Fragments

Moments in time, suddenly here and quickly gone

[smolwrites]

I've never done poetry before but the idea of a spoken poem addressing self hating closeted people who are actively contributing to bullying and/or marginalization of their own kind through politics that ends with the speaker in a fever pitch commanding "COME DOWN, PENTHIUS. Don't make us shake the tree."

[bimbinis]

I just saw a writing advice post abt the “show don’t tell” thing and it was good at first but then it deadass turned “the sun rose over the city” into “Yellow light spilled over the streets, soaking the grit from the rainbow puddles into the air.” but even longer and I’m just gonna say it right off the bat, sometimes you don’t need more words. Sometimes you can just say “[x] felt [y]” straight up and spare your reader from having to skip over your sudden need to jack off to your own vocabulary

[bettsfic]

show don’t tell is bullshit because it neglects the notion of familiarity and therefore relevance.

when you’re writing description, everything about that world is assumed until you, the writer, say otherwise. are the characters in a studio apartment? the reader will conjure their idea of an apartment, along with all of the social context that comes along with it: city living, temporality, potentially poverty or at least financial struggles. in other words, the reader will always assume the familiar. 

so it’s your job to only point out the unfamiliar details. 

is there something special or interesting about this studio apartment or the reason they’re living there? does it face east? and if it faces east, what’s the consequence of that? does the sun wake your character up every morning? are they annoyed by that? can they afford curtains? 

if a character is in the bathroom, you don’t need to describe the toilet unless there’s something meaningful about that toilet. we might need to know it’s filthy before a character falls to their knees and pukes into it. we might need to know there’s hair clogging the drain if they’re trying to wash their hands. we might need to know the shower is immaculate, or that there’s expensive shampoo in the caddy or even a fucking pumice stone because all of those things provide context to a character’s plight. 

the point here is, we don’t need a description of the sun rising unless there’s something special and relevant (see: unfamiliar) about that sunrise. is it fucking green today?? are there two suns? is the character watching it rise, and if so, why are they awake that early, and is that outside of their norm?

every detail, and i mean every detail you write becomes indicative of your narrator. no one cares about yellow light spilling out over the streets unless there’s something about that observation that affects how your character sees or thinks or feels. 

everything else? cut. 

[authorctcallahan-deactivated202]

This is good advice, but remember that the “unfamiliar” should be to your narrator, not to you. If you’re writing a fantasy story where everyone wears leather boots, describing a pair of leather boots in detail is awkward if it’s something your narrator should find commonplace.

Every reader comes from different assumptions. A studio apartment might sound like poverty to some people, but to others, it may sound wealthy because the only studio apartments near them are in the heart of downtown. Don’t just *assume* that something will be strange or commonplace to all your readers because it won’t.

Describe what your *narrator* would take note of, and then get some readers to tell you if they feel you left out too much.

[onamountaintop]

[roane72]

Best trick I ever picked up. Seriously.

[catastrophe-jones]

I have also learned this is great for [PICK A COOL NAME FOR A SHIP] and [LOOK UP THE FACTS ABOUT OXYGEN LEVELS] and [WHAT’S THE WORD] and [DOUBLECHECK CHARACTER’S EYE COLOR] and ALL KINDS OF THINGS.

Anything that isn’t critical in the moment, and could be filled in later while I’m currently trying to burn through writing pages that will be lost if I don’t get them out right now? Brackets.

[naamahdarling]

.

[fensandmarshes]

THIS

[silversuggestion]

offering little prayers,

with every step forward,

and a curse for every glance backward.

"what is growth" I ask

and the vine says This

and reaches skyward,

and the root says This

and reaches deeper,

but I take another step,

and pray, "this, this".

[otherwindow]

why are hillbilly characters always Gruff Overprotective Dad with Three Hot Daughters and never Gruff Overprotective Mom with Three Hot Sons or at the very least Hot Hillbilly Single Dad with Three Overprotective Gruff Daughters

[otherwindow]

[thatgirlonstage]

It’s important to recognize the difference between “I’m nitpicking scientific facts because I’m willfully ignoring how suspension of disbelief, fantasy, and sci-fi work and just trying to be obnoxious about how unrealistic this is”, and “I’m nitpicking scientific facts because there are actually some intriguing worldbuilding possibilities if we use them that can add another dimension to the story”, and “I’m nitpicking scientific facts because considering the real-world implications of how this would happen are FUCKING HILARIOUS”

[adagio-sky]

I wish some people in my fiction workshop understood this concept.

[smolwrites]

Oh, to be a bird and to not know

[awabubbles]

me: (writes fics in my head while running)

me: (writes fics in my head while driving)

me: (writes fics in my head while brushing my teeth)

me: (sits down to write a fic at my computer) I got nuthin

[victoria-writes-sometimes]

me: *acts out a fire conversation between characters while driving, working, etc.*

me: *sits down to write, immediately forgets everything I acted out, and the characters have a conversation of glares, sighs, and eye rolls*

me: 😀

[ghostzzy]

reminder to myself about the process of drafting & revising:

first drafts are for making it exist

second drafts are for making it functional

third drafts are for making it effective

[writingisfancylying]

How do you write creepy stories

[writeanapocalae]

Over describe things

Under describe things

Fingers, teeth, and eyes

Short sentences in rapid succession build tension

Single sentence paragraphs build dread

Uncanny valley=things that aren’t normal almost getting it right

Third person limited view

Limited explanations

Rot, mold, damage, age, static, flickering, especially in places it shouldn’t be

Limited sights for your mc -blindness, darkness, fog, refuse

Real consequences

Being alone -the more people there are, the less scary it is

Intimate knowledge, but only on one side

I don’t know I just write scary things but I don’t know what I’m doing.

[incandescent-creativity]

Rule of Thumb: your reader’s imagination will scare them more than anything you could ever write. You don’t have to offer a perfectly concrete explanation for everything at the end. In fact, doing so may detract from your story.

[badassunicorn2016]

Writing Tip June 4th

[dreadwvlf-deactivated20180702]

badassunicorn2016:

A list of body language phrases.

I’ve included a very comprehensive list, organized by the type of body movement, hand and arm movements, facial expressions etc. In some cases, a phrase fits more than one heading, so it may appear twice. Possible emotions are given after each BL phrase unless the emotion is indicated within the phrase. (They are underlined for emphasis, not due to a hyperlink.)

Note: I’ve included a few body postures and body conditions as they are non-verbal testimony to the character’s physical condition.

Have fun and generate your own ideas.:-)

Eyes, Brows and Forehead

arched a sly brow:  sly, haughty

blinked owlishly:  just waking, focusing, needs glasses

brows bumped together in a scowl:  worried, disapproving, irritated

brows knitted in a frown: worried, disapproval, thoughtful

bug-eyed:  surprised, fear, horror

cocky wink and confident smile:  over confidence, arrogant, good humor, sexy humor

eyes burned with hatred: besides hatred this might suggest maniacal feelings

eyes flashed: fury, defiance, lust, promise, seduction

eyes rolled skyward: disbelief, distrust, humor

forehead puckered:  thoughtful, worried, irritation

frustration crinkled her eyes

gaze dipped to her décolletage: sexual interest, attraction, lust

gimlet-eyed/narrowed eyes: irritation, thoughtful, mean, angry

gleam of deviltry:  humor, conniving, cunning

kept eye contact but her gaze became glazed: pretending interest where there is none/bordom

narrowed to crinkled slits:  angry, distrust

nystagmic eyes missed nothing (constantly shifting eyes):  Shifty

pupils dilated:  interested, attraction to opposite sex, fear

raked her with freezing contempt

slammed his eyes shut:  stunned, furious, pain

squinted in a furtive manner:  fearful, sneaky

stared with cow eyes:  surprised, disbelief, hopeful, lovestruck

subtle wink:  sexy, humor/sharing a joke, sarcasm

unrelenting stare: distrust, demanding, high interest, unyielding

Place To Place, Stationary Or Posture

ambled away:  relaxed, lazy

barged ahead:  rude, hurried

battled his way through the melee:  desperate, anger, alarm

cruised into the diner:  easy-going, feeling dapper, confident

dawdled alongside the road:  lazy, deliberate delay for motives, unhurried, relaxed

dragged his blanket in the dirt:   sadness/depressed, weary

edged closer to him:  sneaky, seeking comfort, seeking protection, seeking an audience

he stood straighter and straightened his tie:  sudden interest, sexual attraction

held his crotch and danced a frantic jig: demonstrates physical condition – he has to pee

hips rolled and undulated:  sexy walk, exaggerating for sex appeal

hovered over them with malice/like a threatening storm: here it’s malice, but one may hover for many reasons.

hunched over to look shorter:  appear inconspicuous, ashamed of actions, ashamed of height

leaped into action feet hammering the marbled floor:  eager, fear, joyous

long-legged strides:  hurried, impatient

lumbered across:  heavy steps of a big man in a hurry

minced her way up to him: timid, sneaky, insecure, dainty or pretense at dainty

paced/prowled the halls:  worried, worried impatience, impatient, diligently seeking pivoted on his heel and took off:  mistaken and changes direction, following orders, hurried, abrupt change of mind, angry retreat

plodded down the road:  unhurried, burdened, reluctant

practiced sensual stroll:  sexy, showing off

rammed her bare foot into her jeans: angry, rushed

rocked back and forth on his heels: thoughtful, impatiently waiting

sagged against the wall:  exhausted, disappointment

sallied forth:  confident, determined

sashayed her cute little fanny:  confident, determined, angered and determined

shrank into the angry crowd:  fear, insecure, seeking to elude

sketched a brief bow and assumed a regal pose: confident, mocking, snooty, arrogant skidded to an abrupt halt: change of heart, fear, surprise, shock

skulked on the edges of the crowd: sneaky, ashamed, timid

slithered through the door:  sneaky, evil, bad intentions

stormed toward her, pulling up short when: anger with a sudden surprise

swaggered into the class room:  over confident, proud, arrogant, conceited

tall erect posture:  confidence, military bearing

toe tapped a staccato rhythm:  impatience, irritation

tottered/staggered unsteadily then keeled over:  drunk, drugged, aged, ill

waltzed across the floor:  happy, blissful, exuberant, conceited, arrogant

Head Movement

cocked his head:  curiosity, smart-alecky, wondering, thoughtful

cocked his head left and rolled his eyes to right corner of the ceiling:  introspection

droop of his head: depressed, downcast, hiding true feelings

nodded vigorously: eager

tilted her head to one side while listening:  extreme interest, possibly sexual interest

Mouth And Jaw

a lackluster smile:  feigning cheerfulness

cigarette hung immobile in mouth: shock, lazy, uncaring, relaxed casualness

clinched his jaw at the sight:  angered, worried, surprised

curled her lips with icy contempt

expelled her breath in a whose:  relief, disappointment

gagged at the smell: disgust, distaste

gapped mouth stare:  surprised, shock, disbelief

gritted his teeth:  anger, irritation, holding back opinion

inhaled a sharp breath:  surprise, shock, fear, horror

licked her lips:  nervous, sexual attraction

lips primed: affronted, upset, insulted

lips pursed for a juicy kiss

lips pursed like she’d been chewing a lemon rind: dislike, angry, irritated, sarcasm

lips screwed into: irritation, anger, grimace, scorn

lips set in a grim line: sorrow, worried, fear of the worst

pursed her lips:  perturbed, waiting for a kiss

scarfed down the last biscuit:  physical hunger, greed

slack-mouthed:  total shock, disbelief

slow and sexy smile:  attraction, seductive, coy

smacked his lips: anticipation

smile congealed then melted into horror

smile dangled on the corner of his lips: cocky, sexy

smirked and tossed her hair over her shoulder:  conceit, sarcasm, over confident

sneered and flicked lint off his suit: sarcasm, conceit

spewed water and spit: shock

stuck out her tongue: humor, sarcasm, teasing, childish

toothy smile:  eagerness, hopeful

wary smile surfaced on her lips

Nose

nose wrinkled in distaste/at the aroma

nostrils flared:  anger, sexual attraction

nose in the air:  snooty, haughty

Face in General

crimson with fury

handed it over shame-faced

jutted his chin: confident, anger, forceful

managed a deadpan expression:  expressionless

muscles in her face tightened:  unsmiling, concealing emotions, anger, worried

rested his chin in his palm and looked thoughtful

rubbed a hand over his dark stubble:  thoughtful, ashamed of his appearance

screwed up her face:  anger, smiling, ready to cry, could almost be any emotion

sneered and flicked lint off his suit: conceit, derision, scorn

Arm and Hand

a vicious yank

arm curled around her waist, tugging her next to him:  possessive, pride, protective

bit her lip and glanced away:  shy, ashamed, insecure

brandished his fist:  anger, threatening, ready to fight, confident, show of pride

clamped his fingers into tender flesh:  anger, protective, wants to inflict pain

clenched his dirty little fists: stubborn, angry

clapped her hands on her hips, arms crooked like sugar bowel handles:  anger, demanding, disbelief

constantly twirled her hair and tucked it behind her ear:  attracted to the opposite sex, shy crossed his arms over his chest: waiting, impatient, putting a barrier

crushed the paper in his fist:  anger, surrender, discard

dived into the food: hunger, eager, greedy

doffed his hat:  polite gesture, mocking, teasing

doodled on the phone pad and tapped the air with her foot:  bored, inattention, introspection

drummed her fingers on the desk:  impatient, frustrated, bored

fanned her heated face with her hands: physically hot, embarrassed, indicating attraction

fiddled with his keys: nervous, bored

firm, palm to palm hand shake:  confident, honest

flipped him the bird: sarcastic discard

forked his fingers through his hair for the third time:  disquiet/consternation, worry, thoughtful

handed it over shame-faced:  guilt, shame

held his crotch and danced a frantic jig:  physical need to relieve himself

limp hand shake:  lack of confidence, lack of enthusiasm

propped his elbow on his knee: relaxed, thoughtful

punched her pillow:  restless, can’t sleep, angry

rested his chin in his palm:  thoughful, worried

scratched his hairy belly and yawned:  indolent, bored, lazy, relaxed, just waking

shoulders lifted in a shrug:  doubtful, careless discard

slapped his face in front of God and country:  enraged, affronted/insulted

snapped a sharp salute:  respect, sarcastic gesture meaning the opposite of respect

snapped his fingers, expecting service:  arrogant, lack of respect, self-centered

sneered and flicked lint off his suit

spread her arms wide: welcoming,  joy, love

stabbed at the food: anger, hunger, determined

stood straighter and smoothed his tie:  sudden interest, possible sexual interest

stuffed his hands in his pockets: self-conscious, throwing up a barrier

sweaty handshake:  nervous, fearful

touched his arm several times while explaining:  sign of attraction, flattery, possessive

wide sweep of his arms:  welcoming, all inclusive gesture, horror

Sitting or Rising

collapsed in a stupor:  exhausted, drunk, drugged, disbelief

enthroned himself at the desk:  conceit, pronouncing or taking ownership

exploded out of the chair:  shock, eager, anger, supreme joy

roosted on the porch rail like a cock on a hen house roof:  claiming ownership, conceit, content

sat, squaring an ankle over one knee:  relaxed and open

slouched/wilted in a chair and paid languid attention to:  drowsy, lazy, depressed, disinterest, sad, totally relaxed, disrespectful

squirmed in his chair: ill at ease, nervous, needs the bathroom

Recline

flung himself into the bed: sad, depressed, exhausted, happy

prostrated himself: surrender, desperate, miserable, powerless, obsequious, fawning, flattering

punched her pillow:  can’t sleep, anger, frustrated

threw himself on the floor kicking and screaming: tantrum

Entire body and General

body stiffened at the remark:  offended, anger, alerted

body swayed to music:  dreamy, fond memories, enjoys the music

bounced in the car seat, pointing:  excitement, fear, eager

cowered behind his brother:  fear, shyness, coward, desperate

curled into a ball:  sorrow, fear, sleepy, defensive

heart galloping:  anxiety, joy, eager

held his crotch and danced a frantic jig

humped over his cane, each step shaking and careful: pain, aged

inhaled a deep breath and blew out slowly: buying time to find words/thoughtful, reconciled

quick and jerky like rusty cogs on a wheel:  unsure of actions, self-conscious, tense, edgy

rocked back and forth on his heels:  impatient, cocky, gleeful

manhandled the woman into a corner:  bully, anger

slumped shoulders: defeat, depressed, sad, surrender

stiff-backed:  priggish, haughty, affronted

stood straighter and straightened his tie:  sexual interest, wants to make an impression

stooped and bent: aged, arthritic, in pain

stretched extravagantly and yawned:  tired, bored, unconcerned

sweating uncontrollably: nervous, fear, guilt

tall erect posture:  confidence, military bearing

was panting now at:  afraid, exhausted, out of breath, sexual excitement

-Sharla Rae

[maxkirin]

[wordpainting-deactivated2023071]

Excellent!

[rivalwrites]

I think the best piece of character design advice I ever received was actually from a band leadership camp I attended in june of 2017. 

the speaker there gave lots of advice for leaders—obviously, it was a leadership camp—but his saying about personality flaws struck me as useful for writers too. 

he said to us all “your curses are your blessings and your blessings are your curses” and went on to explain how because he was such a great speaker, it made him a terrible listener. he could give speeches for hours on end and inspire thousands of people, but as soon as someone wanted to talk to him one on one or vent to him, he struggled with it. 

he had us write down our greatest weakness and relate it to our biggest strength (mine being that I am far too emotional, but I’m gentle with others because I can understand their emotions), and the whole time people are sharing theirs, my mind was running wild with all my characters and their flaws.

previously, I had added flaws as an after thought, as in “this character seems too perfect. how can I make them not-like-that?” but that’s not how people or personalities work. for every human alive, their flaws and their strengths are directly related to each other. you can’t have one without the other.

is your character strong-willed? that can easily turn into stubbornness. is your character compassionate? maybe they give too many chances. are they loyal? then they’ll destroy the world for the people they love.

it works the other way around too: maybe your villain only hates the protagonist’s people because they love their own and just have a twisted sense of how to protect them. maybe your antagonist is arrogant, but they’ll be confident in everything they do.

tl;dr “your curses are your blessings, and your blessings are your curses” there is no such thing as a character flaw, just a strength that has been stretched too far.

[mareebrittenford]

This is such a fabulous flip side of what I’ve always known about villians. That their biggest weakness is that they always assume their own motivations are the motives of others.

[bookishdiplodocus]

Such a good tip for writing realistic characters.

[shinondraws]

I was listening to an art podcast and I heard someone use “creative hibernation” as a term to describe a period of time when your creative energy and flow of ideas is slowing down.

Honestly, it sounds so much better than “art block”. To me, “creative hibernation” sounds less like a negative thing and more like an organic part of the creative process. 

“Art block” sounds very definite. They sound like something you MUST actively fight against to break them down in order to continue. “Hibernation” on the other hand sounds more like a thing that happens every now and then but that will go away on its own when it’s time. It’s a stage of gathering energy for the next creative pursuit. Art block on the other hand is an artificial, mental block that actually just seems to solidify the more you treat it like an obstacle to get around.

All creative people go through this type of slowing down all the time and it is completely alright. I thought I would share this because I think the right kind of mentality is actually one of the most important things of recovering your creative energy.

[oliviapaigewrites-deactivated20]

THIS IS AN IMPORTANT ONE! Don’t ignore this in your writing!

[dconthedancefloor]

Found some hands tutorial by me

Not in English but hope it will help???????