#nonlinear

[ilikeit-art]

A Belousov–Zhabotinsky reaction, or BZ reaction, is one of a class of reactions that serve as a classical example of non-equilibrium thermodynamics, resulting in the establishment of a nonlinear chemical oscillator.

[archaeren]

Hello!! I hope you're having a good day ^^ I came across your post about writing non-linearly on Notion and I'm excited to try it out because the advice resonated with me! Though, I'm really new to using the app and, if possible, need help with how to do this part: 'where every scene is a separate table entry and the scene is written in the page inside that entry.' ;v;

Hello! Thank you so much for messaging!!! Since that post about writing non-linearly (linked for context) blew up roughly ten thousand times as much as anything I've ever posted, I've been kind of meaning to make a followup post explaining more about how I use Notion for writing non-linearly, but, you know, ADHD, so I haven't done it yet. XD In the meantime, I'll post a couple screenshots of my current long fic with some explanations! I'd make this post shorter, but I'm unable to not be Chatty. XD (just ask my poor readers how long my author notes are...) (There is a phone app as well which syncs with the desktop/browser versions, but I work predominantly in the desktop app so that's what I'm gonna be showing)

(the table keeps going off the right side of the image but it's a bunch of unimportant stuff tbh) So this is more complicated than what you'll probably start with because I'm Normal and add a bunch of details that you might not need depending on what you're doing. For example, my fic switches POVs so I have a column for tracking that, and my fic follows a canon timeline so I have a column for dates so I can keep track of them, and I also made columns for things like if a scene had spoilers or certain content readers may want to avoid, which they can access in my spoiler and content guide for the fic. (As I said, I'm Normal.) I also do some complicated stuff using Status and estimated wordcount stuff to get an idea of how long I predict the content to be, but again, not necessary. Anyway, you don't need any of that. For the purposes of this explanation, we're just gonna look at the columns I have called Name, Order, and Status. (And one called Part, but we'll get into that later) Columns in Notion have different types, such as Text, Numbers, Select, Date, etc, so make sure to use the type that works best for the purpose of each column! For example, here I'm using Select for Character POVs, Number for Order and WC (wordcount), and Text for the In-Game Date. Okay let's get into it! Name is a column that comes in a Notion table by default, and you can't get rid of it (which drives me up the wall for some purposes but works totally fine for what we're doing here). As you can see on the scene I've labeled 'roll call', if you hover over a Name entry, a little button called 'Open' appears, which you click on to open the document that's inside the table. That's all default, you don't have to set anything up for it. Here's a screenshot of what it looks like when I click the one titled 'I will be anything for you' (I've scrolled down in the screenshot so you can see the text, but all the data fields also appear at the top of the page)

(This view is called 'side peek' meaning the document opens on one side and you can still see the table under it on the left, which is what mine defaults to. But you can set it to 'center peek' or 'full page' as well.) All my scenes have their own entry like this! Note that I've said scenes, not chapters. I decide the chapters later by combining the scenes in whatever combination feels right, which means I can often decide in advance where my chapter endings will be. This helps me consciously give most of my endings more impact than I was usually able to do when I tried to write linearly. So hopefully that gives you an idea of what I mean by writing inside the table and treating the table as a living outline. The 'Status' column is also pretty straightforward, and might require a little setup for whatever your needs are. This is another default column type Notion has which is similar to a Select but has a few more specialized features. This is how mine is set up:

(I don't actually use 'Done', idk why I left it there. Probably I should replace it with 'Posted' and use that instead of the checkmark on the far left? whatever, don't let anyone tell you I'm organized. XDD)

Pretty straightforward, it just lets me see easily what's complete and what still needs work. (You'll notice there's no status for editing, because like I mentioned in my other post, I don't ever sit down to consciously edit, I just let it happen as I reread) Obviously tailor this to your own needs! The Order column is sneakily important, because this is what makes it easy for me to keep the scenes organized. I set the Sort on the table to use the Order to keep the scene ordered chronologically. When I make the initial list of scenes I know the fic will have, I give all of them a whole number to put them in order of events. Then as I write and come up with new scene ideas, the new scenes get a number with a decimal point to put them in the spot they fit in the timeline. (you can't see it here, but some of them have a decimal three or four digits deep, lol). Technically you can drag them to the correct spot manually, but if you ever create another View in your table (you can see I have eight Views in this one, they're right under the title) it won't keep your sorting in the new View and you'll hate yourself when it jumbles all your scenes. XD (And if you get more comfortable with Notion, you probably will at some point desire to make more Views) The Part column isn't necessary, but I found that as the fic grew longer, I was naturally separating the scenes into different points along the timeline by changes in status quo, etc. (ex. "this is before they go overseas" "this is after they speak for the first time", stuff like that) in my mind. To make it easier to decide where to place new scenes in the timeline, I formalized this into Parts, which initially I named with short summaries of the current status quo, and later changed to actual titles because I decided it would be cool to actually use them in the fic itself. Since it's not in the screenshots above, here's what the dropdown for it looks like:

(I've blocked some of the titles out for spoiler reasons)

Basically I only mention the Parts thing because I found it was a useful organizational tool for me and I was naturally doing it in my head anyway. Anyway, I could keep talking about this for a really long time because I love Notion (don't get me started on how I use toggle blocks for hiding content I've edited out without deleting it) but that should be enough to get started and I should really, you know, not make this another insanely long post. XDD And if anybody is curious about how the final results look, the fic can be found here.

[literaryvein-reblogs]

Writing Notes: Non-Linear Storytelling

Non-linear Narrative - a narrative technique in which the storyline is told out of chronological order.

That can take many forms by using:

flashforwards

flashbacks

dream sequences

foreshadowing

Non-linear plotlines can mimic the recall of human memory, or weave in fantastical elements like time travel or clairvoyance.

Advantages of Using a Non-Linear Narrative

Non-linearity as a narrative structure might be a challenge to pull off—the order in which everything is presented must still be logical, if not chronological—but when done well, it allows a more nuanced, masterful story to emerge.

Intrigue. By disorienting the reader, a nonlinear structure creates a puzzle that requires more engagement with the individual pieces of the story. Cause and effect cease to be predictable or immediately visible, allowing the reader to curate their own logic. When a novel opens with a murder, the series of events that follow carry greater weight and add to the anticipation of the final (known) outcome. When the reader knows more about a character’s fate than they do, opportunities also arise for moments of irony, be they tragic or comic.

Worldbuilding. Not only can you use a non-linear structure to incorporate different time periods into your story, taking a momentarily different point of view can give the reader more insight into other aspects of the setting—think subplots unfolding on the other side of the world that will eventually become meaningful, or perhaps historical events that come to bear on the lives of your characters.

Depth of character. The more the reader learns of your main character’s backstory, the better they understand the choices they make throughout the narrative. Instead of simply telling the reader your character is an orphan, send them back to the moment they became one. Those experiences stay with the reader as they continue through the story.

Flow. Nonlinear storytelling moves your narrative form into something closer to art. While humans might be instinctually drawn to the neatness of chronological order, they are enchanted by the complex. Interchanging the main plot with a non-linear plot allows you to capture more of what it means to be human, and then some: giving shape to all the connections that bind a group a people together, though they themselves remain blind to it.

Examples of Non-Linear Narrative

Non-linear storytelling goes as far back as the 5th century, with flashbacks peppering the timeline of the Indian epic, the Mahabharata, which tells of two clashing groups of cousins. Homer’s Iliad used a technique called in medias res, where the story starts at its mid-point.

The non-linear is still going strong in the 21st century: here are a few new and noteworthy examples.

Virginia Woolf’s To The Lighthouse follows a family’s visit to the Isle of Skye over a ten-year period. Featuring no dialogue and almost no action, the novel unfolds in thoughts, observations, and childhood memories reflected against the present moment.

In William Faulkner’s The Sound and The Fury, the narrative is pieced together by separate members of a fractured aristocratic family. Each section jumps forward and back in time, covering the events whose ripples have led to the present fate of the family.

Kurt Vonnegut, whose book Slaughterhouse-Five utilizes flashback and time travel to illustrate the life of American soldier Billy Pilgrim.

Science-fiction writer Ted Chiang’s first-person short story, Story of Your Life (which was later made into the film Arrival) examines the existence of free will in the face of the inevitable. Told from the point of view of a Louise, a linguist who learns an alien language that allows her to view her future and comprehend time in a nonlinear way, the story opens with the birth of her daughter; the reader only learns later that she knew the child would die young and still chose to fulfill that destiny.

In Audrey Niffenegger’s The Time Traveler's Wife, protagonist Henry De Tamble lives with a genetic disorder that forces him to sporadically travel through time with no warning. He falls in love with an artist (who lives an ordinary life on a standard linear timeline) and continues to jump in and out of moments in his own life, sometimes with dangerous consequences.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[lukewarmsoupxx]

transmasc advice tiktoks:

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Nonbinary advice tiktoks:

Yeah, i jst do whatever cuz idgaf, lol

[jayropmenlover]

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[arcadebroke]

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[nctrnm]

PXL+ – A Visual and Sonic Journey

POV storytelling meets immersive electronic music. PXL+ captures five years of my life through travel, reflection, and self-discovery. From Lake Tahoe to Honduras and Ensenada, this visual diary pairs nonlinear narrative, glitch FX, kaleidoscopic visuals, and POV shots with 20 tracks of ambient, downtempo, experimental, and emotional electronic music.

Watch now: https://youtube.com/watch?v=KNWytwB64UU

Explore the PXL project: pxl.nctrnm.com

[unorigional-official]

For whoever needs it