Cosimo Galluzzi
occasionally subtle

roma★
KIROKAZE

if i look back, i am lost

titsay
Sweet Seals For You, Always

JBB: An Artblog!

Janaina Medeiros
d e v o n
AnasAbdin
taylor price
will byers stan first human second
I'd rather be in outer space 🛸

pixel skylines
dirt enthusiast

No title available
Lint Roller? I Barely Know Her

Andulka

Love Begins
seen from Malaysia
seen from United States
seen from Malaysia

seen from Malaysia

seen from Germany

seen from United States
seen from Kenya
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
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seen from United States
@starfuckery
There is a standard media depiction of a "healed" person. Someone who has Gone To Therapy. I've noticed this in a few works recently. We often see them at the end of a story, maybe in a "ten years later" epilogue. They speak in a soft, serene voice. They have Accepted what they cannot change. They have let go of a lot, including most of what we see them actually care about in the story itself. They are Happy, At Peace, in some non-descript way. They bare little resemble to the person we were actually shown. They bare little resemblance to any person. We were shown, as we usually are in stories, an agent, a desirer, someone becoming. Now they have Become. And they look back on all that silly becoming as something childish that they have moved past. Fire, you know, fire is for children who don't know any better. To be Healed is to have your fire rightly extinguished; to not even miss it.
"DSM-5 seems to have no definition of happiness other than the absence of suffering. The normal individual in this book is tranquilized and bovine-eyed, mutely accepting everything in a sometimes painful world without ever feeling much in the way of anything about it." — Sam Kriss's review of the DSM-5 as a piece of surrealist literature
This review linked above was very enjoyable to read. The DSM-5 as a dystopian novel 👌
"Who, after all, would want to compile an exhaustive list of mental illnesses? The opening passages of DSM-5 give us a long history of the purported previous editions of the book and the endless revisions and fine-tunings that have gone into the work. This mad project is clearly something that its authors are fixated on to a somewhat unreasonable extent. In a retrospectively predictable ironic twist, this precise tendency is outlined in the book itself. The entry for obsessive-compulsive disorder with poor insight describes this taxonomical obsession in deadpan tones: “repetitive behavior, the goal of which is […] to prevent some dreaded event or situation"." 🤣
Non cooking spray stick
Non spray stick cooking
Non cooking stick spray
non stick spray cooking
no one is coming to save yo- wrong!! everyone who has ever shown you love and/or care is saving you a little bit.
moonrise at red rock canyon
"No miseries worth complainin' about."
WUNMI MOSAKU as ANNIE SINNERS (2025) dir. Ryan Coogler
Best Cinematography: Sinners (2025) — cinematography by Autumn Durald Arkapaw
Fritz Klimsch
('The Rules of Engagement with White Fragility', continued from last post)
"8. As a white person, I must feel completely safe during any discussion of race. Suggesting that I have racist assumptions or patterns will cause me to feel unsafe, so you will need to rebuild my trust by never giving me feedback again. Point of clarification: when I say "safe", what I really mean is "comfortable".
9. Highlighting my racial privilege invalidates the form of oppression that I experience (e.g. classism, sexism, heterosexism, ageism, ableism, transphobia). We will then need to turn out attention to how you oppressed me.
10. You must acknowledge my intentions (always good) and agree that my good intentions cancel out the impact of my behavior.
11. To suggest my behavior had a racist impact is to have misunderstood me. You will need to allow me to explain myself until you can acknowledge that it was your misunderstanding."
Chapter 10, White Fragility- Robin diAngelo
White Fragility - Robin diAngelo
Women in Hadramaut, Yemen wear an all black abaya and conical straw sunhat called a madhalla when working in the fields. A madhalla is made from plaited strips of date palm leaves, and the high peak promotes air circulation inside the hat. The black color of the abaya actually keeps them cooler by absorbing heat before it reaches their skin.
Palestine Masterlist
Introduction to Palestine:
Decolonize Palestine:
Palestine 101
Rainbow washing
Frequently asked questions
Myths
IMEU (Institute for Middle East Understanding):
Quick Facts - The Palestinian Nakba
The Nakba and Palestinian Refugees
The Gaza Strip
The Palestinian catastrophe (Al-Nakba)
Al-Nakba (documentary)
The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance, 1917-2017 (book)
The Ethnic Cleansing of Palestine (book)
Nakba Day: What happened in Palestine in 1948? (Article)
The Nakba did not start or end in 1948 (Article)
Donations and charities:
Al-Shabaka
Electronic Intifada
Adalah Justice Project
IMEU Fundraiser
Medical Aid for Palestinians
Palestine Children’s Relief Fund
Addameer
Muslim Aid
Palestine Red Crescent
Gaza Mutual Aid Patreon
Books:
A New Critical Approach to the History of Palestine
The Idea of Israel: A History of Power and Knowledge
Hidden Histories: Palestine and the Eastern Mediterranean
The Balfour Declaration: Empire, the Mandate and Resistance in Palestine
Queer Palestine and the Empire of Critique
From Haven to Conquest: Readings in Zionism and the Palestine Problem until 1948
Captive Revolution - Palestinian Women’s Anti-Colonial Struggle within the Israeli Prison System
Palestine: A Four Thousand Year History
Except for Palestine: The Limits of Progressive Politics
Before Their Diaspora: A Photographic History of The Palestinians 1876-1948
The Battle for Justice in Palestine Paperback
Uncivil Rites: Palestine and the Limits of Academic Freedom
Palestine Rising: How I survived the 1948 Deir Yasin Massacre
The Transformation of Palestine: Essays on the Origin and Development of the Arab-Israeli Conflict
A Land Without a People: Israel, Transfer, and the Palestinians 1949-1996
The Iron Cage: The Story of the Palestinian Struggle for Statehood
A History of Modern Palestine: One Land, Two Peoples
Where Now for Palestine?: The Demise of the Two-State Solution
Terrorist Assemblages - Homonationalism in Queer Times
Militarization and Violence against Women in Conflict Zones in the Middle East
The one-state solution: A breakthrough for peace in the Israeli-Palestinian deadlock
The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians
Fateful Triangle: The United States, Israel and the Palestinians
The False Prophets of Peace: Liberal Zionism and the Struggle for Palestine
Ten myths about Israel
Blaming the Victims: Spurious Scholarship and the Palestinian Question
Israel and its Palestinian Citizens - Ethnic Privileges in the Jewish State
Palestinians in Israel: Segregation, Discrimination and Democracy
Greater than the Sum of Our Parts: Feminism, Inter/Nationalism, and Palestine
Palestine Hijacked
Palestinian Culture:
Mountain against the Sea: Essays on Palestinian Society and Culture
Palestinian Costume
Traditional Palestinian Costume: Origins and Evolution
Tatreez & Tea: Embroidery and Storytelling in the Palestinian Diaspora
Embroidering Identities: A Century of Palestinian Clothing (Oriental Institute Museum Publications)
The Palestinian Table (Authentic Palestinian Recipes)
Falastin: A Cookbook
Palestine on a Plate: Memories from My Mother’s Kitchen
Palestinian Social Customs and Traditions
Palestinian Culture before the Nakba
Tatreez & Tea (Website)
The Traditional Clothing of Palestine
The Palestinian thobe: A creative expression of national identity
Embroidering Identities:A Century of Palestinian Clothing
Palestine Traditional Costumes
Palestine Family
Palestinian Costume
Encyclopedia of World Dress and Fashion, v5: Volume 5: Central and Southwest Asia
Tent Work in Palestine: A Record of Discovery and Adventure
Documentaries, Films, and Video Essays:
Jenin, Jenin
Born in Gaza
GAZA
Wedding in Galilee
Omar
5 Broken Cameras
OBAIDA
Indigeneity, Indigenous Liberation, and Settler Colonialism (not entirely about Palestine, but an important watch for indigenous struggles worldwide - including Palestine)
Edward Said - Reflections on Exile and Other Essays
Palestine Remix:
AL NAKBA
Gaza Lives On
Gaza we are coming
Lost cities of Palestine
Stories from the Intifada
Last Shepherds of the Valley
Voices from Gaza
Muhammad Smiry
Najla Shawa
Nour Naim
Wael Al dahdouh
Motaz Azaiza
Ghassan Abu Sitta
Refaat Alareer (murdered by Israel - 12/7/2023. Inna lillahi wa inna ilayhi raji'un)
Plestia Alaqad
Bisan Owda
Ebrahem Ateef
Mohammed Zaanoun
Doaa Mohammad
Hind Khoudary
Palestinian Voices, Organizations, and News
Boycott Divest and Sanction (BDS)
Defense for Children in Palestine
Palestine Legal
Palestine Action
Palestine Action US
United Nations relief and works for Palestinian refugees in the Middle East (UNRWA)
National Students for Justice in Palestine (SJP)
Times of Gaza
Middle East Eye
Middle East Monitor
Mohammed El-Kurd
Muna El-Kurd
Electronic Intifada
Dr. Yara Hawari
Mariam Barghouti
Omar Ghraieb
Steven Salaita
Noura Erakat
The Palestinian Museum N.G.
Palestine Museum US
Artists for Palestine UK
Eye on Palestine
i swallow my own shadow and return to myself
🐝⊹ ࣪ ˖
Raymond Pettibon (1957- ) Crystal blue cathedral, 1994. Translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, 34.5 × 25.8 cm.