationships as a justification for sending him to die, which is heartbreaking, and it felt so real. Because society is constantly telling aroace people that we're worth less because we won't date or get married or have sex, because we don't fit into societal norms. What Stratt said to Grace -- that's something the world is constantly telling us.
And then the movie flips that on its head. It says that it doesn't matter that Grace never had any of that, because he loved living and he loved his students and he was so full of love for everything around him. And he met his best friend in space and their friendship was what made them able to save their homes and each other.
It's just. In a world where there's hardly any aroace representation, having this much of it means so much to me.
Project Hail Mary by JesuĢs Alonso Iglesias