Here's a hub for all my tumblrs (will be updated if I make a new one)
@weird-doll-ships (self ship blog)
@theopheliaofcarey (HHN oc role-play blog)
todays bird

shark vs the universe
Lint Roller? I Barely Know Her
Show & Tell
Claire Keane

❣ Chile in a Photography ❣
No title available
dirt enthusiast
sheepfilms
Misplaced Lens Cap
Today's Document
2025 on Tumblr: Trends That Defined the Year

Origami Around

blake kathryn
AnasAbdin
Sade Olutola
noise dept.
Mike Driver

Kaledo Art

Love Begins
seen from Indonesia
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seen from United Kingdom

seen from Indonesia

seen from Japan

seen from Malaysia

seen from Malaysia
seen from United States
seen from United States

seen from Tunisia

seen from United States
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seen from Liechtenstein
seen from United States

seen from Malaysia
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seen from Malaysia
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@spoop-doll
Here's a hub for all my tumblrs (will be updated if I make a new one)
@weird-doll-ships (self ship blog)
@theopheliaofcarey (HHN oc role-play blog)
"Death and Glitz" The whole topic comes from noticing (and being bothered by) the sheer popularity of true crime documentaries. Our favourite entertainment, collectively, seems to be watching a young, hot girl get murdered. The young couple goes hiking, but only the boyfriend comes back. The child disappears, and of course it’s the cute blonde girl. It’s always that. There’s never an old, ugly man. Never a lonely elderly guy. It’s always the same narrative in absolute numbers. And what makes it worse is that it’s packaged as entertainment. Not a serious two-hour investigation into femicide by a team of journalists. Not a long-form article pulling apart the phenomenon. No, just “ooh, murdered girl!” So what are we adding to this? In the song, we push into that idea of: we love death with tits. It’s grotesque, but that’s the point." - Johannes Eckerström (Voice of Noir- Feb 5 2026)
AVATAR | SMELLS LIKE A FREAKSHOW (x)
You like when it hurts?, Let it burn!
Bettie page 🖤💋
Printed in fear, colored in screams, preserved in time.
Vintage horror comic covers from the 1950s–early 1960s — the golden age of pulp terror.
As Pomni came to a set of two doors...
she entered the door on her left
Who let HR Bloodengutz run the account 😭
dont worry y'all he's perfectly fine and alive, he's just visiting Monika for an undetermined amount of time
THIS HAD ME HOLLERING
So HHN nation... How are we doing with the new house announcement 😀
and i would've gotten away with it if it weren't for you meddling... monsters???
around the world
Quick Thoughts on The Muppet Show (2026)
Good Stuff:
All the musical bits were good. Rizzo getting to headline one is WELL overdue for how long he's been absent from the franchise (his appearance in Muppet Babies notwithstanding). I never really listened to Sabrina Carpenter before, but I enjoyed all her songs, and of course the finale being Queen's 'Don't Stop Me Now' was perfect.
On the topic of Sabrina, she was a lovely guest star and a great first choice. Great performance, good music, clearly and truly has as much love as she says she does for the Muppets. Her and Miss Piggy hanging out were a match made in heaven.
Seth Rogen was also pleasant for his cameo appearance. I dunno, I enjoy Rogen as an actor, I hope he continues to appear throughout the show (should it get made). Didn't know Maya Rudolph would be here either, she was lovely as always.
Gonzo's stunt gag was brilliant, a great way to implement modern advancements without feeling dated or of the era. The Muppet Labs bit was also great, especially with how the eyes kept popping up to the final scene.
Statler & Waldorf were in top form, as per usual.
The new Pigs in Wigs sketch was fun, always a fan of sketches going off the walls. Feels like it better fits Miss Piggy's aesthetic more so than Pigs in Space imo.
The new theme song, GOSH. It's SO good. It's the classic tune but wonderfully upgraded.
Sabrina spending her first song beating up and womanhandling muppets, as God intended 🙂↕️
BEAUTIFUL DAY MONSTER APPEARANCE LET'S GOOOOO!!!
The opening scene of turning the lights back on were great.
I liked the mix of both muppets and humans in the audience, some nice variety for bits down there.
Rowlf playing both 'Rainbow Connection' and 'Movin' Right Along' at the start was fun.
Wait, Hilda, was that you? Nice to have her back! Overall, nice to see a lot of the more minor muppet cast members pop back up, like Pops, Beuregard, Mildred, and Uncle Deadly, even if only in the background for now. We even had some of the members from Muppets Tonight show up!
Bad stuff:
It felt a lil...bloated? Rushed? Something felt a lil off about this special. Maybe it was just me expecting smth closer to the original, or maybe it got SO close to the original it almost feels uncanny. Still, it feels like there are some kinks to iron out.
Fozzie doesn't really get a lot to do. Yes, I know this is just the pilot, so there's room to include him more so later, but we got good scenes with Kermit, Gonzo, and Muppet Labs, and TWO good scenes with Miss Piggy on top of the wonderful backstage drama. Fozzie only gets that one scene with Rogen, which while cute, is a lil limited.
In Sabrina's first musical number, when the wind speed increases, her hair doesn't flow with it. Really minor detail, I know, but if it's supposed to be hurricane grade winds that can blow the feathers off chickens, it should cause her hair to blow in the wind.
Less a critique and more commenting on the irony of 'Don't Stop Me Now' being subtly censored with the singing around the lyric of "I'm a sex machine, ready to reload like an atom bomb", despite the original Muppet Show pilot having the subtitle of Sex & Violence.
Beating a dead horse at this point, I know, but Matt Vogel is just...not good as Kermit. It's been ten years almost and he really hasn't improved, not that I blame him seeing as how rare big Muppet productions are these days. Trust me, I try going in with "Oh maybe he's not as bad as I remember" and I'm always got off guard by how high pitched and ever so slightly off Vogel's Kermit is. Kermit just has a very specific cadence that Steve Whitmire was able to capture so effortlessly, it's hard to really compare his performance to Henson's. It's still so weird cause succeeding performers are usually picked out with clear care, but replacing Whitmire with Vogel seemed like such a rush job; why was their choice the guy who performed as a character who was known for doing a BAD Kermit impression!?! Not even that I specifically want Whitmire back, just a better performer! (Not to say Vogel is a bad performer, far from it. He's great, just a bad Kermit).
Really, not much bad to say. This special was great! Hope it gets green-lit. 9/10
if disney doesn’t go through with a full reboot of the muppet show i will personally kick bob iger in the shins
Literally
the writers resisting the urge to make a rizz joke involving rizzo's name