Bajoran Earrings
Image gallery of Bajoran earrings seen onscreen. Images taken from screencaps and prop galleries.
Ro Laren:
"Picard" earring (with the secret files inside) RockLove.com
"Ensign Ro" and "The Next Phase," from TrekCore.

seen from United States

seen from Sweden

seen from Malaysia

seen from Morocco
seen from Netherlands
seen from China

seen from Malaysia
seen from China
seen from Jordan

seen from Morocco

seen from United States
seen from United States
seen from China
seen from China

seen from Germany
seen from Netherlands
seen from United Kingdom
seen from Ukraine
seen from Türkiye
seen from United States
Bajoran Earrings
Image gallery of Bajoran earrings seen onscreen. Images taken from screencaps and prop galleries.
Ro Laren:
"Picard" earring (with the secret files inside) RockLove.com
"Ensign Ro" and "The Next Phase," from TrekCore.
I would love to know more about why Taabin wears his earring on his left ear instead of his right if you're willing to share. I always find it very fascinating to see Bajoran characters who have a complicated relationship with the Prophets/religion, since that's very heavily ingrained into the society and culture of Bajor.
AH! You’ve caught me.
Frankly, it’s more sentimentality surrounding his original 2024 design when I was only familiar with Ro Laren. Embarrassing given my bajoraboo status nowadays, but so it goes.
This is an idea I’d like to pass along to @birdyboyfly in their Study on Bajoran Earrings, but since learning about/focusing heavily on the D’jarra and how it affects later generations of Bajorans, I think a left-earring could be a leftover from the Imutta class.
Despite being born ~20 years into the Occupation, the more rural region of Dahkur in which Taabin was raised, the prejudices of the D’jarra still reared its head. Taabin’s father, Ghash Kadel, was a farmer under Cardassian overseers, but his entire family had at one time belonged to the Imutta class. While Bajoran families are matrilineal, the decision of his mother (from a laborer class) to marry an Imutta was likely still considered controversial in a small-town-gossip sort of way and would pull her down in status. Thus, Taabin wearing a very simple earring on his left to denote this. It’s an idea I’m still tinkering on.
I do have other aspects of his earring entirely planned, which I will share with this WIP of a painting by the character on the left:
Taabin identifies as a very religious man his entire life, making it difficult for him to address the ways in which religious figures who were meant to guide his path ended up hurting him. I’ll leave that there, though.
Thank you very much for your ask and interest!
dude, i can’t get over Li Nalas.
he knew what was going on from the beginning. sure, a moment of brief confusion and then the realization that these people he’s been trapped in a labor camp with for the past ten fucking years, Memory Alpha says, believe his return to Bajor will bring restoration. the realization that they have such confidence in him as to place his life above their own.
he gets shot and then he’s hauled off to a shuttlecraft within minutes, forced to leave behind his decade-old reality. to leave behind people who shared it with him until just moments ago. and he’s dying, maybe. in excruciating pain, so he can’t even object, can’t even think. and Kira looks at him with this intense certainty. like he’s the missing puzzle piece she’s been scouring every last corner of the universe for. only he knows he isn’t.
and then he’s off to sickbay before anyone else despite his protests, where a human operates on him. a doctor who won’t stop regaling him with all the wonderful things he’s supposed to have done, all the battles he’s supposed to have won.
he is on his feet soon after, clean and dressed in warm clothes. he has no time to rest or breathe in his newfound freedom before he is swept up for a tour of the station he knew too long ago. and now every Bajoran he comes across in this ore processing center turned glitzy space mall looks at him the way Kira does, like they know him, like they need him. their words and shining smiles of praise when he reluctantly stands to address a crowd of them tells him just how much they believe they do. he does not forget the ones he left on Cardassia IV.
it is with relief that he hands the crowd off to Jaro. a deep sigh of familiar aggravation just beneath the surface of his skin as Jaro panders to the crowd's enthusiasm for his return.
that scene where Sisko shows him his quarters, i don’t blame him for striding over so tentatively but nevertheless excitedly to the small flower in a vase. Sisko hardly notices it but it is the first thing Li locks eyes on. a plant. a sprig of life clipped and close to its end, kept alive only by means necessary for display. a being which demands nothing of him here besides fresh water and a light to lean towards.
he stows away on a ship, running now, not from the Cardassians, but from Bajor. from the lies others fabricated on his behalf. Sisko - after the Tygarian freighter captain has dragged him by the ear back to the station, after Li has laid bare his truth in earnest - tells Li they are not lies. they are legends. and Bajor needs them.
and Li Nalas, a man encased in a shell of legends crafted by hands which are not his own, is tired. but he accepts the responsibility his people have placed on his shoulders. because Sisko is right. they do need him.
never mind the political unrest on his home world or the ministrations of the politicians, the Kai, the Circle: he can hardly wrap his head around it all, much less speak to it. the Bajor he has returned to is not the Bajor he knows. his people are afraid with a new kind of fear, one of unbearable uncertainty. they look to him and he can barely speak. but he will play the part he’s been told to. he will be a good soldier. that, he can do.
in the moments just before his death, he is Kira's puzzle piece. he is the flower in the vase. he is simple. uncomplicated. dying.
only then does he rejoice. he may finally rest.
Like, walk with the fucking Prophets, you know?
The Federation is never quite satisfied with its uniforms. They’ve gone through quite a few iterations historically, different colors and ornaments meaning different things every few decades. On Deep Space Nine at the moment, red uniforms indicate command, but in thirty or forty years red might indicate medical, or engineering. The shapes of the comm badges might be completely different in a hundred years, judging by how they’ve been morphing recently. Bajoran apparel doesn’t change like that, not that we have uniforms, exactly—the earrings are the closest equivalent, and even their designs change slowly, a hundred years passing before any change in meaning happens.
This evidences a greater truth. Bajoran history, up until the Occupation, tended towards slower movements than Federation history. Bajor has had its share of disasters and upheavals, but they have occurred on a much-expanded timescale. The Bajoran culture remains patient, resilient, slow to accept any new ideas, and highly conservative, unlike the impulsiveness of the leading cultures of the Federation—Human, Betazoid, and Andorian, to name a few, with Vulcan culture as a notable exception.
I truly love Riker and I truly love Tuvok but they both at one point force a Bajoran crewmember to remove their religious earring of great personal significance and in those two moments I’m like Sir I Swear To God I Will Rip Your Head Right Off
baj’earring