#chuck wayne

[radiophd]

chuck wayne -- see saw

[kdo-three]

Tony Bennett - Give Me the Simple Life (1955) Rube Bloom (Music) / Harry Ruby (Lyrics) from: "Cloud 7" (LP) (AKA "Cloud 7 featuring Chuck Wayne")

Jazz | Tradition Pop

JukeHostUK (left click = play) (320kbps)

Personnel: Tony Bennett: Vocals Chuck Wayne: Guitar Harvey Leonard: Piano Charles Panely: Trumpet Dave Schildkraut: Alto Saxophone Ceasar DiMauro: Tenor Saxophone Clyde Lombard: Bass Ed Shaughnessy: Drums

Executive Producer: Danny Bennett Arranged by Charles Panely Produced by Mitch Miller

Recorded: @ The CBS 30th Street Studio in New York City, New York USA on December 22, 1954

Released: on February 7, 1955

Columbia Records

CD Reissue Released: on August 10, 2004

Columbia Legacy Records

[davepetillo]

Petillo Wave archtop jazz guitar #0004. Purple stone calligraphy frames and gold pearl nautical inlay designs. The guitar body is made of rare German flame maple with Wenge body binding and neck heel cap. This body style was invented by my father Dr. Phil Petillo and was played by Jazz Legends Tal Farlow and Chuck Wayne. Check out the patented Petillo Point body design that angles the guitar in the classical posture when sitting down!

[davepetillo]

Model: Petillo WAVE #0002 (featuring the Asbury Park Boardwalk headstock inlay)

Body Style: Petillo Point (Masterpiece Series design invented by my Father (Dr. Phil Petillo)

Finish: Lacquer “Fire Red Burst”

Top, Sides & Back: German Flame Maple

Body Binding & Neck Heel Cap: African Padauk with top trim paua abalone sea shell/highlighted in black white black purfling

Fingerboard: Nigerian ebony (12 radius) (25.5 scale)

Frets: Petillo Precision Fret aka “Triangle Frets”

Fingerboard Inlays: paua abalone nautical theme (stingray, anchor, octopus, sailboat, nautilus shell, mermaid, shark, seagull, whale and Triton of Neptune)

WAVE Headstock Color: inspired Andy Warhol pop art colors

Rod Cover: Pelican walking on the Asbury Park Boardwalk

Back Headstock: Indian rosewood with nautical step inlay and purple/grey stinger

Neck Side Dots & Fingerboard binding edge: Sea horse designs against airbrushed purple/grey fingerboard binding

Neck: American hard maple

Tuners: Nickel Grover with hand lathe clear plastic washers to see through to the art work

Tailpiece: Bigsby B6

Bridge Base: Nigerian ebony

Nut & Saddle: Black Tusk

Strings: D'Addario flat wounds (52-12 gauges)

[sgurumiyaji]

「Tasty Pudding」Chuck Wayne '53〜'54

元々「Jazz Guitarist」ってタイトルだったもののリイシュー。二人のレスター派のテナーがフィーチャーされてます。12曲中、A面4曲がムーア、B面4曲がズート。このムーアって人がクセモノで好きです。

内容は思っ切りトリスターノ系のクールジャズですが、このウェインて人、無駄に速弾きピッキングが上手くて、ジョニー・スミスやジャック・ウィルキンスを思い出しました（笑）　ま、でも、彼等よりかはフレーズもセンスが有って、結構面白い事してると思うので僕は好きですけどねー。まぁ、嫌味もあるから嫌いって言う人多そうな気もするけど。

曲やアレンジも凝ってて、ヴァンゲルダーの録音も割と良いし、悪くないと思います。ただ、スミスのアルバムでのゲッツのハイテク・ソロみたいなのは無いのでインパクトには欠けるかも。

[dixiefunk]

Chuck Wayne - “Morning Mist”

[sallygcronin]

A Man and his Music - William Price King meets Tony Bennett - Part Two - The 1950s

A Man and his Music – William Price King meets Tony Bennett – Part Two – The 1950s

Welcome to part two of the Tony Bennett story and we are now into the early 50s with Tony still only 24 years old. His talent as already come to the attention of influencers in the music industry such as Bob Hope and his first single and career is now on the fast track. I will hand you over to William to pick up the stories later in 1951. Following on from Tony Bennett’s first big hit Because of…

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[megahdwallpapers]

Chuck Wayne Legendary Jazz Gutarist

Chuck Wayne Legendary Jazz Gutarist

Chuck Wayne was a jazz guitarist. He is best known for his work with Woody Herman’s First Herd, and for being the first guitarist in the George Shearing quintet. He also was Tony Bennett’s music director and accompanist from 1954-1957.

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