#secanja

[miciiheartsquotes]

[marijave]

Mislim da ponekad dozvoljavamo nostalgiji da nas prevari da zaboravimo da su ljudi iz naše prošlosti tu s razlogom.

Moramo da se podsetimo da je to ili zato što smo ih namerno ostavili tamo ili su tamo završili iz razloga van naše kontrole.

U redu je razmišljati o prošlosti i povremeno se prisećati lepih vremena - ali nemojte se opsednuti time do tačke u kojoj žrtvujete prilike jer ste previše vezani za odjeke stvari koje su davno prošle.

Sadašnjost je najveći dar koji ćete ikada imati, a budućnost ima čuda koja ne možete zamisliti... Nemojte sve to odbaciti tako što ćete stalno tražiti stvari koje ste izgubili na putu.

[burlveneer-music]

Miša Blam’s - Sećanja (Memories) - Everland Music reissue of 1979 jazz-funk LP from Yugoslavia with some monster breaks

* The rarest and most wanted ex-YU album * Jazz dance DJ’s holy grail from 1979 * Licensed by Jugodisk Miša Blam’s - Sećanja (Memories), one of the most sought of, rarest and cult ex-Yugoslavian jazz LP’s - is finally reissued, sourced and fully licensed straight from vaults of Jugodisk (Belgrade, Serbia). And where better than on the Everland’s Everland-Yu imprint dedicated to the unheard sound of Yugoslavia! This LP, kept tight in private ex-Yu collectors cabinets and championed by jazz dance DJ’s across the planet, was recorded in 1979 and released in only 1000 copies in 1980 by the Beograd Disk label. The LP is filled with jazz-funk, bop styles, latin jazz and even Gospel live recordings by the Golden gate quartet (recorded by Miša himself) all accompanied by the crème de la crème of Yugoslavia’s jazz-funk instrumentalists at the time (Jelenko Milaković, Lazar Tošić, Stjepko Gut, Jovan Maljoković, Josip boček…). Miša Blam (1947 - 2014) was an influential Serbian jazz composer, arranger, publicist, festival organizer and Radio-Television Belgrade’s long-time collaborator (jazz and folk orchestras, recording engineer, music director…). But Miša was first and foremost a bass player! Having played with numerous worldwide famous jazz cats he often talked of his work in the Chet Baker - Sal Nistico trio while living in New York and playing with them for two years (or rather bailing Sal out of prison or buying off Chet’s trumpet on his behalf from the pawn shop). The album perhaps represents an unusual collection of songs mostly composed by Miša Blam himself during his world wide spanning jazz pursuits in the 70’s. Unusual for it does not stand alone as a cohesive album release but as a collection of works that we were lucky to be rewarded with in his very sparse discography consisting of: one EP, this LP and one cassette tape… Finally this collection showcases what was Miša all about – and that was jazz bass in all its marvelous forms – from lacing dreamy ballads with his impeccable upright bass fiddle play to grooving on his fender bass on the jazz-funk monster Sećanje which could be included on any acid jazz compilation of the 90s (check out Balkan Express...). Masterfully executed and kept to its original sound this release will keep your ears busy and open to the sound of ex Yugoslavian jazz and the sound of unheard Yugoslavia – where-else but on Everland-Yu!

Dr. Smeđi Šećer, 2021

[misternikola]

Ponekad je sretnem, ubrza i pređe na drugu stranu. A nekad je život bila spremna dati da se slučajno sretnemo.

[vanshni-tekstovi]

Ne treba ti kljuc, jer ta vrata nikada nisu ni imala kljucaonicu.

Vanshni

[voleo-me]

U suzama sećanja.

[asweetjane]

Divljanje smrti nedokučljivije je od bilo kakve zle uobrazilje, te, ne birajući žrtve za svoju razularenu, beskrajnu igru, svakog od nas održava u neprekidnom očekivanju sopstvenog iščeznuća, sagarajući nam u duši i nadu i sećanja, a to znači - sav ljudski život; zato smo se, onesposobljeni, pod pritiskom gromadne realnosti što naša bića dovodi u dosluh sa vaseljenskom ravnodušnošću ništavila, našli zatečeni, iz trenutka u trenutak, u detinjoj potpunoj privrženosti deliću vremena sred kojeg još uvek jesmo, postojeći, poput trave, ili mrava, jedino u njemu, bez svega što je bilo, i bez očekivanja bilo čega što će biti - kao odojčad. Mislio sam: trajemo iz sekunde u sekundu, i umiremo, krvarimo i dotrajavamo daleko od bilo kakvih želja i nadanja, i jedino što nam preostaje jeste retka mreža sećanja, da se njome, ukoliko smo u stanju da, poput insekata, iz svojih trbuha ispredamo tanke, paučini slične niti, oplićemo kao larve, obmanjujući se da se sećanjima, kao kakvim oklopom, možemo zaštiti (...)

Živojin Pavlović, “Oni više ne postoje”

[inverzna-funkcija]

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