#valgrace

[dearest-loveliest-elizabeth]

Ship dynamic

[nicothespy]

insert homophobic dog meme

[13personalities]

I need some people to understand that I will absolutely ship two characters who would absolutely never get together in canon simply because I want to. No I don’t think they’re canon nor will I look for subtext that they like each other. In fact, I don’t even want them to be canon. I just like the art and fanfiction man. Like their shippers low-key got something fire going on and I wanna be a part of that. It really isn’t that deep.

[trashcxndy]

"you're reading into the subtext too much!!1!" my friend this is. this is not subtext. this crossed the line between subtext and glittery rainbow colored graffiti on every single page of the entire subject matter several not-declarations of love and longing homosexual stares ago i'm just not steadfastly ignoring it like you are

[brooklyn-house]

pjo/hoo fans, listen to me. *shakes you* listen to me. read the kane chronicles. read it. have you read it? read it again. i mean it. there's other reasons, but the main one is that i'm out here making genious posts about tkc, and there's so few people to appreciate my massive brain.

reasons you might want to read tkc:

narrated by two different characters. the framing device is that it's being audio recorded, and you can often see snippets of them being like "don't look at me like that sadie" or "carter just kicked me for saying that"

the god tier character that is sadie kane. she's so in touch with her emotions and unafraid to express them, it's refreshing. she's only 13 in the beginning of the trilogy, and she's so ready to tell people off for being pricks. she chews bubblegum and dyes her hair and she's even british. makes fun of her brother. consistently the funniest character in the series, all while not losing impact as a dramatic figure

the gods are seen really differently than in rr's other books. in pjo, the gods are these all-powerful beings and we mustn't anger them. in tkc, they're your buds. your parents have probably had a fistfight in an applebees parking lot with at least two gods. you see a god for drinks every thursday.

gods literally inhabit the human character's bodies, it's like a venom situation. it makes up for some very funny moments.

where pjo/toa is about acknowledging your family has problems and at times, you're fully right to distance yourself from them, because they're horrible people, tkc is about reconnecting with your family again. it's about finding stability in your family, and how they're, in the end, always the ones that are left there for you

incredibly interesting magic system. they have infrastructure built all over the world. not just two wands (rather a wand and a staff) but also a whole magician's kit.

cast is near-entirely made up of people of colour. two main characters that are both mixed, and the series focuses on how their different appearances affect how people treat them. the magicians are mostly descendants of egyptian rulers

canon polyam couple!!

in conclusion: EVERYBODY READ TKC NOW

[neverjustblue]

yeah

[gay-mormon-wizard]

maybe orpheus always looks back because his very effort to reverse death means that he can't look forward. if he could look forward, he could accept eurydice's death, grieve, and keep moving in life. his refusal to accept her death is looking back. his going down to the underworld, asking hades and persephone for her life, trying to lead her out... it's all 'looking back'. he does nothing for the entire story except look back. orpheus! looks! back! it's his entire thing! the story ends the same way it begins: orpheus looked back.

[coquettemouseevil]