Let’s Read 三字經:The Three Character Classic (pt. 8)
大Elder and 小younger 戴Dai 註annotated the 禮記Book of Rites. [They] 述described the 聖sage’s 言words [and had] the 禮rites and 樂music 備prepared.
That is, 戴聖 and his uncle 戴德. Their work reduced the original number of sections in the book down from 214, its current number of sections being 49.
曰Say 國State 風Airs, 曰Say 雅Court Hymns and 頌Eulogies; 號called the 四four [types of] 詩poetry, [they] 當should [be] 諷recited and 詠sung.
These are the four types of poetry in the Book of Poetry. 國風 were simple folk songs, while 雅 and 頌 tend to be more ritual or court songs.
The 詩Book of Poetry 既having then 亡ceased, the 春Spring and 秋Autumn [Annals] were 作made. They 寓contained 褒praise and 貶criticism, 別seperating 善good and 惡evil.
者As for the 三three 傳commentaries, 有there was 公Gong 羊Yang’s, 有there was 左Zuo 氏Shi’s, and 有there was 彀Gou 梁Liang’s.
The commentaries, for those unaware, are just what they sound like. There is a long tradition of scholars leaving notes and highlighting the meaning and contexts of the text; Though they were less involved in the face-value meaning and more focused on overall implications. They’re vital to understanding the classics in the context of history and how they shaped each era.
The 經Classics, 既having been made 明clear, 方now when 讀reading the 子masters, 撮pick out 其their 要vital points and 記note 其their 事facts.
Remember, scholars memorized those classics, forwards and backwards. They can read anything they bloody want to now.