ok this is sick as fuck
2025 on Tumblr: Trends That Defined the Year
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Jules of Nature
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Misplaced Lens Cap
EXPECTATIONS
trying on a metaphor
🩵 avery cochrane 🩵
Stranger Things
Xuebing Du
NASA

PR's Tumblrdome
noise dept.
The Bowery Presents
🪼
Lint Roller? I Barely Know Her
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untitled
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH

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@testycanadian
ok this is sick as fuck
Sketching some bears from the bear cam! 🐻🐟
I love you Jimothy 🦝❤️
can anyone on this gay ass website give me an opinion on which translation of the epic of gilgamesh i should read? ive been wanting to read it for ages but theres a number of common translations and i know translations can make or break a story; i dont want to start with the wrong one
I've read a few so I can offer recommendations! I started with the Sandars translation, which is a good starting point but a pretty early translation. Benjamin Foster's translation is one of my favourites, and the version I read (Second Norton Critical Edition) includes some really interesting discussion essays with it. Andrew George's translation received an update a couple of years ago so is up to date with Foster's translation, though I prefer how the language flows in Foster's.
I would also recommend Gilgamesh Retold by Jenny Lewis for a translation with a more modern poetic take.
GILGAMESH TRANSLATION MASTERPOST:
Benjamin Foster’s Gilgamesh condenses all the different tablets we’ve found together to make one cohesive narrative which is way less intimidating and therefore my go-to if you want something that feels cohesive while also sticking very close to the language of the original. 10/10
Andrew George is the most thorough and up-to-date, and sticks as close to the text as you can get. It does, however, separate out all the different tablets, and feels very unedited in its style. Definitely not a “pretty” version. 10/10 cuz he’s a legend and this is the most definitive scholarly edition but don’t start with it.
Maureen Kovacs has a lovely translation with some very interesting footnotes on word choices. Her Ninsun is absolutely incredible and if you want to cry your eyes out over Gilgamesh’s fate that’s the one for you. It’s one step up from Foster’s in terms of poetic-ness but still pretty close to the original. 8/10
Sophus Helle is more poetic than Kovacs but BRILLIANT, one of my favourite Enkidus and his Shamhat is wonderful. Top favourite of all time. This is a very good starting point. 9/10
I wouldn’t recommend Sandars simply because it’s prose, and also condenses the twelfth tablet into a nice tidy ending that doesn’t really work with the Standard Babylonian narrative. 6/10
Lewis’ Gilgamesh Retold is more of a poetic retelling than a translation; it’s beautiful but definitely not a starting point. Sweet and gentle Enkidu though, very charming. 7/10
Stephen Mitchell I’m not a fan of. He smooths the poem out into something tame and very expected. This is my personal bias but I really dislike his Shamhat. His Enkidu and Gilgamesh are also explicitly more like brothers, which is a valid interpretation but also again not one I lean towards. 5/10
Herbert Mason’s Gilgamesh has some stunning moments in it (Enkidu! They do not know you like I know you!) However it is nowhere near the real text BUT closer than Lewis’. Changes the ending of the poem so it’s about Gilgamesh mourning Enkidu rather than mourning his own mortality; a much sadder conclusion with less resolution than in the Standard Babylonian. 7/10
BONUS ROUND:
Derek Hines’ play GILGAMESH is fucking DERANGED guys. Ten Gilgillion out of ten.
who up perceiving and reacting to stimulus
I think about the disco elysium ‘are women bourgeois’ screenshot all the time (despite never playing the game) because it’s such a succinct way of demonstrating the fact that I think honestly the majority of people see feminism and ‘womens issues’ as frivolous inventions of upper class white women which is how you end up with people handwringing about working class men and never once considering the existence of working class women.
When you meet Edward Elric he gives off the impression that he's the short-tempered hot-headed "violence is the answer to all life's questions" kind of protagonist, and it's in fact incredible character craft that he's actually the character who ends the series with a negative-3 kill count.
people killed: 0
direct orders of "you really really need to kill this guy" ignored: 1
ongoing murders being committed by Ed's own friends/colleagues that Ed got in the way of to specifically stop that murder from happening: 2
God's worst soldier Edward Elric. Showed up as the youngest member of the Amestrian army, took millions of dollars from them, never followed a single order, helped dismantle their fascist regime, left with a lower kill count than he arrived with, then fucked off to go be a house-husband. Character of all time.
You know, when you said "negative-3 kill count," I, who haven't seen the anime, thought, "He resurrected 3 people?????" But I'm seeing here on the wiki that apparently resurrection in this anime is a terrible idea.
Official addition to this post.
One of the reasons people headcanon Grace as aromantic is the unfortunately realistic scene where they go "you don't have a family or a loved one" as if that's enough of a justification to send him on a suicide mission. As if not having a family makes Grace inherently less valuable and means he should be more willing to sacrifice himself for the greater good.
Grace wasn't sad and lonely, he was happy, he had a good life, he very much did not want to die. They have to do a looney tunes chase sequence and drug him because Grace was *very* unwilling to be the sacrificial lamb. Humanity's savior was dragged kicking and screaming into the role and called selfish for daring to be a coward, as if most of us wouldn't be.
And then he befriends Rocky, who never demands a sacrifice from him, who willingly prolongs his journey home so Grace can go back to his. Rocky has a mate back home and his species depends on his return, and still risks his life to save his squishy human friend. And Grace returns the favor.
And thus the power of friendship saves two planets.
It's almost like something happened in 2020-now that is causing these problems.
ignoring everything the pandemic response specialists were saying was good for the economy tho. State governors and federal agencies with no medical experience and no economics education told us so
"no reliable data" What A Curious Coincidence. I Wonder What Might Have Been Happening In That Period To Cause Such a Thing
Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).
When you're talking about the design of the boat, you say "it".
When the boat is still being built, your say "it".
When the boat is nearing completion, you can say "it" or "she".
When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".
When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.
If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").
If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")
If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").
If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.
If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.
I hope this has cleared things up so that you may not be in danger of misgendering floating objects.
Hit "view post" and lost it
if christopher nolan was really the visionary and ground-breaking director everyone claims he is he would have cast ben affleck as penelope
subject aware
hot take: wikipedia pages for dead public figures should include ALL types of reactions in the death segment, not just the "there was a memorial and these folks said a few positive words" stuff
i want the pages for all those rancid ass politicians and rich folks to mention if people celebrated in the streets and memed the shit out of them online. i think that's important culture to document
went to trader joe’s today and my cashier handed me my 2.55 in change and pointed at the clock which read 2:55 and said “look at that. that’s liquid time… serendipity… have a nice ride”
certified muppets post
we need to adopt this attitude on this website and start talking to each other like this or its over
encourage and uplift your fellow bloggers
this was on one of the Anne Rice writing method reblogs and its so good but i know people will take it the wrong way and i want to post it here to preserve and honor it. because theyre right, her writing IS mid. i really really enjoy her work but she is not particularly good at it. and i think that is the most important aspect of conceptualizing of yourself as a creative producer that is performing non-alienated work: how "good" it turns out to be has nothing to do with 1. how much of it you will sell 2. how much people will enjoy it 3. how MANY people will enjoy it and finally 4. the effort you put into making it. developing skill and taste are DIFFERENT tasks from the actual production. let this inspire you
Was talking to a coworker today who explained that her grandfather was like Snow White “but Californian. And an old man.” in that the creatures of the forest would follow him around and presumably duet with him.
“When he died the ravens sat in the trees outside for a week, watching. Taking turns. A horde of raccoons tried to break into the house every night, tearing at the siding. Eventually they gave up, but it was unsettling.”
“Aww. They were checking on him!” I said, like a normal person. Internally, I thought “Maybe you could do the thing you do with dead pets, where you show them to the living pets so the living pet understands they’re gone. But I guess if you did that to a bunch of scavenging species, they’d be like “Well, that’s very sad but he IS food now.” So what you’d need, for human sensibilities, is some sort of transparent corpse barrier. Like a see-through coffin oh that’s what the dwarves were doing! You’ve stopped paying attention to this conversation about the loss of a beloved family member you gotta phase back in.”
oh that's what the dwarves were doing