三浦 佳生 Kao Miura (JPN)
2025 Grand Prix De France Free Skate (122.32)
YOU ARE THE REASON
Jules of Nature
ojovivo
untitled
EXPECTATIONS
he wasn't even looking at me and he found me
Not today Justin

shark vs the universe

tannertan36
hello vonnie
let's talk about Bridgerton tea, my ask is open

#extradirty

if i look back, i am lost
we're not kids anymore.
trying on a metaphor

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𓃗
occasionally subtle
todays bird
taylor price
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@stringsofheartsworld
三浦 佳生 Kao Miura (JPN)
2025 Grand Prix De France Free Skate (122.32)
*slowly removes my heart-shaped sunglasses* i beg your fucking pardon
“Your soulmate is not someone that comes into your life peacefully. It is someone who comes to make you question things, who changes your reality, somebody that marks a before and after in your life. It is not the human being everyone has idealized but an ordinary person, who manages to revolutionize your world in a second.”
— Unknown
True.
Lesser-known steps of the writing process:
Finding all the paragraphs where you used some hyper-specific word more than once
Rearranging paragraphs that you swear you wrote in the right order but turned out to be totally backwards
Going for a walk, coming up with the perfect line, and forgetting it as soon as you get home and open your laptop
Creating a separate document where you can dump all of those nice sentences that no longer fit in anywhere
Waking up in a cold sweat because so-and-so was supposed to be barefoot but never actually took his shoes off
I'll join you in celebrating platonic and familial relationships if you keep the "romance inherently makes a story worse" far away from me. I am allergic.
One reply that I get to this post is the problem is not romance, but relationships that are given the shortcut of they're in love in lieu of a well-written dynamic. Which I agree with and concede, and I want to submit the same thing happens with found family dynamics.
I call them "Bring Your Own Feelings" relationships. They're not going to sell the characters feelings for each other to you, they're counting on you projecting.
Writing Description Notes:
Updated 19th October 2025 More writing tips, review tips & writing description notes
Dialogue Tags
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Cold/Freezing
do you ever think oh actually i am never going to stop being eleven years old and lonely
i would finish my book but sadly i am busy being haunted by the concept of finishing my book
We have this interesting situation where we basically no longer have privacy nor the expectation of privacy, but we also don't have community or meaningful connection with others, so we're all simultaneously both completely exposed and absolutely alone, and please understand that when I say this situation is "interesting", what I in fact mean is that it's "nightmarish and I wish I could wake up"
me: i’ll just write one quick scene
the scene: unpacking a character’s entire relationship with vulnerability through a conversation about takeout food
Did I ever mention how much I love my pal’s OCs?? Every single one of them? They are all amazing? Like, you created this fictional human from your own imagination and I’m so wowed by them thank you for your, and their, existence
actually the best ship dynamic is i would kill for you. i would kill anyone who layed a hand on you. please let me kill for you. please let me show my devotion by dirtying my hands, it's the only way i know how. let me destroy anything that hurts you. i've hurt you too. i'm destroying myself.
A story where for part of the book, the main character is a 'side character' to another protagonist. Like the big shit is happening to someone else and that person's friends and then halfway through, it switches and now the main character has to take up the protagonist shit and the former 'protagonist' gets things easier and gets to their happy ending smoother while the main character has to deal with a whole new realm of shit.
some people really do need to start reminding themselves that the answer to "why didn't the character just do [something entirely different]" is often simply "because then there wouldn't be a story"