The social and economic impact of people living longer and having fewer babies is hitting countries worldwide. Adaptation is key
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The social and economic impact of people living longer and having fewer babies is hitting countries worldwide. Adaptation is key
Men and women had different roles years ago because the world was different then. Physical work had more value, which men are admittedly more capable of by nature/by biology, so it makes sense men were the dominant sex.
The world has changed though and the contemporary world has proven females can compete and succeed over men in many fields. We're coming off the backfoot and still progressing ahead of you. In another 100 years, it may even be men that are seen as the weaker sex.
Respectfully, Im afraid your views are outdated and do not reflect the current world.
I think it is a bit preposterous to discount 5000 years of written history and 1.5 Million years of unwritten history by looking at a few, recent decades in a few select, wealthy countries.
Studies show that men and women allegedly possess the same average intelligence, but that the standard deviation among men is much higher. This means that there are more male imbeciles (who tend to remove themselves from the gene pool or at least society through crime or similar activities), but also many more male geniuses than female ones. And those are the people who drive technological and societal progress. The areas where women have gained are mostly highly socialized and regulated fields like academia or the rank and file of multinational corporations.
There is a tendency to overestimate the stability of societal norms and taboos: The society that arguably accomplished the greatest visible technological achievement of the last century and landed men on the moon, still used the trope of men spanking their wives in mass entertainment comedies. So what can move in one direction, can move in the opposite direction, as well.
And then there is demography: The raw birthrates show that feminism isn't sustainable. When a society virtually ceases to have children, it is going to die. And another society that still produces enough humans will take over, regardless of their values or average intelligence. When we think about zoo animals, we automatically assume that reluctance to procreate points to problems in their environment, but with humans we see it as a sign of societal progress. Could it be that our vision of societal progress is fundamentally flawed?
The Day the Cartoon Cried: The Comical Tragic Downfall of kids' tv in the modern age
Penned By J.A Stoker and Maggie Weston, Edited By Charlotte Medera and Vitia Medera
Kids TV is Basically Just TMZ Now
It feels…wrong, doesn’t it? Scrolling through channels, or worse, letting a streaming service auto-play, and being bombarded with…this. This cacophony of screeching voices, seizure-inducing flashing colors, and jokes that land with the subtlety of an anvil. I remember settling in for Saturday morning cartoons, a bowl of sugary cereal in my lap, ready to be transported to another world. There was a sense of wonder, of patience. Stories unfolded. Characters grew. Now, it feels less like storytelling and more like a desperate, high-speed assault on the senses. It’s loud, it’s chaotic, and it’s hollow. It’s the television equivalent of celebrity gossip—all flash, no substance.
The Rise of the Fall of TV
To understand how we got here, we have to look at the landscape. My generation had “appointment television.” We had to be on the couch at a specific time to catch our show. Creators had a captive audience for 30 minutes and used that time to build a world. Today’s kids live in the age of the infinite scroll. A show isn’t just competing with the show on the next channel; it’s competing with a million TikTok videos, a YouTube short, a mobile game, and every other piece of content ever created, all available instantly.
The result? Media designed not to be watched, but to be stared at. It’s engineered to hijack a developing brain’s attention for as long as possible. As media analyst Douglas Rushkoff puts it, “The media is not the message. The media is the environment.” And right now, that environment is a frantic, overwhelming digital Skinner box, rewarding momentary attention with another jolt of stimulus. This is a key reason why kids shows are bad now; they're built for an algorithm, not for a child.
Candy Colors and Puppet Rigs: Why Candy Hearts and Paper Flowers are Forgotten
Let's break down the formula. It's a calculated strategy, a crutch used in place of genuine creativity.
First, the visuals. Everything is rendered in high contrast, bright colors. It’s visual sugar, designed to be irresistible to young eyes. The animation style itself has changed. Gone are the hand-drawn nuances, the “paper flowers” of animation that gave characters weight and soul. They’ve been replaced by “puppet rigs”—clean, efficient, digital puppets that are cheap to animate but often feel lifeless. The characters move, but they don’t emote.
Then there’s the pacing. It’s a relentless barrage of fast-paced, rapid-fire jokes. There’s no room to breathe, no moment of quiet reflection. Often, this devolves into gross-out or edgy humor because it’s an easy, guaranteed reaction. A thoughtful, character-driven joke takes setup. A fart joke doesn’t. It’s a shortcut to a laugh, but it’s an empty one.
This is where the real damage is done. This constant sensory overload, as I see it, is how media and TikTok destroyed a generation's ability to develop an identity by promoting unoriginality. Instead of internalizing complex characters and moral dilemmas, kids are learning to mimic fleeting trends and shallow archetypes.
This brings us to shows like The Loud House. On the surface, it’s a show about a big family. But look closer. Each of the ten sisters is a walking, one-dimensional stereotype: the goth, the jock, the prep, the rocker, the scientist. These are not characters; they are tropes. Shows like The Loud House and other current kids' media promote stereotypes as if they are realistic, presenting kids with a set of rigid, pre-packaged boxes to fit into. For a child trying to figure out who they are, this can be incredibly confusing. It suggests that you can only be one thing, and it presents narrow, often caricatured versions of masculinity and femininity. This approach doesn't just lack creativity; it can cause a kind of identity whiplash, or what some might call gender confusion, by presenting these limiting stereotypes as the only valid ways to be.
Here's a clearer look at the shift:
Feature Classic Children's Media (e.g., Avatar: The Last Airbender, Mister Rogers) Modern "Content-First" Media (e.g., The Loud House, many YouTube cartoons) Pacing Deliberate, with room for quiet moments and emotional reflection. Frantic and non-stop to hold attention. Humor Character-driven, situational, and often witty. Rapid-fire gags, slapstick, and gross-out humor. Characters Multi-faceted, with flaws, arcs, and emotional depth. One-dimensional stereotypes and archetypes. Visuals Artistically driven, with a unique style that serves the story. High-contrast, oversaturated colors designed to pop on a screen. Core Goal Tell a meaningful story; teach a subtle lesson. Capture and retain viewer attention for monetization. How This Happened and What to Do to Stop It
So, why in general is kids' media trash now? The simple answer is money. The formula I described—bright colors, fast jokes, simple characters—is not just a crutch; it’s a brilliant marketing tool. These simplistic, tropey characters are easily brandable. They can be slapped onto a lunchbox, a t-shirt, or a toy without any context. A complex character with a compelling arc is hard to sell; a catchphrase and a single defining trait are not.
But we are not powerless. We, the parents and concerned adults, are the consumer. The algorithm only works if we let it. We can stop this.
Become a Curator: Stop letting streaming services auto-play. Intentionally choose what your children watch. Seek out the gems. Shows like Bluey, Hilda, or Kipo and the Age of Wonderbeasts prove that quality storytelling still exists. Re-introduce them to classics that treated you with respect as a child. Co-Watch and Connect: Whenever you can, watch with them. Ask questions. "Why do you think he felt sad?" "Do you think she made the right choice?" This turns passive consumption into an active, critical thinking exercise. Use the show as a springboard for real-world conversations. Prioritize Unplugged Identity: The most powerful tool against this is turning the screen off. Encourage reading, building with LEGOs, playing outside, drawing, or just being bored. It is in the quiet moments of boredom that imagination and a true sense of self are born. The Light at the End is Dim but There
It can feel hopeless, like fighting a tidal wave of mediocre content. But I truly believe there is hope. Every time we choose a thoughtful show over a loud one, every time we read a book instead of handing over a tablet, we cast a vote for a better future for our children's minds.
The creators of quality media are still out there, fighting to tell real stories. They need our support. We have the power to change the demand, to show the industry that our kids deserve more than just empty calories for their brains.
As the great Fred Rogers once said, “Frankly, I am turned off by the fancy camera work and all the other tricks that are supposed to dazzle the viewer. I don't want to dazzle you. I want to love you into becoming the best person you can be.”
Let’s demand media that seeks to love our children, not just dazzle them. Let's give them stories that build them up, characters that inspire them, and the quiet space they need to discover the incredible, unique people they are destined to become.
Our society hates men, particularly young White men.
When men can't find work, how are they form families and have homes? This isn't just a social problem, but a problem for the church as well.
Please, tell me again that the plight of young American men is overstated.
Student Survey on Alcoholism & Demographic Disparities
Hey everyone! I'm researching an important topic that doesn’t get enough attention: alcoholism and how it impacts different communities.
I'm conducting a survey to better understand the demographic disparities surrounding alcoholism—because let’s be real, this issue doesn’t affect everyone equally. Whether it’s race, gender, sexual orientation, socioeconomic status, or cultural background, these factors can play a huge role in how people experience and cope with alcohol dependency.
📝 Take the survey here: https://montclair.co1.qualtrics.com/jfe/form/SV_3QnYK5p85a49fds ⏰ It only takes about 10-15 minutes, and it’s completely anonymous.
The data collected in this survey will be analyzed and presented in a research paper at the end of this semester.
Why should you care?
-🧠 Alcoholism is a complex issue that’s often misunderstood.
-🌈 Marginalized communities face unique challenges that are often overlooked.
-💪 Your input can help shape better resources and policies for those who need them most.
P.S. If you or someone you know is struggling with alcohol dependency, please reach out to local resources or hotlines. You’re not alone, and help is out there. 💛
The most powerful, simple and trusted way to gather experience data. Start your journey to experience management and try a free account toda
A map and infographic that displays the ethnic demography changes of Kazakhstan in the past 125 years.
Explore our visual guides and documentaries about art & history.
A new tool for visualizing the world in which we live: "Everyone, Everywhere: Mapping Humanity's Changing Footprint in Unprecedented Detail" @andrewzolli.bsky.social
(Plus- Denis Diderot)
Get down with data: https://roughlydaily.com/2025/07/31/without-data-youre-just-another-person-with-an-opinion-2/
Zelda Liveblogs a Lancet Paper
Following this post, I am now going to liveblog reading the Lancet paper cited by the Economist article to predict worldwide fertility to drop by 3/4s of its current position if current demographic trends continue. It is an Open Access article, so the entire thing is open for anyone on the internet to read.
Citation:
GBD 2021 Fertility and Forecasting Collaborators (March 20, 2024). Global fertility in 204 countries and territories, 1950–2021, with forecasts to 2100: a comprehensive demographic analysis for the Global Burden of Disease Study 2021. The Lancet, 403(10440), 2057-2099. https://doi.org/10.1016/S0140-6736(24)00550-6.
I refuse to use Chicago style. This is mostly because I memorized APA and don't want to learn a new one.
First, my background: I am not a demographer; I am not trained as a demographer; I have studied it auxiliarily to my other academic pursuits. I fall in a sort of educated in-between. I am currently a Master's student in library and information sciences, and my undergraduate degree was in political science, both at USAmerican universities. However, the field of economics is also very close to my heart, and I would have double-majored in it if the opportunity and financial costs had not been too high to justify it. During the five years I was a college drop-out, I studied economics independently, reading broadly within the field and taking non-certificate courses online. I've been taking non-certificate courses in economics through correspondence or online since I was about nine. I'm not an expert! I do, however, think I'm a fairly well-informed amateur.
And a note on language. This paper refers to birthing parents as mothers and to the demographic that gives birth interchangeably as female and women. I acknowledge that this is a cissexist patriarchical viewpoint that erases transmen, nonbinary and intersex people, and probably others I'm not thinking of. For consistency between my reflections and the paper and ease of reading, I will do the same. I'm conscious I'm part of the problem here, but don't see a way around it without making my bits harder to understand than they have to be.
With that out of the way, here we go: