Erika Toliusis (b.1969) - Pacific Angel. 2022. Oil with palette knife on canvas.
@teaboot
Painted with a FUCKING PALETTE KNIFE?
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Erika Toliusis (b.1969) - Pacific Angel. 2022. Oil with palette knife on canvas.
@teaboot
Painted with a FUCKING PALETTE KNIFE?
a war thunder player got so mad about the inaccuracy of an ingame tank they leaked classified british military secrets to prove it’s wrong
Happened AGAIN with China this time
This. This is why any time a conspiracy theory asks you to believe any proposition that requires more than around, oh, call it at MAXIMUM fifty people to maintain perfect secrecy to pull it off, or even SIGNIFICANT secrecy to pull it off, you should be Dubious As Fuck of it.
OpsSec is very difficult actually because humans are fucking ridiculous.
It's wild blueberry season in Sweden and I've been picking and eating my fill everyday from the forest behind my house! The entire forest floor is covered in wild blueberry bushes and the tangy taste is so cosmic, I had to paint them✨ Photos of the berries I picked!
Painting process~
OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞,渐越)
Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.
Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.
This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.
During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.
The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).
Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.
Split-joint seals (骑缝章qifengzhang)are still widely used on important paper documents in modern China, an anti-tampering technique passed down from ancient times. They are applied across the edge of multi-page contracts, bidding documents and official archives. If any page is removed or replaced, the broken seal pattern can prove the file has been altered.
OMG I got so excited about this because they used a really similar (though far less refined) version of this for contracts in the European medieval period!
First they were called "chirographs", but later the word "indenture" (in its earliest meaning as just a legal document of any kind between two people) came to be used, originating from the practice of a contract being written twice on a single piece of parchment and then cut in half with serrated edges (as in dent, "teeth" -> indents -> indenture) in order for each party to take one half, so they could later piece them together and verify that there had been no forgery -- same as the Chinese silver drafts!
(Charter of the Clerecía de Ledesma, 1252, showing the serrated indents at the top -- presumably they are cutting rather than tearing because they're using parchment, which I expect is much harder to tear than wood-pulp paper like the Chinese were using)
Delights me when human beings find similar ways to solve the same problem at two different ends of the world. <3
The intestines of the furnace by Stéphane Gaudry, 2012
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
I have a love for both kimonos and bustle dresses, so I love seeing how the two fashions influenced each other over this period. And thanks to Pinterest, I have pictures!
Victorian tea gown that clearly started as a kimono. It still has the long furisode sleeves, but now they’re gathered at the shoulder and turned around so that the long open side is facing the front instead of the back. Similarly the back is taken in with curved seams to fit the torso and pleated below that for the skirt.
Woodblock of a woman in a a bustle dress made with colorful patterned fabrics and examples of how a woman could style her hair with it.
More prints to showcase hairstyles, two women wearing western wear and two women wearing kimonos.
This next one’s modern, but it involves hoopskirts so I’ll add it in because it makes me so happy. There’s been different styles of wedding fashion that take kimonos and give them a more modern look. Often this involves taking a kimono and then cutting and resewing it into a new dress. Very pretty, but it can’t ever be worn like a traditional kimono again. But now there’s another trend where the bride wears a hoopskirt with a white skirt, then you take the kimono and drape it on. The back of the kimono covers the front of the dress, the long sleeves fall across the sides or the back, and you still wear an obi with it. The result is pretty and the kimono itself doesn’t have to be altered at all.
And because you mentioned steampunk, I have to add in these two:
Personally I’m a big fan of Taisho Meisen kimono, which are what happen when the Japanese textile industry abruptly gets access to aniline dyes, new spinning and weaving technology, and the concept of Art Deco:
I was working with an item today that just utterly flabbergasted a part of me (the other was deeply frustrated with the catalogue record AS SOMEONE APPARENTLY THOUGHT IT WAS PRINTED ON SILK, coming back to that in a minute) … but ANYWAYS … said item is a replica of a medieval manuscript prayer book THAT IS ENTIRELY WOVEN out of grey and black silk … WOVEN … text, images, intricate grey scale, WOVEN … NOT PRINTED …
And it’s flabbergasting because it’s from 1888, Jacquard machine, IT USED PUNCH CARDS to weave these intricate pages … something like 400 weft per near square inch … IT looks like a page of textured paper, but it’s not, it’s entirely SILK … F*CK …
Anyways …
OKS I’ve since calmed down and found out that the reason they used “printed” is because it is essentially printed by a computer … in a weird way; when I import the record, I’m just gonna take that note out …
BUT this is the item btw
WOVEN! WOVEN ON A LOOM using f*ckin’ punch cards!
This portrait of Joseph Marie Jacquard was also woven with punch cards in 1839!
NOW GUESS WHY EARLY COMPUTERS WERE PROGRAMMED
WITH
PUNCH CARDS
yes you’re right, they used jacquard-loom techniques
Jacquard Loom: Early Computer Programing
I just wanted to add a video discussing how a jacquard-loom worked, cuz this is nuts
A Jacquard loom in action
by sergey_polyushko
i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors
“red and green are opposites 🥰” cool now how do i paint a tree with pinks and blues without it looking like a child’s finger painting or incongruous blobs of rainbow vomit
ok i can’t explain it very well but im looking for tips and techniques for rendering art like
with specifically the highlights and colors being hues that compliment each other, don’t distract from the scene, and make it more interesting/visually appealing
is it too much to ask
gonna drop some sources I have saved on Pinterest! I don't know if these all link back to the original sources so apologies for that
cohesive but still contrasting
This kind of talks about color and composition
This is a bit about landscape specifically
Values & composition
Contrast in composition
Balance in colors & values
This one's more for palette building but I think it's useful and can be applied to the other ones
Cohesion within compositions/lighting
"Chromatic fringe" - I also see people using this with shading, they bring in a transition color that is a different hue than the base color or shadow, it makes it so that less vibrancy is lost and it doesn't get muddy!
This one specifically has a lot of process behind the style of painting you're looking for!
Also one of my favorite artists who makes bright and colorful art like this is Not Sorry Art on TikTok & YouTube, her website is here and it's<3 my fav. She has some videos where you can see her process
With the oranges painting you put as an example, I noticed they painted the lighter values more toward yellow - they also exaggerated the hues of the undertones of the photo, so I'm guessing they either did it in their head or bumped the saturation up to get a closer look! I really love these paintings you shared and I definitely share your desire to paint/draw like that :)
thanks this is super helpful! /gen
by Larry Tracchini
Una polla
Amy Shackleton is an award-winning artist based in Canada whose paintings have been exhibited nationally, as well as in the United States and the United Kingdom. In addition, her art has been featured in publications such as Huff Post, Galo Magazine, Luxe Magazine, etc. Shackleton's pieces depict an uncertain future where cities blend with nature. Her distinctive compositions are most often created using acrylics on canvas.
I can barely contain myself right now
holy shit
HOLY SHIT
holy CRAP.
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There is a lot wrong with the world at the moment, but the Smithsonian… the Smithsonian is right.
The archive includes fashion images!
The doorway is real, the rest is airbrushed graffiti.
@vile_graffiti
Holy fuck
Void cat but space, with moon for eyes~