#disinterest

[philosophybits]

Though virtue and honour be allowed their proper weight and authority, that perfect disinterestedness, so often pretended to, is never expected in multitudes and parties; seldom in their leaders; and scarcely even in individuals of any rank or station.

David Hume, An Enquiry Concerning Human Understanding

[howifeltabouthim]

If a situation wasn't purely about her, she could not summon up interest.

Lucinda Hawksley, from Queen Victoria's Mysterious Daughter: A Biography of Princess Louise

[the-ephemeral-ethereal]

Patriotism is not enough. But neither is anything else. Science is not enough, religion is not enough, art is not enough, politics and economics are not enough, nor is love, nor is duty, nor is action however disinterested, nor, however sublime, is contemplation. Nothing short of everything will really do.

from Island by Aldous Huxley (1962)

[thatsbelievable]

[quotationsworld]

I am tired of being a person. Not just tired of being the person I was, but any person at all. I like watching people, but I don’t like talking to them, dealing with them, pleasing them, or offending them. I am tired.

— Susan Sontag, I, etcetera

[tamaramora26]

•[ The best boyfriend in the world. ]•

•[ English ]•

Hi, what's up, everything ok? On this occasion I wanted to make a said of the Craig of my AU with Annie who is his ex-girlfriend, but here something of when they were together, we already know that currently this pendejo is more single and is tremendous Homosexual

•[ Español ]•

Hola bueno que me cuentan, ¿Todo bien? En esta ocasión quise hacer un dijo del Craig de mi AU con Annie que es su ex novia, pero aquí algo de cuando estaban juntos, ya sabemos que actualmente este pendejo está más soltero y es tremendo Homosexual

[eric-sadahire]

My personality is identical to an octopus...

Sentient enough to be a dominant species, but probably won't because of disinterest and introversion. Smart enough to cause havoc and plan elaborate escapes, but most of the time I just drift around eating stuff. Able to contort my body into strange and viscerally disturbing forms.

[writing-with-olive]

Shelving a WIP

(Alt title: I just shelved a WIP I've been working on for almost three years, and I learned some valuable things from the process so ima share them).

Disclaimer that I'm a writer that works on pretty much one WIP at any given time, and if it's two, one of the WIPs are going to be in the brainstorming/worldbuilding stages at a maximum. The things I've learned are from that perspective, and there might be aspects that are different if you have multiple WIPs, some of them more dormant than others.

1 - It's gonna be okay.

I'm starting out with this one because I've always found it terrifying when I see other people shelving their work, because if the people who have experience are doing it, I might do this, and how could I ever give up on this book baby I'm putting so much time and effort and love into? And yeah. That's scary. But once you've outgrown a work, sometimes the best thing you can do is to move onto new things. It doesn't negate all the hard work you've put in, and it certainly doesn't make you a faker. Remember - almost everyone who's established themselves as an author has shelved works, and they've still made it.

(how to shelve a project, and more detailed stuff below the cut)

2 - How to know when it's time to shelve a WIP

This can vary a lot, but there's three major reasons that have occurred with the works I've shelved (three, all of which I'd worked on for at least six months, many more that had shorter life spans).

The first is a lack of interest. If working on a WIP starts to consistently feel like a chore, and I'm having a harder and harder time feeling for the characters and the world, something's not right. Sometimes this can come from burnout from other aspects of life, but sometimes it's just that I lost passion in the work. Writing's supposed to be fun, and once it's not, it's time to figure out what's up, and sometimes that means trying something new.

Another reason is just outgrowing a work. As I'm writing, the concepts and the story start to feel more juvenile. Some of this can be fixed with editing, but some of it’s baked into the bones of the story. Working it out would mean completely changing the story. Eventually continuing a work feels like being trapped in a younger version of yourself rather than pushing forward.

The final reason (and it can be kinda devastating so I have a section on this farther down) is the realization that a story is not going to help you achieve your writing goals, or worse, will even hinder them. This one won't be as applicable to everyone as the other two as everyone's writing goals vary, but if your goal is to eventually get published/make a job as an author, you may be confronted with this.

3 - How to shelve a work if you've lost interest or outgrown it

The thing about both of these scenarios is that it's a slow progression. If you've identified that you're declining in your attachment to it, you're probably approaching the ability to set it aside and move onto other projects.

One of the first steps is evaluate what is making you stick with it. If you haven't yet shelved it, there's bound to be a reason. Sometimes it's one that holds a lot of merit, and may constitute just taking a break, or in some cases pushing through. Other times, it's not really a great reason, and coming to terms with that is an emotional step to put the work aside.

If you can't bring yourself to move on because it feels like quitting, even though it feels like it's the best decision, find a goal to work toward. That goal will be something much smaller than publishing the work, but it will still help give a sense of completeness. For example, finishing the draft, or even just the act you're on. Sometimes, seeing an end point can be detaching enough that you just... shelve it. Other times, you get to the end point, and decide: is this the end for the WIP, or have I regained enough interest that I actually want to go farther? Both are equally good decisions.

I have found that it's often like a sudden decision that comes after a long period of questioning. I might go for weeks thinking should I or should I not? Over and over and over. Then one day, I just decide to stop working on it, and that's that. It's just the moment when the last of my active emotional attachment finally dissolves.

4 - How to shelve a work when you realize it's not going to help you achieve your goals

This was the situation I was in when I shelved my no-longer-current WIP, which I intended to traditionally publish. It was a sort of assassin-y story and there were elements of it that were loosely based off of Natasha Romanoff's story (Marvel), though not enough by any stretch that it could be considered fanfic. Then the Black Widow movie came out, and apparently Marvel had the exact same idea I had, and suddenly, it looked like my story was a huge rip-off of that one. As it was, huge swaths of the story overlapped. All of this meant that not only was publishing my WIP a long shot because it was a YA sci-fi, but also it was competing with the mega-company that is Marvel/Disney. The chances of even getting an agent plummeted, and then there was the fact that if I did get one, and I got published, I would be basically throwing away my debut because of diminishing returns, and because anyone who read my book would also be in the target audience for Marvel, and would almost certainly see the similarities and write my story off for a rip-off. Not a great situation to be in.

So the first thing to do? Give yourself permission to feel all the big emotions that come with this kind of heartbreak. It hurts really bad, and it's okay to experience that.

Next thing. Evaluate. Is this it for the story, or is there anything else you can do with it? I can't publish it as a book, but there's nothing stopping me from posting it online and still sharing it with people.

Figure out what the end point is going to be. It could be finishing the story even though it doesn't accomplish what you originally set out to do (though this is something to do if it will genuinely bring you joy, not because you feel like it's something you owe). It could be doing something like the other scenario and finding a more artificial "finish point" to still get a sense of closure and accomplishment from the WIP.

5 - The freedom that comes from shelving a work

The obvious thing is that if you weren't enjoying what you weren't enjoying what you were writing before, you're done!

Shelving a work is an open space to work on whatever you want. Whatever makes you happy, you can do it. The starting stages of a WIP are always the most exhilarating, and this is where we all return whenever we pick up a new project.

Another thing. No matter what, you've learned something new over the course of your last project. Maybe it was a ton (that was the case for me - I am a completely different writer than I was before I started it), maybe it was one aspect of character or structure or voice. But you get to go into your next project with that new knowledge.