iâm a simple bitch, i see the use of a turntable on theatre sets, i lose my fucking mind
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@stage-crew-life
iâm a simple bitch, i see the use of a turntable on theatre sets, i lose my fucking mind
Crew Things
*holds out hand* âKeys??â
insulting the ellipsoidals when you canât open them
running places because itâs more practical
getting really excited about a light color or special
exploring the costume room
*someone waving at booth from the stage* *booth excitedly waves back*
bouncing in sync during long stretches without cues
having fun haunting the theater
sitting in the dark is the norm
hearing only parts of the actorâs conversations and wondering what on Earth is going on
peering down at the audience and trying to count them before the show starts
grinning even though itâs an upsetting scene because of how cool a light cue looked
choking back laughter during a funny scene or when actors successfully improvise
Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculous
IM SORRY WHAT
WHAT
It took over 60 puppeteers to operate Audrey IIâs final form in the film. You can read more about the puppetâs creation and operation here.
The practical effects of Little Shop of Horrors was fucking astounding. Itâs worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance. In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post.Â
Itâs also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton.Â
never i repeat never put on time warp at a party unless you want the theatre kids to destroy your house
a bold assumption to think I would allow theatre kids within even 500 feet of my home
I cannot tell you how happy I am to see my comics circulating around backstage/scene shop tumblr! Iâm mostly an installation artist now, but I used to be a scenic carpenter/painter/designer, so itâs super gratifying to see MY PEOPLE like these goofy things.Â
Here is the mostly full set of screwing-things comics, which includes a couple new pages on screws and bit guides! What do you call a bit guide, anyway? Iâve always called it a âforeskinâ but Iâm not putting that in a comicâŠ
And because there have been requests - if youâre a stagecraft teacher(or other sort of carpentry instructor that would find these useful) and want higher res images of these comics to print for your classes, you are welcome to email me at shingkhor @ gmail and I will send them to you for free!Â
I also started a couple pages on basic wood shop safety! More coming soon.
And thank you so much for being into this zine series! A lot of it is information thatâs just sort of in my head now, and itâs been really valuable and useful to me to be able to write it out and be assured that it IS useful to do so, and not just incredibly redundant.
*sees broom*
*picks up broom*
âTELL THEM HOW I AM DEFYYYYYYYYYING GRAAAAAVITTYYYYâ
*starts sweeping broom sadly*
âThere is a castle on a cloudâŠâ
*holds broom horizontally*
âNever need a reason, never need a rhyme. Up on the roof top step in time!â
*sweeps broom angrily*
âITâS A HARD KNOCK LIFE!â
*begins waltzing with broom* I could have DAAAAANCED all NIIIIIGHT
*hits broom handle on the ground and tap dances* LOOK AT ME! IM THE KING OF NEW YORK!
*gently places broom against a wall* Iâm the belle of the ball in my own little corner!
*broom starts dancing of its own accord* BE. OUR. GUEST!
so apparently musicals have a thing for brooms huh
we all love a sweeping musical number
The giant book floating stage at Bregenz Festival during the rehearsal of Giuseppe Verdiâ s opera âA Masked Ballâ on Thursday July 15. 1999 in Bregenz, western part of Austria. The premiere of the Richard Jones and Antony McDonald production will be on Wednesday July 21. (AP Photo/Rudi Blaha)
Credit to the photographer, Rudi Blaha.
Not just actors are theater kids â„ïž A shout out to the rest of the team!
All I can think is, âItâs too late. Youâve awakened the gazebo.â
some guy: you canât just burst into song in the middle of a play
guy about to invent musicals: oh you havenât heard?
Getting friends in to musicals is hard because when they ask what itâs about you have to be like â15 year olds having sexâ or âa plant from outer space that takes over the worldâ or âteenagers killing people for funâ or âAlexander Hamiltonâ
â7 minorities deal with crushing poverty and the looming specter of death by being a dick to their landlordâ
âSesame Street, but like⊠for adultsâ
âThis one time in the 1830s a bunch of college students decided to fight the entire French government andâŠit didnât go very well.â
âA nun and a retired naval officer fight Nazis with cute kids and the power of song.â
âA couple of guys stage the first-ever musical, and William Shakespeare is kind of a dickwad.â
âA transwoman rock singer recounts her escape from East Berlin in a case of WORST TIMING EVER.â
âItâs based on a John Waters movieâŠno not Pink Flamingos.â
âItâs the Bible by the guy that did Cats. No, no, itâs likeâŠreally angry.â
âEven if youâre struggling with finding your place in the world, you shouldnât let a group of actors convince you to set yourself on fire.â
âHave you ever wondered how many people have tried to kill the president?â
âHow to get away with murder, the speakeasy AU.â âA only marginally accurate recounting of the opening of Japan to the west, with experimental musical styles meant to imitate the consequent shifting of Japanese culture, told with as little recognizable plot as possible.â
âItâs about how trains probably feel.â
âItâs a guy whoâs, like, excessively single and all his friends are married and kind of invasive about it, tbh.â
âFairytales. And itâs actually dark as fuck.â
âCannibalismâ
âNewsboys that are super gay, but like, strike for their rights, while being gay.â
âA couple gets divorced but, like, in opposite directions.â
âHey you know the 1200-page Russian novel War And Peace? Yeah, itâs part of that, with like 16 different genres of music blended together.â
âSo itâs about people who were in these planes during 9-11 and ended up being stuck in CanadaâŠbut itâs also kinda a comedyâŠâ
CAN WE JUST TAKE A MOMENT TO APPRECIATE RACHEL TUCKERâS ALBUM VERSION OF DEFYING GRAVITY?
ItsâŠ.. SoâŠ. PERFECTÂ
DONâT SCROLL PAST THIS WITHOUT LISTENING TO THE SECOND HALF OF IT AT LEAST CHUFFING NORAâŠ..Â
*blows a kiss under the stage*Â for the pit orchestra
*blows a kiss behind the stage* for the run crew
*blows a kiss to the rafters* for the phantom
It haunts me that celebrities are just theater kids that made it