@friend-shaped-but sent me a reference and I was like ykw.... Yea this is Urvashi and the Mitra-Varuna core
Alternate (clearer) version:
Reference below cut

seen from Saudi Arabia
seen from United States
seen from Japan

seen from Yemen
seen from United States

seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from Netherlands
seen from Singapore
seen from Germany
seen from United States
seen from Romania
seen from Malaysia
seen from China
seen from United Kingdom

seen from Singapore

seen from France

seen from China
@friend-shaped-but sent me a reference and I was like ykw.... Yea this is Urvashi and the Mitra-Varuna core
Alternate (clearer) version:
Reference below cut
Women in Mahabharata - The Masterlist I
This list will be as chronological as I can make it, and will be periodically updated with the new posts as I get through my list.
Link: Part 2 Part 3 Part 4 Part 5
Shataroopa
Devahooti
Prasooti
Aditi
Diti
Danu
Kadru
Vinata
Simhika
Danayu
Kaala
Pradha
Muni
Kapila
Khyati
Dhata
Vidhata
Lakshmi
Mohini
Sura
Surabhi
Gaandharvi
Saraswati
Mrityu
Shibaa
Chandrani Rohini
Gargi Vachaknavi
Sulabha
Svaha
Anasuya
Arundhati
Lopamudra
Puloma
Shubha
Sinivali
Devasena
Daityasena
Kavyamata
Shachi
Upasruti
Mamata
Pradveshi
Sudeshna (Bengal)
Aushinari
Suneeta
Tara
Svetaketu's Mother
Sujata
Ila
Urvashi
Sukanya
Indumati
Keshini
Viraja Ashokasundari
Jayanti
Urjasvati
Devayani
Sharmishtha
Ghurnika
Shandili
Madhavi
Bindumati
Yadavi
Iravati
Sumati
Kunigarga's Daughter
Vaidisheyi
Kausalya
Shooraseni
Paushtri Madhavi
Mishrakeshi
Sauviri
Ashmaki
Varangi
Haiheyi Bhanumati
Kaikeyi Sunanda
Sushrava
Maryada
Aangi
Suyajna
Kaama
Karambha
Maryada Vaidehi
Sudeva
Jvala
Kalingi
Rathantari
Sammata
Menaka
Shakuntala
Pramadvara
Sunanda Kaushalya
Vijaya Dasarhi
Suvarna
Yashodhara
Sudeva Dasarhi
Urvashi
Artist: Ravi Parma Press
Date: 1890
Collection: Raja Ravi Heritage Foundation, Bengaluru, India
Description
Another love story bordering on a tragic, abrupt end. The beautiful celestial apsara Urvashi is sent down from the heavens and king Puruvanas falls in love with her. She Agrees to his proposal of marriage on the condition that he never neglects her pet goats and secondly, he will never present himself naked before her. Urvashi tells him that if he disobeys the two conditions at any time, she would go away.
Puruvanas remains rooted in love and stays true, causing dismay to the Devas, who want Urvashi back in their abode. Some of them come down stealthily at night and steal the goats; hearing the animals' cry Urvashi chides Puruvanas for letting go unattended. Rushing out to rescue them, the king is caught unaware as a flash of lighting reveals his naked self. With the second condition also broken, albeit unwittingly, Urvashi flies away to the heavens even as a dispirited Peruvanas desesperately tries to stop her departure.
𝐔𝐑𝐕𝐀𝐒𝐇𝐈
.・。.・゜✭・.・✫・゜・。.
Urvashi is the only apsara mentioned explicitly by name in the Rigveda. Born out of sage Narayan's thigh, she is one of the most prominent apsaras in Indra's divine court regarded as the most beautiful and an excellent dancer. She takes part in major mythological events out of which her marriage to the mortal king Pururavas being the most prominent. She also plays a major role in the birth of revered sages, Vashishtha and Agastya.
.・。.・゜✭・.・✫・゜・。.
When you dance before the gods, flinging orbits of novel rhythm into space, Urvashi, the earth shivers, leaf and grass, and autumn fields heave and sway; The sea surges into a frenzy of rhyming waves; The stars drop into a sky-beads from the chain that leap till it breaks on your breast; And the blood dances in men's heart with sudden turmoil. ↳˳⸙ Rabindranath Tagore
.・。.・゜✭・.・✫・゜・。.
Urvashi design
I hate the pencil smudge 💔 js wanted to show a recent design of her.
I rlly wanted her to look like a bitch😭
Old design (along with two other apsaras)👇
Tawaif - a highly skilled courtesan (skilled in: music, dance, poetry, and singing) who catered to nobility in South Asia. Similar in respects to Geisha in many ways, including that sex was NOT obligatory. It occurred, but the primary function was entertainment.
Most commonly romantic poetry like Ghazals -a form of Arabic poetry that made its way over to South Asia: odes of long lost lovers, tragedy, separation, stuff to pull at your heart strings. And, shairi, another Arab/Persian kind of poetry that is built on monorhymed quatrains or four sixteen syllable lines (keeping to the same rhyme scheme) with a caesura used between lines 8//9 to break up the first half from the second. During the British Occupation, they were simply called, Nautch girls or dance girls. But this is far from all they did or were capable of. The name itself, Tawaif, is the term for a HIGHLY SKILLED courtesan. They were trained to the upmost of artistic forms.
They were not there to perform sex acts - that was often incidental and not contractual. And the women had the power to rebuff men's advances.
The Tawaifs of India were regarded as some of the greatest performing artists of their time with documented praise and examples from travelers such as Xuanzang, a Chinese pilgrim, notable traveling Buddhist Monk and scholar who frequented India, remarking on the Tawaifs skill, beauty, and performances during once such visit to the Sun Temple in Multan. Al-Biruni, often regarded as the father of Comparative Religion studies, an Iranian polymath and scholar, regarded on their skill and larger numbers during the 11th century CE upon a visit, Ganikas, another entertainer, are a public dancing girl (very common in cities from the Vedic period upward) who received classical arts training (most obviously dancing) and often performed from public settings up to royal private ones - and would compete to become Nagarvadhu - the most beautiful woman and most highly talented in forms of art (dance mostly).
Many young girls would leave or were taken to be taught these skills, and yes, there were schools for this too as well as private tutelage. People don't often realize this, but Ancient India was a place of extreme learning with all kinds of schools for different disciplines. A place of academies. Something I've talked about, like places like Nalanda, the world's oldest residential university that attracted people from far as Greece to Japan.
Anyways, Tawaifs were so successful and sought after, that records show they were consistently among the highest tax payers. Records also show that their wealth was used (by their consent/given) to help fund rebellions against the British Raj - enough so that the British passed laws to strip them of their ability to work as courtesans and left them only with sex work, which is sadly why some stories today only speak of them as prostitutes and not knowing their full, complex, and impactful history It's said the art of all this came from Urvashi, an Apsara (celestial being of dance, song, seduction/temptation, art, music).
Woke up in heaven
She looks exactly how an apsara is described
This painting of urvashi by Raja Ravi Varma is the closest