ok, so I was on a call in the Lodger Lounge Discord (musical edition, where we are working on the song). And I can't remember if it was mentioned fully or my brain thought someone said something like this, but essentially:
Lanyon will open the door to see the transformation, and will get so distressed, he, within seconds, downs the entirety of the Sommeill de la Mort, causing...this scene
Yes he's in the Peter Griffin pose. No one can stop me
@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!
I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.
If you are able to draw a circle and a couple of lines, you can easily put together a stick person.
Congratulations! You have started to draw. :)
A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.
But what can a stick person teach us about drawing people that look more like⊠well, people? Lets have a look!
By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.
These simple additions can allow us to explore the wide range of human emotion and individuality.
This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.
For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.
We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.
The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!
Now we can use our stick person to show us an even wider range of human movement, action, and expression.
Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.
By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.
By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!
These basic ideas are the building blocks that will enable us to create more complex shapes.
The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.
For example. Two ovals and a rectangle can be combined to create a cylinder.
Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.
Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.
A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.
Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.
Lets see how these solid shapes can be used to compose the human body.
By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.
An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.
We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!
In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.
You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.
The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.
Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.
For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.
With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.
Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.
Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!
I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.
Beloved ones. You feel this way BECAUSE you donât do anything all day. Whether mental illness holds you hostage, or an aspect of neurodiversity says, âHmm not today!â Or if your self-care day turns into weeks of paralysis, or you just take the damn day offâŠchances are, at the end of the âdo nothingâ period, you will feel more overwhelmed and exhausted than you feel you have a right to be. You are borne down by in insupportable weight of time passing by, empty of anything meaningful. Panic can set in, or despair, or guilt, or numbness, or mania, or any/all combinations thereofâŠit hits us all differently.
If this feeling is bothering you, see if you can find the energy/focus/spoons to do ~something with your hands~
It doesnât have to be quote-PRODUCTIVE-unquote. You can color (a real page with real writing implements, even if it sucks). You can massage your hands and feet with good-smelling lotion. You can go outside and stack little rocks on top of each other until they fall down. Arrange leaves into a heart shape. Count the anthills in the sidewalk near your house. Draw on concrete with chalk. Paint your nails or toes. The more useless and non-taxing for you, the better.
The point is, you ~complete a physical task~
Your animal-brain doesnât know that this task has no âproductiveâ value! Certain parts of your brain canât necessarily parse that sort of thing!!! The deep wiring in your noggin senses that you initiated a task, spent time & energy on it, and completed it! Even something as small as the ideas above can start to re-wire your brain back into functionality when youâre overwhelmed and paralyzed. The biggest part is to engage with the PHYSICAL WORLD, because while our phones & computers & tablets can be serotonin-generators, the deep ancient-animal wiring in our brain still doesnât quite interpret it as REAL. (This is also why practical VFX are always more charming than CGI, but thatâs a rant for another time.)
Sincerely,
Someone who has fought this battle many times before (and studied it, and researched it in others, and almost literally has a Masters degree in motivating the unwilling)
meet my oc he is fucking stupid and self destructive and a repressed homosexual and violent and rich and fucks with chemicals and does shit hes not supposed to and god hates him personally and manipulative and depressed and going through a crisis constantly and a doctor and a boytoy and ugly inside and pretty outside and a whore and kills himself and hates everyone and his name is Henry Jekyll and
theartofmadeline
2087
gummygunk
pixelskylines
