hi there!! may i ask if you have any tips when it comes to making a color palette/picking colors? the colors of your finished pieces (and even your wips) are always amazing to look at!
ALRIGHT ANON BRACE YOURSELF. I spent a really long time on this sO HERE COMES A REALLY INTENSIVE COLOUR TUTORIAL AKA Houdi learns much in college painting classes.As usual, we need sth to work with so we’re gonna use my OC Anna. Everyone, meets Anna.
Anyway, every drawing starts with a sketch. We have a sketch plus a crash course on warm and cool colour idk why I wrote “hot” and “cold” here but whatever it’s late.
ANYWYAY, what you’ll need to know is red = warm and blue = cool. Anything deprived from these two are gonna be either cool or warm based on the colours surrounding them, so there is no in between. And an important thing related to palette is the line colours. If you’re painting without lines then it doesn’t matter, obv. But choosing the line colours for your drawing is very important. I used to do dark red but HAHA no. Lately I’ve been enjoying a lot of greyish purples and blues, since they’re pretty dark and neutral.
While we’re at it, let’s talk grey. Below is a horrible chart of complementary colours –> greys.
Idealy, they all should be cool machine grey. But alas, I’m not pulling out my oil paint for this and I can’t really blend digitally like I blend tradinationally sO WHATEVER. Anyway, greys are important in your piece. At least for me. It calms the colours down if it’s too vibrant, and lets the eyes travel throughout with ease. I’ll show you the differences later!
Now on to the actual colouring. Usually I start out with the lightest and then shade. Here I’ve blocked out the part where I want the shadow to be. What I do when I choose colours to shade is I use a warm and cool colour, not neccessairly complementary. It depends on which colours you like. I would advise to not use too saturated colours as of yet. I would blend those colours out, and choose the greyish/greenish colour they make. Sometimes you would get purple too, I usally just choose it from the colour wheel if I need it.
Now is the time to choose a darker slightly more saturated colours for the shadows. And just, blend everything until u die. More layers of shadows adds more depth, but it’s also can destroy all your colours altogther, so I suggest 3-4 shades + blush (is applicable) at most. (Althought 5 is when the fun really starts. It’s also kinda advanced and I suck at it lol)
Anyway, colouring lines makes the face lit up.
For the clothes, I chose a really de-saturated blue, and a yellow that’s not too bright. You can see the most saturated thing right now on her is the hair, the eyes, and the buttons on her collar.
Below I have messed around with the saturation. And while to each their own (I kno, that really saturated one might look temtping but stay with me), if you’re just starting out with colours, try to use a more variety of saturation. Too saturated makes it very hard on the eyes, and the printing is gonna be hell on Earth. Too much de-saturation is just meh for me. Ofc, there are artists who utilizes these colours very well, but they know when to and not to abuse them. Just play around and see what you like. BUT TRY AND USE SOME GREYS THEY ARE MAGICAL. And no absolutely no black for shading. Just don’t. please.
Anyway, filters. I like overlaying. Just don’t abuse it cause when you’re doing traditional art after this you’ll cry.
Here’s some colour relationship charts I had to do in college lol it was really hard to mix them with oil paint.
I hope that was useful for you anon! There is another question for how I do BG and PLEASE BE PATIENCE WITH ME IT’S TAKING A VERY LONG TIME TO COMPILE THINGS TOGETHER ;;;;;
kianamaiart
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