Pat Masulli and Dick Giordano, 1965
KIROKAZE
Misplaced Lens Cap

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@syndicateanyboat
Pat Masulli and Dick Giordano, 1965
Hear me out -- Part of what they promised had to do with money.
Paul's Early Resolution
“I really remember looking around the estate where I lived and thinking what's the main problem here cause I'm gonna have to face it. And it was lack of money. Nobody had money, you know, and they were always arguing husband and wife over that. I thought if I can avoid that, this will be good.” Paul McCartney, 2012
And I remember thinking very consciously, ‘Okay, I’ll solve that; I will try to get money.’ That set me off on the ‘Let’s not have too many problems with money’ trail. – Paul McCartney, 2020
The Chocolate Bar
Paul says, ‘That’s where the Beatles started. That’s where John gave me half his chocolate bar.’ And now Bono’s like, ‘What chocolate bar? I’ve never heard of any chocolate bar.’ And Paul says, ‘John had a chocolate bar, and he shared it with me. And he didn’t give me some of his chocolate bar. He didn’t give me a square of his chocolate bar. He didn’t give me a quarter of his chocolate bar. He gave me half of his chocolate bar. And that’s why the Beatles started right there.’ – Matt Damon, 2022
The First Shared Dream
[I once had] one really big one about thousands of half-crowns all around me, and finding lots of money in old houses and just as much of the stuff as you could carry. I could never carry enough. I used to put it in my pockets and in my hands and in sacks, only I could still never carry as much as I wanted. -- John Lennon, 1966
I remember when John and I were first hanging out together, I had a dream about digging in the garden with my hands. I’d dreamt that before but I’d never found anything other than an old tin can. But in this dream, I found a gold coin. I kept digging and I found another. And another. The next day I told John about this amazing dream I’d had and he said, ‘That’s funny, I had the same dream.’ So both of us had this dream of finding this treasure. And I suppose you could say it came true. -- Paul McCartney, 2012
Jam etc.
I can still see them now; Paul and John having toast and John wanting jam on the toast and Paul telling him off: 'John, you must be mad! It's a penny extra.’ – Allan Williams 2019
It always struck me as odd that Paul is having a panic attack over John's penny. I know he's crazy money-conscious, but still. It's John's penny. What, did they have a shared bank account or something? Don't be ridiculous. But lately I've been wondering if maybe there was something like that going on.
Every Tuesday, Paul and I used to go to the pictures. One night, John, Paul and I went out for something to eat to a little cafe. We had nearly finished the main course and they both winked at each other and then they started to have this terrible row across the table. I'm thinking, what's going on? They were shouting at each other until we all got thrown out so we didn't have to pay. – Iris Caldwell 2012
Paris
And so he said "what are we gonna do?" so I said, "we could hitch-hike. And then, you could spend the money as we go, you know." So we did. -- Paul McCartney, 2026
Why is Paul so confident here in spending this huge windfall John got so frivolously? He's never frivolous with money ever once in his life, and before, he was shouting at John for spending a penny on jam for toast. What was up?
And Paul and I also did the same thing, once. We just cancelled. . . . Paul and I just cancelled all the engagements, and left for Paris . . . — John Lennon, 1976
Northern Songs and other Companies
Under Northern Songs, first organized in 1963, John and Paul each held 750k shares exactly.
Under The Beatles Ltd., first organized in 1963, all four Beatles were "individuals sharing their income."
Under Lenmac Ltd., their royalties company, NEMS owned 20%, John owned 40%, and Paul owned 40%.
Under Maclen (music) Ltd., their publishing company in America, first organized in 1965, NEMS owned 20%, John owned 40%, and Paul owned 40%.
Under The Beatles and Co., the Beatles became "apart from songwriting royalties, which would be paid directly to the authors of the individual songs, all the money earned by the group would be" pooled into the company.
Under Apple Corps, each Beatle owned 5% of the company separately, and then jointly they held the other 80% together. All their money from recording and performing went straight into Apple. Songwriters would be paid individually for royalties, and as Lennon/McCartney were a partnership, they would be paid together for their royalties.
The Family Way
I copped money for Family Way, the film music that Paul wrote while I was out of the country making How I Won the War," said Lennon, laughing. "I said to Paul, 'You'd better keep that', and he said, 'Don't be soft.'
A Few Extra Shares
According to Peter Brown, "Paul and John had always had an unwritten agreement that neither of them would own more shares than the other in their music publishing company. It was that simple."
So when John found out that Paul had bought a thousand extra shares (remember, they each owned 750k shares, so in the grand scheme of things, this is tiny), Peter Brown says John "felt he'd been betrayed," and "became enraged, no doubt egged on by Klein." Brown remembers John "slamming a table" as "Barbs were exchanged."
“You bastard!” John spit. “You’ve been buying up stock behind our backs!” Paul blushed and shrugged limply. “Ooops, sorry!” he smiled. “This is fuckin’ low!” John said. “This is the first time any of us have gone behind each other’s backs.” Paul shrugged again. “I felt like I had some beanies and I wanted some more,” he said.
Peter Brown then says John stormed out of the meeting.
So to me, this is another lace curtains, burnt condom type moment. Paul is extremely hurt when John says his vote against Klein doesn't matter. To him, that was when he knew it was over. (so I think that must have to do with the promise too). So what does Paul do? he's got this thing, where he can get his revenge. He knows it will hurt John, but it will just look like this little tiny thing. No one but them two will know what a big deal it was.
Paul Only Cares About Money
PLAYBOY: "You're talking about records, of course."
LENNON: "Yeah, to churn them out because I was expected to, like so many people who put out an album every six months because they're supposed to."
PLAYBOY: "Would you be referring to Paul McCartney?"
LENNON: "Not only Paul. But I had lost the initial freedom of the artist by becoming enslaved to the image of what the artist is supposed to do.
John's Dropout
PLAYBOY: "Why did you become a househusband?"
LENNON: "There were many reasons. I had been under obligation or contract from the time I was 22 until well into my 30s. After all those years, it was all I knew.
The Beatles, even after they publicly broke up, were contractually obligated to continue the Apple arrangement of pooling their money until the divorce papers were signed, at which point, they could all take their piece of the pie and go as Paul put it. AKOM points out, without really digging into the money issue, that John's disappearance from his career as a popular musician happens directly after the papers are signed. As soon as he is no longer pooling his money with Paul, he loses all motivation to be a contributing member, pulling his weight. He stops putting out albums to make money. ((((I am not saying this is the only reason. John's mental health and his baby would've also played huge roles. I am saying it could be part of it.)))) And then he reemerges when he feels that Paul has invited him back. When he thinks they're ready to "start over" again.
SOURCES
The Paul McCartney Project
John's 1980 Playboy interview
John's 1971 Rolling Stone interview
Peter Brown and the Beatles Bible
My own quote doc which compiles lots of interviews
AKOM
December 4th, 1969 (Tittenhurst Park, Berkshire): John and Yoko view a print of The Beatles performing ‘Some Other Guy’ in October 1962 at the Cavern Club - footage which had been chosen for inclusion in ATV’s proposed feature on John, Man of the Decade.
whatever man
The Beatles - Till There Was You
Recording from Hamburg. John echoes every word from Paul and Paul tries not to laugh. It’s adorable.
WE WERE ON JEOPARDY!!!!!!!!!!
thank you for coming to my this #mythis
my favorite thing paul does in interviews is when he mentions a beatles song and then starts singing it to make sure people know it, like he'll say "we were performing she loves you, you know 'she loves you yeah yeah yeah...'" like you literally don't have to do that. everyone knows that song. you are paul mccartney
My personal favorite is when he goes to tell and a story and he prefaces it with "you know, john and I- john lennon and I-" like yeah no we know that. we know who john is. you are the beatles
Walrus
The first line was written on one acid trip one weekend.
(John Lennon, September 1980, interview with David Sheff for Playboy)
It was my first trip with John, or with any of the guys. We stayed up all night, sat around and hallucinated a lot. <...> You're looking into each other's eyes and you would want to look away, but you wouldn't, and you could see yourself in the other person. It was a very freaky experience and I was totally blown away. There's something disturbing about it. You ask yourself, "How do you come back from it? How do you then lead a normal life after that?"' And the answer is, you don't. After that you've got to get trepanned or you've got to meditate for the rest of your life.
(Paul McCartney in Many Years From Now by Barry Miles, 1997)
I am he as you are he as you are me And we are all together <…> I am the walrus Goo goo g' joob
(I Am a Walrus, 1967)
‘Walrus’ is just saying a dream — the words don’t mean a lot people draw so many conclusions, and it’s ridiculous.”
(John Lennon in Disc And Music Echo, interview with Ray Coleman, December 16, 1967)
I told you about the walrus and me, man You know that we're as close as can be, man Well, here's another clue for you all The walrus was Paul
(Glass Onion, 1968)
There was a song of his called ‘Glass Onion’ where he had a line about, ‘Here’s another clue for you all, the walrus was Paul.” And he wanted to keep it but he needed to check it with me. He said, ‘what do you think of that line.’ I said, ‘It’s a great line.’ You know, it’s a spoof on the way everyone was always reading into our songs. I said, ‘here you go, you know, you’ve given them another clue to follow.’ So we would check stuff against each other and it was obviously very handy for our writing to be able to do that.
(Paul McCartney, 2001, interview with Terry Gross)
...if you're listening, I'm the Walrus too
(George Harrison, October 8th 1969, at Apple Offices in London, interview with David Wigg)
That’s what I’m saying: I was the Walrus, whatever that means.
(John Lennon, December 1970, interview with Jann Wenner for Rolling Stone)
Yesterday I was the dreamweaver But now I'm reborn I was the Walrus But now I'm John And so dear friends You'll just have to carry on The dream is over
(God, 1970)
John would say things like, ‘It was rubbish. The Beatles were crap.’ Also, ‘I don’t believe in The Beatles, I don’t believe in Jesus, I don’t believe in God.’ Those were quite hurtful barbs to be flinging around, and I was the person they were being flung at, and it hurt. So, I’m having to read all this stuff, and on the one hand I’m thinking, ‘Oh fuck off, you fucking idiot,’ but on the other hand I’m thinking, ‘Why would you say that? Are you annoyed at me or are you jealous or what?’ <…> I tried. I was sort of answering him here, asking, ‘Does it need to be this hurtful?’ I think this is a good line: ‘Are you afraid, or is it true?’ – meaning, ‘Why is this argument going on? Is it because you’re afraid of something? Are you afraid of the split-up? Are you afraid of my doing something without you? Are you afraid of the consequences of your actions?’ And the little rhyme, ‘Or is it true?’ Are all these hurtful allegations true? This song came out in that kind of mood. It could have been called ‘What the Fuck, Man?’ but I’m not sure we could have gotten away with that then.
(Paul McCartney, on Dear Friend in The Lyrics, 2021)
from the sketches for The Bruce McMouse Show (1969/1973, Antigua)
My name is Morse* Moose and I'm calling you
(Morse Moose And The Grey Goose, 1978)
*a "morse" also is the archaic or alternative English term (derived from Russian morž - морж) for the walrus, and it remains the standard word for "walrus" in French - un morse)
Q: But what about “Here’s another clue for you all, the walrus is Paul” from “Glass Onion”? A: Well, that was a joke. The line was put in partly because I was feeling guilty because I was with Yoko and I was leaving Paul. I was trying—I don’t know. It’s a very perverse way of saying to Paul, you know, “Here, have this crumb, this illusion, this—this stroke, because I’m leaving.”
(John Lennon, 1980, in All We Are Saying by David Sheff)
Every day we used to make it love So why can’t we be making love It’s easy The time has come the Walrus said For you and me to stay in bed again It’ll be just like starting over
((Just Like) Starting Over, 1980)
I’m still a Walrus*
(Paul McCartney, The McCartney Interview, released December 4th 1980)
*If you play the outgroove the end of side two backwards, Paul says: “I’m still a Walrus.”
Yeah, you’ve guessed it. I am the Walrus.
(Paul McCartney, June 2012, from Greenpeace's campaign to protect the Arctic support letter)
And who was the Walrus? We will never know.
(Paul McCartney, 2012, interview for Mojo The Beatles Magical Mystery Tour Special Edition)
He [a young squirrel named Wirral] sets out to find his mother’s old bandmates – played by McCartney (as a walrus named McKenzie, obviously), Starr (a bird named Roy) and Richie (a bison named Gladstone) — and accidentally sparks a revolution.
(‘High in the Clouds’ Shares Original Music, Early Art and a Beatles Reunion in Annecy Sneak Peek By Rafael Motamayor for Variety, June 13, 2025)
(The Beatles Anthology, 1995/2025)
A street in Beverly Hills, 1982
Scan
twenty years across the sea
starting beef with my 2 favorite lesbians….
John Lennon on the roof of his East 52nd Street penthouse, New York, photographed by Bob Gruen. (August 29th, 1974)
-
“Writing songs,” says Paul McCartney, “is like following a trail – and you never know where it will lead you.”
Today, the trail has led us to McCartney’s studio in rural Sussex. Rabbits snuffle around the garden and the English Channel shimmers in the distance. There are worse places to work. A quick scan of the studio kitchen reveals a copy of Mary McCartney’s recipe book and a John Lennon calendar; March’s pin-up is “Moody John” in sunglasses posed against the New York skyline.
— Paul McCartney, interview w/ Mark Blake for Q: Songs in the key of Paul. (May, 2015)
Happy McLennon Monday! Literally all John did was stand up lmaooooo
(Source: Video posted by Twitter user rockstarroyco)
"reaching for the sky" (2007), rebecca cross
October 22nd, 1969 (Apple Corps, London): Detroit DJ John Small presses an increasingly harried John (who is looking to promote his upcoming releases with Yoko) on the “Paul is dead” story which has recently been building up conspiracy steam amongst fans across the Atlantic. In between, John (along with Yoko) talks about the distinction between self-motivation and self-expression, Paul’s almost-straightness, and the ingenuous quality of the Beatles myth.
SMALL: John Lennon, there is no doubt in your mind about the fate of Paul McCartney?
JOHN: No. I mean, it’s a joke, you know. I mean, Paul isn’t dead. And if he was, we would have told you. We’d be the first to know.
YOKO: And he’s got—
JOHN: He’s also got a baby!
YOKO: [laughs] He’s got a baby.
JOHN: He’s recording music for Ringo’s film and producing Mary Hopkin, so he’s very much alive.
SMALL: How did the rumours, uh, affect the both of you at this point?
JOHN: It’s a joke to us. It’s just a joke.
SMALL: It’s so hard to believe that something like this would be going on – similar to a James Dean thing.
JOHN: I can’t understand it because – I can understand the James Dean kind of, he still lives crippled but won’t come out, you know, I mean there’s some kind of idea you can guess, “Well maybe, maybe…”
SMALL: Yeah.
JOHN: But Paul McCartney couldn’t die without the world knowing it.
SMALL: Mmhmm.
JOHN: The same as he couldn’t get married without the world knowing it. It’s impossible! He can’t go on holiday without the world knowing. How – how could he – how could he die without anybody, everybody knowing it?
Keep reading
Uncle Ringo goofing around with little James McCartney (1981)