seen from Ireland
seen from United States
seen from Canada
seen from United States
seen from Canada
seen from United States
seen from United Arab Emirates
seen from China
seen from United States
seen from United States
seen from Russia
seen from Brazil
seen from Malaysia
seen from Türkiye
seen from Spain
seen from United Arab Emirates
seen from Japan
seen from Germany
seen from Argentina
seen from United States
"Uma-Maheshvara with attendants", Rajasthan, India (1850-1900)
"Obeisance to Shiva and his consort, God and Goddess of the universe, the overlords of the worlds, the embodiment of success. Obeisance forever to Shankara and Parvati, who are saluted by Indra and others."
— Verse 4 of the Umāmaheśvara Strotram Note: With this post, I am about halfway done resharing everything from the old archive folder.
Brihadeeswarar Temple in Thanjavur, Tamil Nadu
A statue of Lord Muruga, the Hindu god of war, son of Shiva and brother of Ganesha, sits in the middle of a meditation space under a banyan tree at the Kauai Hindu Monastery on July 13, 2023, in Kapaa, Hawaii. (AP Photo/Jessie Wardarski)
Head of a Follower of Shiva, Cambodia, Angkor, 10th century, Khmer Empire. Cleveland Museum of Art (ID: 2012.294)
Khmer patrons and artists produced works of art that could depict either a deified king or a god who has royal attributes. The Khmer cult of the god-king allowed for such fluidity of interpretation. Presence of a third eye in the forehead and matted locks of hair are attributes both of the Hindu god Shiva and the followers who emulated him in order to get closer to him. (Cleveland Museum of Art)
The archaeological survey of India decodes a 5th century Sanskrit shaiva script.
HYDERABAD: Archaeological Survey of India's (ASI's) epigraphy division has decoded a 5th century CE Sanskrit inscription in Brahmi character
Brass Dancing Shiva Statue with 10 arms
Vasantapuja
This puja is mentioned in the Ishanashivagurudeva Paddhati, and is a festival celebrating the spring season along with Damanakotsava , the associated festival of love, dedicated to Kama. In this puja, the season of spring is treated and worshipped as a goddess.
In case anyone is not aware, Vasanta, the god of spring and flowers, is the best friend of Kama (and Rati). He was mentioned to have been born from the sigh of Brahma in the Kalika and Shiva Puranas.
Vasantaradhana is one of the favorites of Shiva. The important part of worship in this festival held during the spring season (Vasantartu) is the Damanaka Puja, wherein Damanaka is an aromatic plant, and special to Kama since it was this plant that turned out to be the object of his Sapamoksha. Siva also blessed Kama, saying that whoever worships him with the Damanaka plant along with Vishnu, Brahma and other Devas will have all their wishes fulfilled. The author further states that those who do not strictly adhere to the Saivite modes of worship as stated above are, in effect, rejecting the basic tenets of Saivagama (traditionally communicated wisdom).
How The Puja Is Carried Out
For the details related to Vasantapuja and Damanakotsava, the author of the Paddhati has relied on 'Svacchandatantra' (official book of Kashmiri Shaivism) and 'SomaSambhupaddhathi' (another manual for Shaivite rituals).
Rites and rituals:
The venue for Vasantapuja has to be a garden that abounds in Damanaka creepers and Asokavrkshas (Ashoka trees). Puja is begun with the invocation and Aradhana of Ganesh in Nirti angle and Guru in Isana.
It is under the shade of an Asokavrksha that Puja takes place. Two pots of sanctified water are placed at the foot of the Asokavrksha. The one on the right side is meant for Vasanta and that on the left for Kama. The presence of their consorts, Kusumavati and Padmavati respectively, have also to be kept in mind. In the middle of the Pujavedi, the Asokavrksha is conceived as Vasanta in the guise of a vibrant youth, golden in complexion, and is to be invoked and offered Gandha-puspa-nivedyantapuja. The nine powers of Vasantartu are Ahladini, Gandhavati, Surabhi, Malini, Madira, Madayanti, Rama, Pushpavati and Vasanti.
Next is the worship of the Damanaka plant, during which the Bhairava form of Siva has to be conceived in mind. Kama has also to be conceived as remaining seated along with his consort Rati on his right thigh and holding Puspasara in his right hand. He is served on all sides by a group of beautiful and shapely maidens. The Saktidevatas of Kama may also be conceived and offered Gandhadhupa-nivedyantapujas. The Gayatrimantra of Kama is also given.
The important feature of the festival on the second day is the collection of the Damanaka plant (the whole plant including the roots) from the garden in a pot, offering of Puja, followed by the ceremonial procession carrying the three pots (Damanaka, Kama and Vasanta) on an elephant in Nagarapradaksina, to the accompaniment of Nrtta-vadyasangita-ghoshas. On conclusion of the procession, the pots are placed beside the idol of Shiva after which Homavidhis, Sampatasparsa, Bali, prayer and Archana are performed. The other customary acts like Dakshina and gifts to the priests are also recommended. The Patala concludes with the following observation by the author.
ittham vasantavihitam savasantayagam proktam tadantamiha damanakam hi parva| yadvad vasantatilakam sumanobhiramam tadvanmaunobhisitan phalatiha kaman |
Though this festival is no longer celebrated in Kerala, another festival called Vasanta Panchami, also known as Sri Panchami, is observed religiously, mainly as Saraswati Puja and also as worship of Kama, Rati, Indra, Varuna and Brahma, on a grand scale, especially in Bengal, Punjab and most of North India. The legend also bears close resemblance to that of 'Vasantotsava' described in Isanasivagurudeva-paddhati. Legend has it that on this day Shiva turned Kama into ashes.
Source: Study of Ishanashivagurudeva Paddhati by J.P. Prajith (2008) I have taken most of the excerpts word-for-word from there.
Aham Shivam, Ayam Shivam
One of my favorite pages about Madhurya Bhava, on Instagram is this page called shivohampath.
I believe the owner of the channel practises Kashmiri Shaivism, and her entire Insta page talks about spirituality and ways to approach the Love of your Life, in her case - its entirely about Shiva.
Kashmiri Shaivism, is a golden treasure trove - in the sense its super ancient and mystical. I see that there are mixtures of Tantric natures and are referenced in some Kalikula schools as well. I am from a Smarta family, and Tantra isnt our thing, some Devi Sadhakas in Smarta sects stick to the Srikula school of worship. I havent delved that deep into all this. However, as Smartas, we pray to all the Hindu Gods, with equal respect and attention.
I still strongly believe in the fact that Mahadeva, that Perumaan, that Shankara, that Shiva, cured me of a very dangerous pneumoniac condition, as a 7 year old. I still owe a lot of Him and his Missus 😘😉.
Some posts in the page - especially the ones about her Madhurya bhakti to Shiva, is like a love letter written in golden letters. I believe she pours out her love in all her writings and it moves me to tears at times. More than anything, some writings had this intense effect on me, that my body trembled. But then i think its a totally normal reaction whenever I read such stuff.
Whatever she writes for her Shiva, I translate it in my head to Krishna - I can see why I trembled at some of her posts, in that intensity of Viraha, I do feel shivers in my body when I think of my Darling, and this is why they say - words that come from the heart have the power to move mountains.
They call it placebo, and I call it my Darling Bhagavan. Do take a look at that page, if you are interested. Not a promo post or anything. But I just wanted to add my thoughts on that.
Shivoham, Aham Shivam. Ayam Shivam.
Shiva is I, I am Shiva, this is Shiva.
~ Mimaridoesmurari
