Remembering a week or so ago when my screenwriting class discussion board was to give an example of a scene with subtext and I gave the fucking tarmac scene

#extradirty
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@the-game-is-sth
Remembering a week or so ago when my screenwriting class discussion board was to give an example of a scene with subtext and I gave the fucking tarmac scene
This is the biggest and most important day of my life
Say what you want about TFP, I think we can all agree the biggest plothole in the whole episode was John finding some bones on the bottom of a well and promptly forgetting his years of medical training
Sherlock: what kind of bones, John?
John Watson, army doctor, frequent visitor of murder scenes, has seen more dead bodies in the last 5 years than a necromancer during the Black Plague: uhm I don't know.... small?
Right. So in NO WAY was Sherlock acting here. This was not Sherlock acting helpless so John would think the bomb was about to go off. This was not Sherlock faking sad so that John would forgive him. This was not Sherlock being dramatic for effect.
This was Sherlock coming to terms with the fact that he returned to London to find that the man he loved chose a future with someone else.
This was Sherlock accepting the fact that he was never to have a future with John, at least not in the way he wanted.
This was Sherlock forcing himself to say it out loud, no matter how much it hurt, because HE was the one who needed to hear it, not John.
Just to make things worse, John and Sherlock kissing right before John is about to get married
(I maybe cheated a little because I can’t do full on angst, but it’s still what you asked for! It’s also...kinda long...)
The door to John’s unofficial dressing room (also known as the pastor’s office behind the chapel) was ajar, allowing Sherlock a moment to pause behind it and observe John unnoticed. He was frowning at himself in the mirror that was propped up against the window. His tie was crooked, and his fingers fiddled with it impatiently. He was nervous. An obvious deduction, of course. Nervousness was common on wedding days. But John’s nervousness didn’t show in shaking hands or pacing. It showed in frowns and irritation, in muttered curses and angry glares.
Sherlock leaned his head against the frame of the door, taking in the sight of John in full wedding dress, preparing for his walk down the aisle. Possibly John would call this an “invasion of privacy,” but Sherlock was past the point of caring. He was able to admit to himself now that he missed these moments, the ones that used to occur in 221B all the time, the ones where Sherlock would walk by the loo and glance inside the open door to see John standing at the mirror, shaving; the ones where John would watch quietly from his armchair as Sherlock adjusted his suit jacket in the mirror above the mantle.
The quiet, domestic moments that Sherlock had never fully appreciated until he’d come back and John had been sharing them with someone else.
For the third time, John cursed and yanked his tie from around his neck. Sherlock would’ve found it amusing if not for the ache in his throat. He nudged the door open and made an “ahem” sound that had John spinning around. The alarm in his eyes faded when they found Sherlock, and he held the tie up, clenched angrily in one fist.
“This damn thing is useless,” he said, shaking it a little.
“Well, it certainly will be soon if you keep strangling it like that,” Sherlock said pointedly. He closed the door with a gentle click and stepped closer, holding out a hand. “Here, let me.”
John handed it over without protest. “I’m surprised you even know how to use one of these,” he said. He smirked, but it was small and tight, and it was gone almost as soon as it appeared.
Sherlock rolled his eyes and stepped closer, looping the (somewhat wrinkled) silk around John’s neck. “Just because I don’t make a habit of wearing clothing that serves no function doesn’t mean I don’t know how to use it.” The collar of John’s shirt was stiff as Sherlock worked the tie beneath it, and John’s Adam's apple bobbed up and down whenever Sherlock’s fingertips brushed against his neck. “As you can see,” he added, mostly to distract himself, “I’m quite excellent at it.” He nodded down to his own tie, already securely in place.
This time John’s smile was softer and lingered for a second longer. His gaze dropped to Sherlock’s tie, and then he lifted one hand and pressed his fingers lightly to the silk. The barest pressure against his chest had Sherlock holding his breath.
Sherlock: I will now go into the gayest fever dream in all of history so I can sit in a greenhouse and talk about love with my crush. Then he will save me from my worst nightmare and I will literally jump off a cliff as a metaphor for falling for him, after I flirt with him.
Sherlock: and then I will come back and realise he has a wife.
Sherlock: Then I will go back to our flat and be on my phone all day so that I can ignore the fact he isn't with me.
John: Sherlock, you know your saying all this out loud right?
And here I am getting nostalgic over this shit
There’s a lot of talk of John marrying Mary as a way to ‘prove’ his heterosexuality. He felt the need to appear ‘normal’, so he took on a normal life: wife, child, living in the suburbs. If we expand upon this a bit, I think his reaction to Mary when he finds out who she really is is telling.
He’s not upset that she lied. He’s not upset she has a secret identity. He’s not upset that she shot Sherlock to cover up who she is. No, the thing that appears to upset him the most is that she ‘isn’t normal’. She doesn’t conform to idea of a ‘perfect’, ‘normal’ (aka, heterosexual) life. She isn’t the happy wife in the suburbs with a child, but a highly trained assassin. John chose Mary because he thought he could have a normal life with her. He chose someone who he thought was the exact opposite of Sherlock: wanting to settle down, not go on crazy, dangerous adventures.
But, even in his attempt to chose someone completely opposite to Sherlock, someone he can pretend to be straight with, he still ends up choosing someone who is similar to Sherlock in a lot of ways.
S1 Sherlock: points out that gay men put hair gel and knows what brand of underwear they use
S1 John: I don't understand
S4 John: literally wears a litre of hair gel
S4 Sherlock: I don't understand
I burned so long so quiet you must have wondered if you loved you back. I did, I did, I do.
Where you lead, I will follow
You are the reason why I smile
#two idiots in love
— Antoine de Saint Exupéry
Problem?
Sherlock + stealing glances at John
My MAGNETIC list of ships: John Watson & Sherlock Holmes ~ Sherlock
If you told me that the world’s ending Ain’t no other way that I could spend it