How Rem Koolhaas ruined my life
For those of you who have any architectural education you know who Rem Koolhaas is. For those of you who don’t here is the quick biography courtesy of Wikipedia.
“Remment Lucas "Rem" Koolhaas (/ˈrɛm ˈkɔːlhɑːs/; born 17 November 1944) is a Dutch architect,architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
In 2000, Rem Koolhaas won the Pritzker Prize.[1] In 2008, Time put him in their top 100 of The World's Most Influential People.” (http://en.wikipedia.org/wiki/Rem_Koolhaas)
While he is an extremely influential man in all areas of architecture – the built environment, theory, education- I am not a fan of Rem. It’s not that I do not agree with the way he approaches design or that I don’t like his buildings, because I do. I have beef with the fact that he has ruined my architectural education.
Putting aside that his name is my initials (Rachel Elizabeth Martinelli), one of his buildings has haunted me for 4 years, the Seattle Central Library. (http://www.archdaily.com/11651/seattle-central-library-oma-lmn/)
Since 2010, every review in which I have ever participated, the Seattle Central Library has been referenced. I have had at least 3 reviews or desk critiques myself where I was told to use the library as a precedent for my project, and at least twice a semester a juror will tell one of my peers that they should look at the Seattle Central Library.
I understand that the Seattle Central Library is seen a great model of how to organize program and structure. But enough is enough! Architects everywhere, please reference a new building. The project was completed in 2004, it is time for a newer piece of architecture to be referenced to the innovative thinkers that are to be produced from architecture schools around the country.