Then I’m laying out my winter clothes And wishing I was gone, Going home Where the New York City winters Aren’t bleeding me, Leading me, Going home.
Simon & Garfunkel, The Boxer (via introspectivepoet)
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Then I’m laying out my winter clothes And wishing I was gone, Going home Where the New York City winters Aren’t bleeding me, Leading me, Going home.
Simon & Garfunkel, The Boxer (via introspectivepoet)
دموع عينيا سودا كيف كل ايامي..
May your new year be as smooth as Steve Gadd’s drum line in this gem.
April 24, 2016
“HOLLYWOOD JAZZ: 1945–1972”
Richard Wyatt
Originally painted on south wall of Hollywood’s iconic Capitol Records building in 1990, Wyatt’s much loved piece, sponsored by the Los Angeles Endowment for the Arts, did not stand up well to the test of time and the Southern California sun. While the work pays homage to nearly a dozen jazz greats, Wyatt told the LA Times he was given only two specific requests in creating this work— ”Nat King Cole’s widow [Maria] asked me if I would show him wearing his favorite tie … and Joe Smith, who was president of Capitol at the time, asked me if I’d please include Ella Fitzgerald.” Neither presented a problem. In 2012 Capitol Records and Wyatt worked together to remake the mural in tile to assure its longevity for future generations.
= Was it worth two weeks in the hole?
- Easiest time I ever did.
= Oh, shit. No such thing as easy time in the hole. A week in the hole is like a year.
- I had Mr. Mozart to keep me company.
= So they let you tote that record player down there, huh?
- It was in here...in here. That's the beauty of music. They can't get that from you. Haven't you ever felt that way about music?
= Well I played a mean harmonica as a younger man. Lost my interest in it, though. Didn't make much sense in here.
- Here's where it makes most sense. You need it so you don't forget.
= Forget?
- Forget that there are places in the world that aren't made out of stone, that there's… there's something inside that they can't get to and they can't touch. That's yours.
Charlie Parker Chats with Paul Desmond
This amazing dialogue /interview between Paul Desmond and Charlie Parker took place on a Boston radio station in 1954. It[‘s a fascinating window into the personalities of two of the major alto saxophonists of the 20th century.
-Michael Cuscuna
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When legends chat.
Classic.
"The last composition - Concierto De Aranjuez - made me listen to it several times running, each time with acute mixed feelings of admiration, pure pleasure, and, above all, overwhelming sadness, as if the musicians knew they played the last composition of their lives" Quoted from an Amazon review of the CD.
Happy 100th Birthday, Frank Sinatra! (December 12th, 1915)
“This man is a giant. Not that there aren’t other good singers around. But he has imagination and scope of the rarest. After all these years, there is still no one who can approach him.” -Nelson Riddle
Happy 100th to The Chairman of the Board.
Easy dreams at the end of a chain-smokin' day Easy dreams at the end of the day...
Coleman Hawkins, Stan Getz and Ella Fitzgerald
The Classics - JAZZ ICONS
Music and style - Duke Ellington, Coleman Hawkins, Lester Young, Dizzy Gillespie, Billy Eckstine, Miles Davis, Frank Sinatra and Chet Baker
That’s what I call style..
Compay Segundo's response when asked about the Anti-Castro demonstrators at a press conference in Miami back in 1998: “I’m not anti-anybody... Living with rancour embitters your life. And life is nothing to bitter about. Life is to enjoy, look at the landscape and the pretty women. That’s man’s life on this Earth. Anyone who spends their time doing something else, okay, [but] they won’t have much fun.”
Wisdom from the 91 years old veteran.. RIP Maestro.
And this split second in which the ball hangs in between both sides feels like eternity...
Time Out is a jazz album by The Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia’s 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9/8 and 5/4. The album is a subtle blend of cool and West Coast jazz. It peaked at #2 on the Billboard pop albums chart, and has been certified platinum by the RIAA, the first jazz album to ever achieve that status.
Dave Brubeck – piano
Paul Desmond – alto saxophone
Eugene Wright – bass
Joe Morello – drums
Take Five at Four
Place: City center of Trieste, Italy. Time: Around 4:00 past Friday midnight.
It’s another one of those long, sleepless nights in which you have no place to sleep in Europe.. but this time it’s in... *drumrolls* La Bella Italia!
The land of opera, art, orgasmic food, coffee and wine.. but also the birthland of the Mafia, that enjoys one of the highest criminal rates in the European Union, making it -obviously- not the most handsome of places for a street sleep..
Sooo, after checking out all hostels and coming up with nothing at all, me and 4 other “friends” decided to go for a walk down the center of this charming Italian city for some 4 am sightseeing. Obviously it was so beautiful, and obviously also, we were totally drained from the 8 hours long commute from Munich to the Croatian borders, in which we were denied access to the country as one of us didn’t bring his passport with him. Sweet.
We ended up sitting by a fountain facing the sea right in the center of the city, where we went out of the fuel in our auxiliary tanks, making us nearly hypnotized. Neighboring us, were a group of hardcore homeless Italian hippies, who obviously had been smoking good stuff that made them high at that point of time.
As for me, I was quickly drifting off to sleep, to the extent that clarinet and guitar with the neighbouring street hippies weren’t of interest to me. Eyebrows met, cheek rested against the palm of my hand, nearly fell asleep.
I hear from afar the chords of Paul Desmond’s legendary tune, Take Five, from soft strums of a distant guitar. Initially, I think to myself that my dreams were sweet enough to compensate the shit I was in, but I was -to my joy- mistaken. As the chords continued and, a clarinet stepped in to play the melody. I had to relate that to what I had seen 5 minutes before falling asleep. Suddenly my eyebrows went wide open, and I felt as fresh as ever.
What are the odds that I hear one of my favorite jazz standards (and one of the hardest as well), in one of the less jazzy countries in Europe, from a group of street hippies at 4 am?
Those are the moments that make the adventure feel rewarding.
Those those moments that we live for.
Dave Brubeck Quartet, 1956
Do you have it? DO YOU HAVE IT?!