aaaaaaaah i love it i love them i love this manga
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Aqua Utopia|海の底で記憶を紡ぐ

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@teddybear-arakawa
aaaaaaaah i love it i love them i love this manga
Amazing performances from Akane and Kaisei and great moment between them afterwards! Now here are some thoughts about what may come next.
I think the two most probable options are the following:
I love how Akane banashi keeps reminding you that showing your feelings and opening up to people is actually a great thing not something bad. I think that's such a beautiful message
I need to bring back the panels from changing times again because, THIS WAS SUCH A PIVOTAL POINT IN AKANE'S DEVELOPMENT and the fact NOW SHE CAN JOKE ABOUT THAT!!!!!!!!! And even call out Kaisei!!!!!!!!! AAAAAHHHHHH I LOVE THEM I LOVE THEM!!!!!! THEY'RE FINALLY TOGETHER ON THE SAME STAGE AND I * EXPLODES*
Story 214: Emotional Narration
Needed to show the ending poses side by side. They fell on opposite sides... but they look exactly the same. What a journey both of them have gone through on this stage. This chapter had me SCREECHING!!!
I can't believe Kaisei felt pathetic and frustrated. Boy have more faith in yourself, you put your whole self in that performance and you deserve the standing ovation!!!!! YOUR STORY GOT THROUGH TO ME DAMMIT!!!!!!!
Thank you Kaichi and Kenbishi for saying what we all want to say. Kaichi the ever-supportive little brother apprentice, but also the fun uncle, you said it right. Kaisei uncovered a new layer and has evolved from his previous rakugo.
KENBISHI TRIED SO HARD!!! Look at the sweat on his brow, he believes neither should be compared. MY THOUGHTS EXACTLY! Kenbishi, I am unfamiliar with your game but I APPRECIATE YOU!!!
At this point, I don't even care about what Issho has to say. Go away old man. (even though I know some part of me will agree and think hes actually kinda brilliant but I will NEVER agree with his methods) (the way suenaga sensei writes issho is so frustrating I don't want to like him but at the same time I do grrrrrr) Akane and Kaisei look so tired of his bs, just like me.
HE GOT CALLED OUT!!!!!!!
212
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kaisei here reminds me of the virgin mary for some reason maybe it's the halo of light
The different sides of the frank, ruthless, but gentle God of Death.
In the end, he chose to forgive himself - to make peace with his inner child.
Grown up Kaisei is the God of Death, and Child Kaisei is our protagonist. By choosing to accept his younger self (despite all his cynicism in the beginning), Kaisei was able to “grow up” and move forward. He decided to be more gentle towards his own self, deciding that Haru Ome deserved even more. That saved the old him, and also allowed him to move on (hence why the God of Death was the one to both light the candle, but also snuff it out).
It’s heartwarming 🥹 Even though it’s implied that our protagonist died (since his candle was snuffed out), I don’t feel bad at all; I feel warm.
His God of Death is so different from Akane’s that I don’t even know where to start comparing them. A capricious, uncontrollable child, versus a cynical but almost warm adult.
To begin with, Akane’s performance showed us the fruits of her labour, whereby Kaisei’s performance allowed Suenaga-sensei to give him is long-awaited character development. These two performances don’t serve the same narrative purpose for each character😭
I’ll probably need to reread this whole arc to solidify my opinion, but so far, even though Kaisei’s performance was awesome, the sheer prowess of Akane’s God of Death wins it for me tbh (plus I’m just so so proud of her 😭). But really, it’s a matter of opinion. Which one do you guys prefer?
Kaisei`s Rebirth
Unlike Akane's shinigami, who's a separate being, Kaisei's shinigami is actually himself.
All his suffering is contained in that vessel.
The reason we see it in the form of his adult self is because Kaisei was forced to grow up much faster than most kids. Not just because of his family situation, but also because of the weight of his name. He has to be better than everyone else. So he feels like he has to grow up and improve before anyone else does.
Having to watch his mother suffer because of their debts. Knowing his family is poor. Knowing his father abandoned them to start a new family, and that the rest of their relatives abandoned him and his mother as well. Being just a little kid, unable to do anything but smile at a mother who can't stop crying because she feels she can't give him a decent life.
Throughout the entire performance, Kaisei has been talking to his inner child, that innocence we all carry somewhere deep inside. That's why the protagonist is portrayed as a child. That child is the light Kaisei still has left, the key that will allow him to be reborn and, this time, live for himself. Not to prove to Issho that taking him on as an apprentice wasn't a waste of time, nor to carry the weight of what his name means.
That's why I love this scene so much, the one where Kaisei talks to his mother. It's here that he realizes he doesn't have to let his name define the way he lives, that he doesn't need to be the best or the first flower to bloom. And that's what I love most about it, because at this moment, the story gives his name a new meaning. It no longer represents the obligation to be the first; it represents the chance to be reborn, to bloom into a new person. Until that moment, Kaisei hadn't truly been living; he was nothing more than a shell built from his own suffering. It wasn't until he finally let go of everything that had been weighing on his heart that he truly began to live.
I really love the symbolism of the candle. Taking it would mean going back to where he came from, going back to living for other people. But this time, he has to make his way through the dark cave on his own.
As a side note, in the official Spanish translation, when the Shinigami says he no longer needs the candle, he actually says, "It seems we don't need it anymore," referring to both of them.
Another aspect of this performance that I love is how it makes use of the manga's black andwhite art. At first, the shinigami is depicted in a black kimono, reinforcing its connection to death and suffering. But the moment Kaisei embraces himself, that very same figure is transformed, taking on an almost angelic appearance as though it were now clothed in white.
Another thing I really love is that the Shinigami (Kaisei) is hugging him from behind. Whenever the shinigami is standing behind someone (at the head of the bed), that person ends up being healed.
this is making me feel insane
He's grown so much
okay what i think the end means is that baby kaisei is the doctor and kaisei is the god of death. he accepted that he has to outgrow the role that other people put on him, thus he has to "grow up", and that's why the god of death told the doctor that he has "yet to live" for real.
in the end, the god of death blows the candle because, well, first of all this is a horror story and this is the suitable end. but since the god of death is also kaisei now, it means that he has finally "killed" his younger version and there's only the current him left now