sideblog for my transformers AU (kind of dead sorry)
my ao3 (totally not dead, just sleeping)
nsfw sideblog (also dead but less so)
socials and stuff
my redbubble, featuring pride-themed pentagrams
TAG GUIDE:
art: things I think are pretty or cool
inspo: things that tickle my creative brain iykwim
info: political or informational stuff. political stuff tends to align with my own opinions
meymey: things I think are funny
read later: stuff I want to look at again later. sometimes it's a video that wouldn't buffer lmao
dreamspark chronicles: stuff related to my main original story
errorverse: stuff related to my transformers prime AU
nuggets: stuff for my favorite mutual (inconsistent)
cute: might be animal pictures might be a secret third thing
any variation of a pronoun keysmash: that person is on my weekly thirst fixation list
salad's writing: general original creative thoughts and works
salad thoughts: general original text posts or longer additions to a post
salad's bitty bots: transformer yap tag
I don't tag fandoms consistently cos I'm very very lazy and easily overwhelmed, I also only started tagging like three years ago so everything before that point is lost to the void lmao
FANDOMS YOU MAY SEE HERE (uncomprehensive)(full disclosure: I don't tag ships!!):
-darkest dungeon, leaning towards 1
-baldur's gate 3
-lord of the rings
-transformers
-original universes or HASO/A (I love worldbuilding rahhhhhhh)
-fallout
-ersatz
-general fantasy art (big fan of mermay and dragons)
-project hail mary
-iron lung
Fandoms-In-Law (I dont know shit about them but they look cool as hell):
OP turned reblogs off but as someone with a crazy wicked scar that's been called "body horror" a few times, I really wanted this on my blog
in fact I think all of these are beautiful, cool, neat, or just neutral. nothing negative about any of it. also goes for implants, I've known people with implants of all kinds be made fun of, but that shit isn't ugly or gross either, it's just neutral and or positive
I won't publish the ask (they asked me not to), but I thought I'd still answer it publicly!
no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.
when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.
an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).
advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.
this isn't meant to discourage anyone from seeking out writing as a career! however, there is a reason that many authors have alternate jobs with writing on the side. or, you know, rich spouses.
this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!
buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....
if I can offer one alternative to pirating: asking your library to stock the book also helps authors, and doesn't cost anything. the only downside is the patience required.
OOPS yes, @stjohnstarling makes a good point! everything I'm saying is from the perspective of traditional publishing, but it's a very different game if you're a self-published author
This whole situation is also why authors have been pushing SO hard to finally get access to the numbers that the publisher receives as well-- there is currently not a lot of information available to authors about how many people are buying the book, precise information about where they're buying it (location/bookstore/specific demographics, etc), and all the other nitty gritty pieces of information that indie authors can get from their own websites. This can lead to compounding problems of 1- not knowing where and how you're selling best and 2- publishers being able to get away with massive amounts of wage theft if they're feeling crafty about it. Particularly when you're new to the game! There is very little transparency for the whole process and a certain amount of blind trust you have to have in a corporation that is only allegedly trying to take care of you. This isn't to say that everyone should self publish. Trad publishing is still great for a really wide variety of reasons! But hoo boy. It can be a real cesspit of traps and dangers. This is why having a good agent who can get you good deals on those advances is so vital. (Also, get a contract lawyer if you can and remember that all contracts are negotiation. I have heard Some Horror Stories.)
Regarding my last post: This is what I mean by how I interpret Reynauld. He's an old scruffy and chunky dog who is "past his prime", at least to me đ€·
I really liked how Reynauld looked unmasked in dd1 in that one promotional artwork which was basically his pre-dd1 concept (who was named Lincoln btw).
So, I basically blend the two designs to achieve what I envision alongside other hcs of mine. I keep the general scruffiness and older appearance from Lincoln and keep the brown hair (+ my addition of grey hairs cuz I see him being 45) and rounder facial features of dd2 hero origin Reynauld.
I love reading fanfics where one character is tagged as jealous, but their partner is unlovable to anyone but them. Like.. calm down, sweetheart, no one wants your man. We're still trying to figure out why you want your man.
Little pains were nothing new, when one was conjunxed to a warrior in the middle of a war. Knockout had long ago learned to put them aside, tucking them away in his diagnostics routines - they did make for a great early warning system, so he was never particularly surprised by whatever appeared on his medical slab.
But thisâŠthis was something awful, and new. Fear Knockout had never felt before from his stoic mate surged through their bondâŠbefore the sudden eerie silence of stasis lock.
Knockout was damned if he was gonna sit by idly. He knew Breakdown, inside and out. Anything that frightened him that badly was a serious threat.
And Knockout didn't particularly care if it was a match for him.
the moment art is made public it belongs to the audience, its meaning will always be fluid as each individual viewer finds new ideas in the work that emerge from their unique experience of our world. In this way, no interpretation can be correct or incorrect; no one can say what the art is "about"-
*sees one of the strangest and deeply selective interpretations of Spirit: Stallion of The Cimarron*
THANK YOU FOR THE REPLIES ON MY LAST POST LOOOL I HEAR YOU //
Here is a writing sample I did back when I first got into the fandom. Itâs just a little Simon wakes up character study thing. I was trying to get their dynamic and personalities down at the time. Nothing unique but I hope you like it!!
In the future I DO really want to do some writing for my reverse AU specifically but if you want me to expand on anything in my auâs/ comics let me know :)
TW: emetophobia (Simon has a tube situation right at the beginning but thatâs it)
Reference / mention of SU*C*DE
Panic attacks, trauma, all the works Simon is going through it as per usual//
Orbiting around a distant but reachable moon is a small container vessel.
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If the Eridians had found it years ago, the retrieval team would have succumbed to radiation poisoning on their journey home.
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Thankfully, Erid's top scientists had recently helped usher in a new understanding of the deadly emission and were able to decontaminate the vessel before transporting it closer to Erid for observation.
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This observation would be led by Erid's singular human inhabitant, Doctor Ryland Grace.
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***
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Simon's first conscious sensation is a fullness in his throat. He gags, goes to cover his mouth with the back of his hand on instinct, and feels the rubbery material of a tube instead. He follows it past his lips, and when an experimental tug does nothing to remove it, he realizes with a horrified swoop of his stomach that it's inside him.
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His breath quickens, and he forces himself to breathe through his nose as he fumbles to get a good grip on the thing with the only hand thatâs listening.
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He pulls- ignoring the sharp tugs of pain as he works it out of his mouth in a series of jerky, uneven motions. He takes a shuddering breath when it's finally out and tosses it to the floor.
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His stomach rolls, and Simon struggles to pull himself upright just enough to lean off the side of his prison cot and vomit.
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It's painful, tensing every muscle in his wounded body as he heaves and tries to breathe through it all.
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When it's over, he collapses onto his back, head spinning and stomach burning as he takes greedy heaves of air, registering the distinct taste of metal on his lips.
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Blood.
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He coughs, spits, and swipes the palm of his hand across his face, pulling away a stream of red.
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The too-bright lights and the too-pristine walls flicker, replaced with the cold, rusted interior of the SM-13. He closes his eyes tightly, fisting the material of his pants and forcing himself to breathe- but he can't goddamnit! He can't breathe.
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He's trapped. He's never getting out- he will die right here, bleeding from the inside- blood swallowing him, melting his skin, twisting his bones, consuming his memories until he is nothing more than another drop in the blood ocean, another brother. A son of Eden joining the grove, but far from the last.
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Something cold and mechanical wraps around Simon's wrist and pulls. He doesn't have enough strength to fight it, he realizes, but he tries anyway. He tugs at the trap as hard as he can, kicking with sore, stubborn legs.
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"Armando release! He's going to dislocate that shoulder!"
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The clasp is gone in an instant, and Simon drags his broken body back, against the prison wall, the SM-13, the strange white room.
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"Youâre awake!"
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Fuck- fuck. There are people here. C.O.I.
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"Stay away from me!" His voice is raw and half rasp- more like a beast than a person.
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The silhouette approaches. Did they just put their hands up? Raise a weapon?
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"We speak the same language! Oh, this is incredible -" The man- he thinks - sounds excited, even desperate. It makes Simon's skin crawl because he doesn't understand why.
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Everyone this side of Eden speaks their language.
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He wishes he could get a good look at the man's face, try and decipher his words- his intentions- but he can barely tell if the room is straight or spinning.
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"Man, I have so many questions."
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Simon can't see- the shapes are all blurring together- The colors don't align.
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"Ah! Sorry, those can wait until you're feeling better-" he winces, gaze flickering to the pool of blood. âI really thought you'd be unconscious for a few more days. Letâs hope that didnât damage your throat too badly- Iâm so sorry I didn't get here in time to help. Getting those tubes out on your own sucks."
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It's all rust. red. red. red.
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âDonât be too worried about the blood- Itâs not internal bleeding justâŠ-Oh that doesn't matter right now, sorry, I'm rambling- what's important is that you're safe and mostly stable. Now sit tight, We just need to check your-"
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The man takes a step closer.
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"GET BACK!" Simon chokes.
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And to his surprise, the man stops his approach, then takes several steps away. He plants his feet and raises his arms a little higher in surrender, even though Simon is unarmed.
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Maybe he does know who he is after all- maybe he recognizes The Butcher.
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"Okay- Yeah, that's- Yeah. I'll stay right here, no problemo."
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Fuck, breathing- hurts. Everything hurts, but breathing hurts. Like every inhale is done through broken glass. He can't get the air to stay in his lungs either- it's all ragged and uneven. Simon is shaking, his hair is crusted with dried blood, his back drenched in sweat. He realizes he's naked from the waist up.
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He must look completely pathetic. He feels hot- uncoordinated and nothing makes sense.
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Maybe that's why the man seemed so calm in comparison. He must know Simon is in no shape to fight back. His head reels as he tries to remember if the C.O.I ever put their prisoners through the Realization program twice if they survived.
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"No-" His breath falters, sweeping out of his lungs all at once. "I can't- No I can't I won't-"
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"Hey-"
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"NO!" Simon yells, "No I did everything you told me-"
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"Whoa- wait a second-"
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"I went to HELL for you people- you can't- punish me for surviving it- I brought you the stupid box- You- Can't- I CAN'T- Please!
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"It's okay-!"
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Simon flinches, violently, pressing himself deeper into the corner. He needs a weapon, now- but there's nothing. He can hardly see through the blinding all-encompassing panic.
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"No." he moans, despite it all, "Fuck you- fuck. you. God- Oh God- Please don't make me go back-"
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Squeezing his eyes shut- shame swirling in his stomach at the pathetic mess of it all.
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"Sorry-" The man half whispers, like he's speaking to a small, frightened child. Like he's mocking Simon. "I'm sorry- I really don't know what you're talking about-"
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Simon bites the inside of his cheek- hard. Trying to hold back tears that had formed in his eyes. Why does this man torment him further.
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âJust- okay, everything is okay. What do you mean by âwent to hell?â Where exactly did you come from?â
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Simon falters at the questions. He's shaking now- unable to make himself talk about it anymore and unable to make himself keep begging. He would fight if he had to- he would kill this man if he got closer.
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An image of a blood red eye, as large as The Last Tree flashes in his mind.
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"Never mind.â the man says suddenly, âWe will have plenty of time to talk later. For now, let me help you-"
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"I don't fucking want your help." Simon bites.
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"Why not?â
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âBecause you wonât! You canât!â
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"Maybe I can? Iâve fixed worse." He says that last part almost as if it's a joke, and then winces as if in pain. "Ugh, I'm sorry that wasnât funny and- this is probably so confusing. I'm a terrible conversationalist, worse now than ever." He shakes his head, "Okay, letâs start over. My name is Ryland Grace, and I haven't seen another human in a very long time."
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Grace.
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Maybe he was an independent then?
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"Please believe me when I say, I don't want to scare you-" 'Grace' rambles, his words muffled through the panic- through Simon's harsh breathing. "And I really, really don't want to hurt you."
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"Then go away-" Simon says.
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He needs a weapon. His cooperative arm pats the area around him, reaching for something, anything, but everything around Simon is soft. So fucking soft and strange.
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"I would but- I think you pulled some stitches, you're bleeding again, and another infection could kill-"
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"-Fuck off!"
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Grace pauses for a moment, and Simon stiffens. Perhaps he finally had enough.
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"Right. Well, sure, but can you do me a little favor first?"
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Simon stares, chest heaving. âW-what?â
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"Just- try to take a deep breath. Can you do that? I really don't want you passing out."
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What?
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It catches Simon off guard, and he opens his eyes. His vision is still pretty fucked, but the red had seeped away, leaving that far too clean room in its place.
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Where the actual fuck is he?
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The man stands with his hands up, and Simon makes out a few blurry details. Messy sandy hair, crooked glasses, and an ill fitted sweater, white with orange designs. It was absolutely violating any and all uniform codes.
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He doesn't look like a member of the C.O.I. And he certainly isn't anyone from Eden. his expression is soft, and curious, but Simon can't really hold onto his features.
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"Good- great job."
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There's a clean, warm light from a corridor behind the man, framing him like something holy. Grace.
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Simon swallows, tastes blood, and remembers the pool of bloody vomit he'd left on the floor in a wave of humiliation.
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"Can I come a little closer?"
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"No." Simon manages. He's feeling- incredibly drained all of a sudden- he wants to close his eyes, fall forward, and collapse. And why shouldnât he? It doesn't matter what he says to this man. Whatever his fate was now, it was predetermined.
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"That's okay." The man replies, "I'll stay right here."
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Is he actually listening? What the fuck.
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"Could you look down for me?"
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Simon glances and sees a mess of bandages wrapped around his midsection. There's a spot to the right of his stomach, where blood is slowly soaking the crisp white material.
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"Your injuries were treatable but major. You've already lost a lot of blood and can't really afford to lose much more. Hate to say, I'm not exactly a universal donor either."
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A memory comes to him- from the bottom of the blood ocean, the hull cracking and breaking, red leaking down the rusty walls. He was on the verge of death- wasn't he? How is this possible? How is he alive?
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Simon casts his eyes over at the man who's observing him. How much medical supplies were used on him? Surely a lot considering he was one foot in the grove. How much would he owe after all this?
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He feels sick staring at the seeping wound, but it still takes a lot of effort to pull his gaze away. He closes his eyes again and leans his hot temple against the cool wall.
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He can't help but mumble a few prayers under his breath, feeling the man's nervous energy from across the room as he shuffles from foot to foot.
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"I'm not a medical doctor." Grace says, eventually, "But I have a buddy for all that stuff, his name is Armando."
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Simon stares at him as he shrugs.
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"He's a self-automated medicinal bionic. So, 'Robot Doctor', if you want to be short about it. He's the one who stitched you up, gave you all the good fluids and kept you alive. And, if it makes you feel better, I've been a satisfied patient myself many-a-time."
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Grace jerks his head towards a machine connected to Simon's cot. He stares at it, tracing the curve of its steel arm and the fingers of its synthetic hand.
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His chest aches, thumping along with the beat of his heart painfully.Â
âAm I dying?â He manages and hates how small his voice sounds.Â
The man shakes his head, âNo- but your odds are going down the more blood you lose- Iâm sorry but you are going to have let me help you.â
There's a feeling growing as the wetness of his own blood soaks the bare skin below his bandages, and then even lower to the hem of his shorts.
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Itâs a familiar desperation that sits in him, clawing and gnawing and crying out. He wants to live.
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"Why-" he rasps. "Why are you doing this?"
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"I want to help." Grace offers lamely. Simon doesnât believe him.
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"I'll kill myself." He bluffs, "If you try and put me back in that hellhole, I'll kill myself the second the doors are welded shut."
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The man's breath hitches in his throat, there's a long drawl of silence that makes Simon's head pound.
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"I'm not going to put you anywhere you don't want to be."
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"I don't have anything to give you."
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Grace fixes him with a look too obscured by Simon's fucked vision to make out properly.
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"I can't repay you." He tries.
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"Hey- that's okay. I don't need to be repaid."
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Simon scoffs, aware of the way his head starts to feel further away from his shoulders every moment that ticks by.
"Then what... do you want?" He manages.
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"I want you to live." Grace breathes. "God, I just want you to live."
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Itâs strange. Simon hadn't realized how badly he wanted to hear someone say those words to him until this man had. His chest tightens so tightly around his heart he thinks he may bleed out after all.
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Whatever kind of sick fucking game this is- he is losing it, badly. Resignation weighs in his chest pulling him away from consciousness.
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He fights it a little longer, trying to keep his eyes open as the figure blurs and shifts in front of him but doesn't come any closer. Just like Simon had asked.
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A hot wet tear rolls down his cheek as he loses the battle.
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He just wants to live. Even now, itâs all he wants.
and annotate them with who is in the photos and when and where the photos were taken!!! your extended family 50 years from now will be grateful, and so will you if you end up forgetting any details