You gotta be kidding me right now…
If it’s not a coincidence, then it’s one of the best Easter eggs…

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You gotta be kidding me right now…
If it’s not a coincidence, then it’s one of the best Easter eggs…
Alright you weary sinners.
Buckle on up and strap yourselves in. We’ve only got a few hours left before the final drop of season two and I’ve got one last crack theory to share. Before Vizzepop destroys us all.
*Spoiler Alert*
Partially inspired by linked post:
💬 7 🔁 122 ❤️ 813 · Oh my god what if Alastor was intentionally looking for sinners who had potential to be powerful Overlords and outrank
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This season confirmed what we should’ve all known: Alastor sold his soul before he even died. Tumblr theories? Obliterated. AO3 fanfics? Irrelevant. Fans worldwide assumed he “misplaced” his soul right before his little seven-year-long“sabbatical,” but no—our impeccably suited, cane-wielding Radio Demon didn’t even wait for death to darken his door. He tossed his soul into Hell like a gambling addict at a demented roulette wheel. All chips in, sass and flair, going down with the grace of the Titanic. Absolute king behavior.
And knowing this, now turns half of season one into a tragic/comedic masterpiece—mostly at Alastor’s expense.
For years, we thought Husk lost his soul to Alastor in some dramatic infernal poker game. Bets placed, angles calculated, growing power bit by bit. We assumed Alastor was manipulating the situation, and slowly but surely strengthening his position—very sexy, very demure. Classic Al.
But now? Now we know Rosie already made Alastor the most powerful sinner in Hell the moment he arrived. So why would he need Husk’s soul—Or anyone’s soul, for that matter? The deer already owns the full casino. All the chips. The cards. The dealer. Why bother sitting down at a gambling table at all? Especially without having his own soul to bet?
Because the dumbass was trying to LOSE.
And failing. Catastrophically.
Husk’s solo in “Loser Baby” literally spells it out for us : “I sould my soul to save my power..”
Translation? They weren’t betting souls or coin —they were wagering pure, unfiltered, demonic power. It was the Radio Demon versus the Gambling Overlord in the most cursed, hellish Texas Hold ’Em in history. And Alastor, our beloved eldritch monster and absolute gentleman?
He was trying to throw the damn game.
Picture him at the flashy poker table: perfectly pressed suit, polished shoes tapping to the soft crackle of static like a snare drum in a jazz club, smiling that unnervingly wide grin. All suave and charm, thinking: “Surely this hand,” he thinks, “Surely this one will be the one I lose.”
And Hell , in all its damning, snarky, glory, just responds: NO <3.
He can’t lose. No matter how hard he tries, he physically cannot stop winning.
This man’s curse is to always be the “luckiest” creature at the poker table. Picture him desperately tossing good hands, trying to sabotage himself, and the dealer just keeps turning over royal flushes. Meanwhile, Husk is sitting across the table, leaking power like a freshly popped champagne, clutching at the fading hope that maybe, just maybe, the annoying gentleman in the bright red suit will finally fold.
Nope.
Win after win.
Every hand. Every spin. Every deal. The man is cursed to win at all costs.
This is why Husk knows about Alastor’s “leash.” He literally watched the radio host spiral through the five stages of grief while simultaneously cleaning out the entire casino. What would’ve thrilled any other soul, clearly caused Alastor more stress.
The brilliant scheme he concocted was failing. Losing his power to Husk was all he needed to break Rosie’s contract, and yet Hell said:
“Haha, no.”
In the end, Husk sells his soul to get his power back, and Alastor hands it over without a second thought. Why? Because it doesn’t matter. Alastor has already hit the jackpot. He’s got so much power he could tip the valet, hire the orchestra, and buy the whole casino without even noticing. Giving Husk a power-up won’t change his current status as the final boss.
And maybe that’s the real story here. Alastor has been trying to break his deal far longer than we imagined. His deal with Charlie, the whole “yes, Vox, please kidnap me, I need enrichment” bit? Just the latest scheme. He has gone toe-to-toe with ancient overlords, attempted to nudge up-and-coming demons like Vincent into power, and even placed his fate in the loving arms of pure, unfiltered dumb f*cking luck. This whole time: Alastor has been running multi-level escape attempts like a demonic Houdini.
Why the desperation to escape?
Maybe he got fed up with Rosie. Maybe he realized her task was an impossible one to achieve, forever keeping him in a eternal limbo as her “pet”.
Or maybe, just maybe, he leaned back in a smoke-filled speakeasy, jazz softly crackling from some invisible gramophone, and thought:
“Wait a second. I spent my life as a free black man— swinging to jazz, surviving life on charm and sheer audacity— changing my fate and carving the destiny I desired…and now I’m supposed to spend my afterlife answering to a white woman? Absolutely not.”
Thus began the rebellion.
And the pièce de résistance? Alastor theoretically could have freed himself…
If he’d only been slightly worse at gambling.
But no.
He is the luckiest bastard alive (…dead?), forever trapped in a game he cannot throw, spinning the roulette wheel that always lands on 666. A man caught between the roar of jazz and the clink of casino chips, doomed to win when he most desperately wants to lose.
And we love him for it.
Our jazz-age, high-roller hotelier.
Our untouchable static girlboss.
Our cursed gentleman gambler.
The Radio Demon—immaculately suited, impeccably polite, and eternally winning at the absolute worst possible moments.
From all these years of trying, we know at least one thing to be true.
Alastor is stubborn. It’s been a defining trait in his personality since the days when he was alive. Refusing to submit to “his place” in the status quo. Doing what he must to dazzle and charm and fight his way to the top.
No matter what. He will reach his goals- and he won’t quit until he regains his freedom.
You can bet on it.
Hey so um.... remember this line from the Abbott crossover
I'm sure some people thought (me included) that this was just a reference to Dennis' sex tapes, that the only reason he knows about filming consent is because he doesn't want to get in legal trouble while he does his... sex escapades.
But now that we have the context of this latest episode, I think it has more to do with his time on Family Fight.
The reason why Dennis knows about consent laws is because he probably tried to get the network to not air this episode. He read that contract over and over again and found out that his meltdown would get aired no matter what. He doesn't have any rights to it now, he sold them away when he signed onto the show. So now he's afraid of being filmed without his consent, because he's afraid of humiliating himself again. That's why he was so weird in the Abbott crossover.
I'm starting to read fictions about Pierrot to get an idea about him since I'm new in this fandom and I don't know him so well, but guys, I don't agree with any of them 🤣 because in each of them they describe him as a "wild monster".
Personally, uh, no thanks.
My idea of Pierrot is that he is pathetic but in a good way.
As much as I love dom men, I can't see him as a dominant.
I mean... he can be top, I WANT HIM TO BE, but it's not like our beloved Alastor.
Alastor exerts power even during sex. He feels satisfied knowing the effect he has on you, but more like a challenge to see how many times you can come for him. More like: we're doing this because I want to. He is a true dominant and could use pain, too, just for fun.
Pierrot... Pierrot is sweet. He would caress you, touch you all the time. He would only think about your physical well-being, and never his own.
He would treat you with devotion and never propose anything to you, waiting for you to give voice to his thoughts. And that’s the beautiful part.
He wouldn't be fast, nor would he be hard; he'd savor his time with you, savoring you and enjoying every second. He'd devote himself to every millimeter of your body. Almost... devastatingly so.
And in the meantime he would also sigh sweet words to you and your body, but also words to himself like "finally you're here, finally you're mine, I'll protect you from everyone, no one will hurt you as long as I'm here, trust me, my Lady".
He wouldn't just lick your neck, but your arms, your breasts (nipples make him drool profusely), your stomach, your legs, your ass, your feet. Every layer of your skin needs to be his, and the mere thought of it happening makes him cum in his pants (and this brings me back to my previous thought: it's desperate and pathetic, but in a good way.) The mere thought of someone accepting him and loving him back for who he is drives him even wilder.
He doesn't care about his release and for sure, he doesn't want to hurt you, not even by mistake.
Pierrot would do anything to satisfy you but constantly asking you how and what. He seems to me an adult innocent, puppy man. Even though he is evil, a psychopath, he kills and eats people. Yeah, I know.
He would be so desperate and clingy for you and at the thought that you would finally physically want him and that you would choose him after what he did or what you saw inside the circus. Because deep down, we knows he can be good.
And how he hates his duties and his "coven," because if he could, he'd spend all his time with you, even just looking at you without saying a word.
Your presence fills him. Your kindness seduces him.
At least, that's the idea I got from the game.
Then I discovered that Pierrot is a virgin, so I imagine him as panicky in certain situations.
Brain blast:
Zoro goes undercover in Wano as a ronin because Luffy is at Whole Cake. He's a samurai without a master omfg
SPOILER WARNING Aimsey’s POV The Flight July 12th!!!
This blog does some theorizing and questioning!
(TW MENTIONING DEATH AND DECAY AND GORE)
Just here me out.
Even tho I have never laughed so much and so hard because of a stream, I also need to put my critical thinking cap on my head. Mostly because of the cinematic saying Decay survived Death this time.
It brought me the question, a … chicken or the egg kind of thing if you will:
What came first? Death. Or Decay?
Death by definition is the permanent and irreversible cessation of all biological functions that sustain a living organism.
Decay by definition is to become gradually damaged, worse, or less. Its destructive dissolution. (Talk about AJ huh?)
Now. If something were to pass away, you would tend to say that it died before it decayed. The functions of its being would crash and it’s physical appearance would be broken down afterwards. The flesh is still rotting while the spirit has already left.
But what if the death was caused by decay? Lets say a brain that eats itself, phagocytosis, that causes the being to pass away?
Some might say it could be a matter of the dark and bright side of the moon: they both in the end form a whole. I say that both are not able to survive without the other (HARRY POTTER REFERENCE BOO!).
Hear me out.
Certain death is a permanent phenomenon that physically cannot be undone. It is an eternity. Decay, on the other hand, is THE most accurate symbolism (if you’d ask me) of time moving on relentlessly. Life itself is a circle (que The Lion King Circle of Life) in which death happens that leads to decay, which leads to life again. They both have to exist in order for life as a whole to exist.
What I am saying is:
If Death (Unknown Entity) would of killed Decay (AJ) it would take away its own meaning. For what is death to a sentient being if not the passing away of all that it was? Death would not have any meaning without decay because the thing that died would just stay the same as it ever had been. What is an existence without any means of remembrance? And what causes that remembrance? Decay. For what isn’t gone, even for a fraction of a second, doesn’t need to be remembered.
But now take away death from decay. It would have no purpose, it would physically not be possible. To be erased from physical existence IS death. Decay would never happen if death was not going to be the cause not the conclusion.
So. What came first? Death. Or decay?
I think its time to share that I am also one of the people who think its a dark and bright side of the moon kind of thing. I believe Death and Decay are two sides of the same thing, making each other whole.
Thats why I think AJ survived. Because Death still has use for Decay. Now as for the inevitable doomsday of this server, I am not sure that Death would spare Decay. Or the other way round.
Borg and Queens - A fan theory of the role of Queens
By default there are no Queens - the Borg are a pure hive mind with all the voices as one.
However sometimes problems arise…
If a section of the Borg is separated from the hive, this smaller collective can start to break down into individuals. A minimum number of members is needed for a group mind
To ensure cohesion, a single Borg is elevated and "Brings order to chaos" by dominating all the minds and forcing unity.
When a single small vessel was sent into the past, their link to present collective was severed.
Knowing this was likely, a queen was preselected and stored on board. She took command of the sub collective and became the one mind. With her death, remaining Borg died from neural feedback.
Being elevated above the rest of the hive mind, the Queen units are far more individual due to not being enmeshed with others.
A smaller example was shown in VOY 6x02. Seven and other Borg were separated from the collective. Seven in this case filled the role of a Queen - she enforced unity and cohesion with herself above the new tiny collective.
Perhaps this is why she was of interest to other Queens.
In Voyager, we encounter the Borg during their war with species 8472. Their mass losses lead to a splintering of the collective.
One or more Queens were activated.
The Queen's function is to reunify the collective until it is sufficiently cohesive to no longer require a Queen.
However Queens have a habit of failing to relinquish control, even to detriment of their drones. They place their own welfare over that of the hive.
Locutus was not a Queen - he was however a conduit for the collective. A focal point. Although elevated, his personally did not dominate the Hive - he was as enslaved as any drone.
There are likely splinters of collective out there that are sufficiently cohesive or numerous to ensure that no Queen was activated.
These Borg may be far more dangerous.
What happens when they encounter a smaller Queen dependent collective?