#mainline

[slyapartment]

[familyhvacwayne]

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[transport-methodology-101]

1952 Ford lineup included three main lines; Mainline, Customline, and Crestline in eleven different body styles with choice between a 110-horsepower Strato-Star V-8 engine or a 101-horsepower Mileage Maker Six engine.

More on the exciting trend setting cars of the 1950’s:-

Classic and Collectible Cars of the 1950s

The 1950s was exciting era for car manufacturers. America’s post-war designs became sleeker and models like the Ferrari gained popular

[blatantlybluntblog]

IW - Weakness

UK Drum & bass producer IW drops this high energy and very danceable with some dynamic drops and pumping bass. The vocal edition added an extra layer of depth and feel good excitement which helped to boost the appeal of this song.

https://instagram.com/iw.uk

[rolandrockover]

Stone Dogs

Does anyone here have any doubt that young Paul Stanley might have taken a little liberty with Humble Pie's Stone Cold Fever from their album Rock On (1971) when writing new songs for Kiss' second studio album Hotter Than Hell (1974)?

By which I of course mean that song whose vocals Catman Criss in turn clawed his way deep onto (1).

And yes, dear Kiss enthusiasts, today we'll be focusing quite a bit on Mainline. Even though its opening and characteristic main riff may not be 100% identical to Stone Cold Fever' (as has often enough been the case in other instances anyway), this case should still be pretty clear-cut, shouldn't it?

So, now that we've been able to wrap this one up so nice and quickly, why not take the opportunity to tackle a slightly trickier issue and a slightly less explicit part of Mainline, and dig a little deeper into it? Wouldn't that be some more fun? Alright, then let's go for a double feature.

This reminds me, of course, whenever I listen to David Bowie's Diamond Dogs' (1974) title track I have this certain Deja Vu moment, and this little light bulb lights up over my head and I think every single time:

Man, that's that part from Mainline! Paul is such a pickpocket, he even gets his hands on peas!

You know, that part between the opening riff and just before Peter starts the first verse. In Diamond Dogs, it shows up in almost the same spot in the verses.

And it's indeed a very small part, and that you could easily miss, because when you compare them side by side, they're not strictly identical, yet they feel exactly the same. I can't really say what it is, maybe just a rhythmic standard, but it's just kind of there in both songs.

And of course the question could be asked with all justification, to what extent this is really tenable. Maybe it's a coincidence - or is it just my imagination running a little wild?

I myself am pretty sure that Paul the old bandit has struck again, the probability alone speaks and screams for it, and I could also back this up with dozens, probably even hundreds of examples, but whatever the case may be, dear people, one question will probably remain unanswered forever:

Who the ding dong rhymes lovin' with oven?

Side Note:

(1) Much like what happened again three studio albums later with Hard Luck Woman (1976), but this time with some backing from producer/engineer Eddie Kramer.

The links are all highlighted. The first set at the beginning and main riffs, and the second at the aforementioned rhythm parts. I know you could use 'em, so please don't refuse 'em:

Mainline (1974) (1)

Stone Cold Fever (1971)

Mainline (1974) (2)

Diamond Dogs (1974)

[boyvx]