NOOOOO DANTE (no but seriously help vanitas find noe this is getting serious) ((bros never leaving the backrooms huh TT))

seen from United States
seen from United States
seen from Ireland
seen from United States

seen from United States

seen from United States
seen from United States

seen from Italy
seen from United States
seen from United Kingdom
seen from Germany

seen from United States
seen from France
seen from United States
seen from United States
seen from Morocco

seen from United States
seen from United States
seen from T1

seen from United States
NOOOOO DANTE (no but seriously help vanitas find noe this is getting serious) ((bros never leaving the backrooms huh TT))
Soooo @heycarrots gave me this idea of Flint the cook and it was just too good to pass up on so... Here we are <3
You should really check out her Pipe Dreams too! Flint the cook comes right from there :D
Maybe when beeb is in school I'll have time for this but I would love to host a yearlong like...group discussion of a work, with lots of digging in and stuff.
So like, one year we do Frankenstein.
Forgive the *checks clock* 20 minute syllabus.
A small handful of you have asked if I plan on continuing Pipe Dreams, and the answer is yes! I've been slowly but surely working on chapter 3 and I have one more scene left to write!
Thank you to everyone who has read the first two chapters and has left kudos or comments! They have helped keep me going when the chaos that surrounds me makes writing difficult.
I appreciate you all so much!
In a shocking moment, Cousin Creepy reveals the truth about Fina to Marta in a vile and despective manner, after having dug for information about Pelayo. Why? Because, at this point, even this seemingly absurd idea feels plausible. This is where we currently stand: a situation in which I no longer expect Marta to connect the dots, even with the truth laid before her in neon lights.
For over 100 episodes, Marta's character has endured relentless humiliation. Instead of providing any relief for her or the audience, the writers continue to intensify her suffering by adding more negativity and trauma. Even the final episodes of the season fail to offer any respite from this ongoing nightmare of absurdity and complete character degradation. Additionally, the genre and Alba’s pregnancy do not justify the mediocrity of the writing team. Using them as excuses for poor storytelling is simply a copout. The reality is that the writers have made no effort to deliver quality content and have never had any contingency plans in place. It’s a narrative disaster, plain and simple.
I keep remembering one of Marta Belmonte's latest red carpet interviews, where she said she was looking forward to watching these episodes as a viewer herself, because she’s excited to see it all come together. And I’m sitting here, apathetic, wondering what she was talking about. The way they’re gutting Marta de la Reina and Mafin is vile and repugnant. Marta's detached and dispassionate diary-burning says it all—so much for the supposed depth of her “endless love.” In other words, she is done asking herself the questions that she has never asked herself. All the heavy-lifting she has done seeking answers, now finally laid to rest. The heavy burden, now finally set aside, can only mean one thing. Freedom, Marta. You are now free to undergo the final phase of your retconning and character annihilation.
Marta is gone. This is not her. What remains is a pale counterfeit, empty of relevance, stripped of thought, deprived of even the faintest will. After her mourning period, when they, admittedly, rose to the occasion, they have hollowed Marta de la Reina into a narrative void, a character that does nothing but recede. It is a nightmare.
The same goes for tomorrow's preview, where Marta confirms the diary's destruction to Pelayo, as if it's an accomplishment to be proud of. You can count on it. It's all just another slap in the face. But hey, nothing new under the sun. The burning of the diary, Marta's last bastion of truth and the only tangible connection she still had to Fina—the memory of their love, enshrined and kept alive—is a violation of unspeakable cruelty. It's a violation of Marta herself, and another violation of the viewer's trust. Should I be even surprised anymore that they keep finding new lows to sink to? I mean, she’s burnt the diary selectively, but so is her memory as of late.
I also wanted to mention the upcoming interview with Marta B., to highlight my profound apathy. I'm not looking forward to it, but instead, it fills me with dread. I've had my fill of the relentless bad news. I'm slowly reaching a breaking point with a show that fails to recognize that conflict and conflict resolution require balance, cohesiveness, and respect for both the characters and the audience.
An apt imagery of what this entire season now feels like. Utter trash. And the ashes of anything worth loving and respecting about its characters and narrative. I feel sorry for @midniteowlet having to listen to my bouts of rage and disappointment about this show. It's all become too overwhelmingly depressing.
Where is a place I can run away to that has machines and people who won't hit me?
besides being hired for Apple I mean
📃S2 Episode 8: Pipe Dreams of Dragon Age is LIVE 📃
The boardroom is open. The pitch decks are printed. We are unwell.
This week we present our completely unrealistic, wildly ambitious Dragon Age game ideas, the ones we know we’ll never get but can’t stop thinking about.
Alternate timelines? Morally grey protagonists? Deep lore rabbit holes? Games that would emotionally ruin us?
Yes. All of it.
If BioWare won’t make them… we will.
Now streaming on Spotify & Apple Podcasts ✨
Hm…