mumbling my pain forever , some crackhead vase on a table
seen from United States
seen from United States

seen from United States
seen from China
seen from United States
seen from United States

seen from Argentina
seen from United States
seen from Italy
seen from Russia
seen from United States
seen from China
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from South Africa
mumbling my pain forever , some crackhead vase on a table
Vessel of Power
─────────────────────────────────
Now a movie for the popcorn! Have him watch The Room lol
TC: tHiS iS mOtHeRfUcKinG cOoL bRo :o))
day 169
Work Statement
The Boxes We Inhabit explores the concept of space through visuals and audio in the fashion of Alvin Lucier's sound artwork I am sitting in a room (1969). In it, I record myself at the center of the room speaking into a microphone, then I take that recording and project it into a black foam board box—another room so to speak. I continue this process of re-recording and projecting until the audio becomes distorted. I also alter the video so that it loses quality with each iteration by scaling the files down then enlarging them within a higher quality sequence. The exposure is gradually increased to the point that the image is reduced to pixels, digital rooms that contain visual information. The idea is to draw attention to the formal elements that make up a room, namely the physical space and its acoustics, to question the boxy spaces we inhabit as humans.
Images
Untitled, 2025
Food service table, bread cooling rack, 4 days worth of used cornmeal, 8 bags of new cornmeal, tie wraps, label wrappers, food waste.
This piece was conceptualized out of the everyday annoyance I experience after a work shift. The accumulation of corn meal and breadcrumbs in my bra signaled to me the amount of effort I put into the day and stress I experienced to just fill the bread wall for customers. I aimed to represent the efforts of my crew and myself through the common supply, garbage, and leftovers we interact with on a daily basis. This was the result:
3D modelling update. I made a room.
The headstone was from Scrooged, he was sitting on it in that episode, at 41:32. Transcripts are here: https://subslikescript.com/series/Quantum_Leap-96684
They're really bad because you have to guess who's talking, but they're okay for remembering exact details of lines.
I personally don't believe that it matters what he brings in, so long as it doesn't jog Sam's memory, but also, he's about as high ranked as someone can go in the Navy aside from temporary positions for specific assignments, and he's so damn decorated that who's really going to stop him? Technically he shouldn't even be out of uniform at work but who's going to say anything? Only someone who wants a lot of trouble made for them.
I'm dying, I typed out a very articulate response but because I used the wrong phone to post the gif, tumblr was like "lol no, it's all gone now" and now this response is worded poorly.
I found the scene and giffed it, took me a while to find it, and I slowed it down as much as my phone would allow.
Al definitely brought the headstone in to mess with the guy, the entire time it's there he's sitting on it.
The very first episode had Al in his dressing gown and jammies, so he just rolls with what he's got to do and it's not like anyone can really question it. Like you said, it would likely be a lot of hassle if they tried.
I said it in another post but doesn't Al technically have immunity on the project? They can't just fire him because his and Sam's brainwaves are synced with each other, anything Sam sees is usually an extension of Al himself. Even if they had the original scans of Sam's brainwaves, how are they going to sync up the new guy considering Sam isn't in their time period, and likely never will be?
Thank you for the link for the transcripts, I'll comb through them next time before I post any questions about the imaging chamber.