hello vonnie

titsay

if i look back, i am lost
occasionally subtle
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Kiana Khansmith
DEAR READER

Kaledo Art

shark vs the universe
"I'm Dorothy Gale from Kansas"
2025 on Tumblr: Trends That Defined the Year
Jules of Nature
Lint Roller? I Barely Know Her

JBB: An Artblog!
One Nice Bug Per Day

tannertan36

⁂
trying on a metaphor

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@taksez
Worth the watch, and worth reading NoelleM's comment.
The 5 real themes of good omens that the finale completely botched
I know we only had 1 episode and whole plotlines were scrapped but I was just left feeling so empty after the finale given how powerful and moving and profound the themes of season 1/the book were. So buckle up for a long ride let's talk about it
Theme 1: Human Incarnate
The book and the show established that humanity is unique because it is neither purely good or purely bad. From the book: "Most of the great triumphs and tragedies of history are caused not by people being fundamentally good or fundamentally evil, but by people being fundamentally people." This Aziraphale describes as "much better" than either Heaven or Hell
This is one of my favorite sequences in the whole show. And the music is soaring and gorgeous. Adam recalls the things in his life he has come to know and love; his parents, his friends, his dog, his home. He makes it have nice weather all year. Aziraphale could feel that love at the Tadfield Manor. Heaven and Hell tried to create an instrument of destruction. But by putting that inside a human boy, they didn't realize the strength of one boy's love would be strong enough to literally burn the hell out of him. He told Satan himself to shove it and rewrote reality to have the dad he truly loved. The power of humanity's love is stronger than any immortal power could ever be.
This is the idea that would have been so cool for the finale but unfortunately never paid off. As the second coming prepares to destroy Earth again, Aziraphale and Crowley could have teamed up with the power of humanity to reshape heaven and hell for good. Adam and Jesus as the antichrist and christ born to end the world and instead used their humanity to save it. Instead we got the book-of-life arc and humans were literally left to dust
Theme 2: Free Will
Next good omens establishes that angels and demons are just puppets but humans are the ones with real free will because they have the ability to be good or bad. Even with heaven and hell, the humans on Earth always have a choice. In season 2, they agree on this, but Crowley's main grievance is the inequity of it all. Humans have free will but it still isn't fair.
God made angels and demons and humans but the humans never had to follow her 'plan.' Free will and the ability to recognize what is truly right outside the propaganda of good vs evil is what saves the world.
Humans always had free will, even if God was around to kill a bunch of them with floods or take their stuff to win bets or something. Creating a new universe without God wouldn't change that. They would still have free will, just less threats from above/below, I guess. What Crowley's established character really should have wanted here was to fix the inequity inherent in human society. That's what is truly holding them back, not a lack of will. Removing God from the universe doesn't actually solve the root problem here
Theme 3: Our Own Side
This is something Crowley learned very early and spends the whole show trying to teach Aziraphale. That good must be separated from heaven and bad must be separated from hell.
Heaven can do some truly appalling horrors and demons, at least Crowley (and somewhat Beelzebub I guess) have the potential to be kind. 'Their own side' is one where they have the freedom of humanity, to do what is truly right. Aziraphale and Crowley sort of found their way there in the finale, but it was all rushed and Aziraphale never really turned his back on heaven, it sort of just became irrelevant when everything started disappearing. What a beautifully flawed and nice world they could have created together
Theme 4: Love Conquers all
What was it all for? Love. God made Aziraphale and Crowley for each other because she liked to smile at the silliness of their love. The literal only constant in the entire universe. Their love for the world and each other saved it. I think the decision to turn Aziraphale and Crowley's queer love story into a tragedy was the biggest mistake of seasons 2/3. Forcing the soft and romantic comedy of good omens into a queer tragedy was the instant it all crashed and burned. Now everything is tainted leading up to the pain and destruction of it all and the whimsy and lightness is gone. There were moments of it, but it was all leading toward the end. And queer love deserves to not be a tragedy. We have far too much tragic queer love in our society. Yes we got the south downs, but Aziraphale and Crowley never got to experience that freedom. They finally came together just to instantly be destroyed. We deserve happy and fulfilling queer love that is sweet without the bitter parts. Good omens was intended to be a comedy, not a tragedy
And then this was SUCH A COOL IDEA they introduced. Perhaps the first time ever an angel and a demon performed a miracle together. The power of their love could create magic stronger than anything heaven or hell had ever seen. I was so excited to see the wonders they were going to create, they ways in which they could have rebuilt the world better using that love. If they had this kind of power doing a tiny miracle, what could they have accomplished if they really put their minds to it? God herself couldn't have stopped them. And instead, the finale literally revoked Crowley's magic for the entire episode. They sacrifice themselves for a new earth and people that didn’t even exist yet instead of using any of their power to change it. The god awful execution of this theme is probably the biggest letdown of the entire finale imo
Theme 5: Fix It, Don't Replace It
This is so obviously established in seasons 1/2 I cannot believe how badly they missed the mark with this one
Literally shows us the horror of replacing the Earth with all new people. Even children can recognize that just because something is broken, it doesn't mean you throw it away and start all over. They loved the world enough to want to save it. The world is inherently worth saving, flaws and all. If you love something, you don't abandon it. The ENTIRE PLOT of season 1 explores the horrors of humanity and yet humans, Aziraphale and Crowley do everything in their power to save it.
It absolutely blows my mind how directly this scene contradicts the entire message of the finale. Job didn't want new children, he quite liked the old ones. Aziraphale and Crowley didn't want the antichrist's new Earth, they quite liked the old one. We didn't want new human versions of Aziraphale and Crowley, we QUITE LIKED THE OLD ONES. Where the hell did that mentality go when they told God to create an entirely new universe????????????? Season 1 said the world is flawed but it deserves saving exactly as it is. Season 1 said an angel and a demon go off to the ritz together, exactly as they are. The finale said the world is too broken, we have to make it disappear and start over. The finale said Aziraphale and Crowley have too many issues/traumas to be happy, we have to destroy them and start over. That's why as cute as Asa and Anthony's love is, we quite liked them exactly as they were, angel/demon trauma + history and all. They deserved saving too.
Good omens has always been so special to me for how much it pokes fun at but also celebrates the messiness and wonder of humanity and love. The 6-to-1 episodes was a major setback but somehow the finale still managed to drop basically every one of its most endearing and powerful messages. What is the "real world" the finale is trying to make us value? One without a god to screw things up sometimes?? The best parts of humanity always shined through not even despite, but BECAUSE of the heavenly challenges they overcame. It's very clear good omens as a whole was always meant to be a one-season/one-book story. There was so much potential and missed opportunities and I wish we could have had the finale we were all dreaming of. I will always love the world of good omens season 1/the book, so that is the world I'll keep in my heart. And all the nightingales therein
The End Of The Story - rated G, ~ 2000 words
A fix-it inspired by a comment on my Tumblr rant over... whatever that was.
Everything's gone but the bookshop. Satan's just appeared. Except... everything's not gone. Quite. Nor everyone.
God stared fixedly, for a long beat. “How did you get here?” She said. “Existence has ceased. This bookshop is all that is left of My universe.”
“I don’t know,” said the boy. “Something – the same thing’s happened before. I’m gone. And then I come back.”
“Habits are hard to break,” remarked Crowley. “I should know. Stock in trade.”
“You,” said the boy. “You taught me. How to see past what people pretend to be, to who they are. How to be gentle as doves and wise as serpents. How to turn anger into love.” He took a deep breath. “I’m angry now.”
“Who are you?” said God, low and threatening.
“Oh, Lord,” chuckled Satan, “don’t You know Your own son?” He smiled oilily. “So pleased to meet you. After Crowley’s reports, I feel as if I know you.”
Read on AO3
I'm back! It's been a while, I'll explain later, but... action was required.
Tagging in the replies as usual, let me know if you want to be added or removed on my tag list.
Happy Star Wars Day!
This is such an interesting move against AI, especially when contrasted with Kilmer's Estate advocating for AI use of his image and voice. Both could be considered solely as a means of financial gain. Taylor protecting her image & voice to sell for a high price because of rarity, while Kilmer's would be sold for a lower price but more often. Either way, if Taylor is successful in her applications, more celebrities probably should file for trademarks. I wonder if Kilmer's Estate can file for trademark now that he's deceased.
He makes a lot of really good points
They cut off usda funding from Minnesota, which includes wic and snap. Please consider donating to food banks around the area or food drives. Many immigrants are too scared to leave their homes to shop as well and a community member is doing great work.
Link to midwest food bank:
Midwest Food Hub | 2harvest.org
Link to a community food drive:
I learned everything I know about fashion history from online museum collections and Western museums are absolutely ATROCIOUS at preserving, analyzing and understanding "ethnic" clothing.
Some of them are getting better at it (V&A did this wonderful video about Palestinian tatreez last year)
Google Arts & Culture is starting to host collections from countries with "ethnic" clothing history but it's harder to browse and post images from that because it's SO BIG and not as well categorized and organized.
So what IS cashmere? Simply put, it's the soft undercoat of the hircus species of goat, which comes in numerous breeds and can be raised all over the world, but is mostly found today in central Asia.
The goats naturally shed this undercoat during the summer months, and herders comb and collect it, and turn it into ultra-soft, ultra-warm luxury yarn.
The production of cashmere is an ancient practice. It gets its name from the Indian state of Kashmir, which has produced ultra-fine cashmere called pashmina for hundreds of years. In particular, cashmere became a favored material of the Mughal court in the 16th century.
(Freer Gallery of Art)
You start seeing cashmere show up in a major way in Western fashion at the beginning of the 19th century, when cashmere shawls were first imported to the west from India.
Gown made out of a cashmere shawl
1795-1799
The Victoria & Albert Museum
"Cashmere shawls were prized imports from India during the late 18th century. British manufacturers soon began making shawls in similar styles. Not only were they worn with the newly fashionable Neo-classical gowns, the shawls were also made into gowns. In this example of the late 1790s, two shawls were sewn together to form the front and back of the gown. Sleeves of cream satin and a collar and over-sleeves of green silk satin were then added."
Shawl
1825
The Museum of Fine Arts, Boston
Shawl
India, late 18th century- early 19th century
Museum of Fine Arts, Houston