It’s time to talk about Bruno.
By that I mean, yes, we’re going to do another Disney movie on this blog – Encanto.
Encanto as a film is about generational trauma, immigration, seeking a better life, and much else. A portion of it touches on existentialism, which seems to be a theme of Disney movies lately, so I believe it is worth touching on.
It touches both on Predestination, and Purpose.
Predestination is done through the character of Bruno – he has visions that literally tell him the future, but not the whole story. Mirabel could never escape being the one who would create rifts and cracks in her family – not that they weren’t already there – because she is the one not given a gift. I’ll circle back to that.
He also sees the futures of the others – but not perfectly. He tells Dolores her love will be separated from her by an engagement to another. At the end of the film, that engagement is broken, and Dolores is able to begin a relationship with her love interest. So he did, technically, observe an accurate future, just not the end result.
Just as he didn’t observe the end result of Mirabel uniting her family.
Bruno also indicates the future isn’t fully set. Some things certainly happen – but will they all? Human agency is a key factor in it. Had Mirabel not hugged Isabela – or gone to hug her – the Casita’s breakdown would have been different. It likely would have still happened, but perhaps in that case it would have been permanent.
Isabela also could have married the man she didn’t want, forever shutting off Dolores from him.
But what would have happened if they didn’t know the future? Does Bruno know his role in sharing it, and how that makes people respond? Do the prophecies know his role in sharing it, and what that will cause?
Predestination is tricky that way, and I’ve gone over the question of free will here before enough to decide it doesn’t matter, since we don’t know what our future is. It is true, all of our actions are informed by experiences and the situation, so that nothing is truly “free” from influence – but they are our actions to make and decide upon.
The other thing Encanto touches on is Purpose, seen especially in Luisa’s song, “Surface Pressure”, where she has narrowed down her worth to her Gift. So have many others in the family Madrigal, to the point that Mirabel narrows down her lack of worth (and thus need to do even MORE) to her lack of a Gift.
Many who suffer from death anxiety, suffer from this existentialist crisis: what is the purpose of my life?
Would it be better to know your purpose?
For some, perhaps.
For others – debatable, which is what Disney movies like Soul and Encanto have brought more to the surface, by introducing people who think they know their purpose, only to learn that may not be it – or that they have so much more to offer than just that, and usually their purpose is stressing them the hell out.
Soul even ends on how an ambiguous purpose can be good – to just exist, can be good.
Encanto gives the Madrigals back their gifts at the end, but now they know they are more than their gifts, and are set free from the pressure of it – free to be whoever they want.
For these reasons, I recommend Encanto – the uncomfortable predestination/free will considerations, and for thinking more about purpose.
I also recommend it for all the more overt reasons – immigration is a talking point and needs far more thought, as well as generational trauma.
Plus “We Don’t Talk About Bruno” is a JAM.












