Who was Tomura Shigaraki?
When this chapter came out my mind was still processing the shit show that Izuku/Tomura had been, and I honestly thought that anything that came after that would never improve it. In part I still think the same thing but that doesn't mean that this chapter is still something I can appreciate and sincerely wanted to write.
The chapter itself can be easily summarized in the vision of two perspectives, the first told from a documentary form about the consequences that Tomura and his LoV left on the citizens of Japan and the other Spinner's perspective.
The vision of the citizens is totally empty of empathy towards Tomura, the citizens have their perspective colored by their losses and their anger, from the loss of their home or the death.
Lack of empathy in general, considering him scary, someone who no matter how much past he had, it shouldn’t be justified or someone without convictions and only hunger for destruction.
I emphasize the dialogues because those who say them are irrelevant, since they are only citizens. The panel of the lack of convictions is the one that catches my attention the most, because we can see the ignorance of the people, for the external viewer who lived the emergence of the Lov and the war, for them are exactly monsters. Tomura has no convictions because they see the same thing as the hereos at the beginning a manchild, that's what Stain told him at the beginning that he only sought to destroy without reason, that he had no convictions, the same thing Izuku tells him in their talk at the mall, Midoriya tells him that his actions were childish and had no purpose beyond destroying as a childish enjoyment, that even without endorsing Stain's methods he still understood his motives, something that didn’t happen with Tomura. It’s after their talk that he comes out with his convictions and I think that is the point where we leave that more generic vision of manchild and his actions become something serious in the search for an objective, which solidifies in the formation of the LoV.
Likewise, what I’m trying to get at is precisely one of the perspectives that this chapter shows us, citizens don’t see beyond their own losses and feelings and above all things they judge a stranger in whom they’re not positively emotionally involved but only negatively. What this chapter shows is that it’s very easy to dehumanize what is unknown to us, "monster, terrifying, etc." It’s easy not to feel empathy for someone who has only given us negative emotions, even their past will not be justified.
What is interesting is that the documentary and the talk between Midoriya and Spinner are intertwined, we not see the perspective of the finished documentary and then Spinner, but documentary is interrupted by Spinner and it’s where we find someone that talks about Tomura with care and humanity, which the citizens’ reports lack. Also what we see in this chapter is Spinner's breakdown and Izuku's reaction to this, which is correct and helps Spinner to have closure.
For every thought from the citizens we have Spinner showing us that Tomura wasn’t destruction for meaningless childish joy, for every comment about his lack of convictions we have a Spinner who found a way thanks to Tomura's convictions, for every person who is unable to see anything outside of a terrorist, Spinner sees someone who gave him a place, a purpose and treated him as an equal when until then he seemed resigned to his destiny, he sees a friend. We can even see the smallest things that it was that Tomura loved video games.
Although it has been discussed whether the LoV stories justify their actions, the truth is that this chapter shows that even that person who seems monstrous has another identity, Tomura isn’t the symbol of fear for Spinner, but rather his first friend, someone precious, this contrast of perspectives is important because it shows us that there are no blacks and whites but a gray scale.
Having said the above, in addition to the perspectives and the confrontation between them in this chapter, I also want to focus on the emotional aspect, loss and grief. For this I think that the main panel between them is a good introduction.
The first words that come out of Spinner's mouth are to call Izuku a murderer and Midoriya's with absolute calm, says that he will not deny the fact, again despite my criticism of Horkoshi and that I think he was mediocre in the treatment of Izuku and Tomura, I’m not going to deny that these words have been haunting Izuku since their confrontation and outcome, Spinner may be the one who puts them on the table for the first time, but from the hospital we know that Izuku feels his failure. This is seen again when the only time a UA student, tells him that he’s an inspiration, his thoughts return to Spinner's gaze and he doesn't know what to respond, because he knows that the admiration he receives is due to the outcome with Tomura which is not what he wanted, to be recognized for taking a life.
However, there is also something I must say and that is that during all the final chapters Izuku prioritized the emotions of others over his own, which is why we have no reaction with Spinner. Some blogs I read said that Midoriya's reaction to this chapter had been incorrect, because more emotionality was needed and perhaps a deeper attempt at consolation. However, Midoriya consoled and listened to Spinner's pain and recognized it and above all he didn’t try to justify anything, this differs for example from his reaction to Toga's confession and with Dabi in the first war, with Spinner he takes his pain, listens to it and does not try to justify himself or make him see another perspective but simply remains stable and lets Spinner to be one who feels, the one who cries.
Izuku's consolation to Spinner is not to justify himself, to accept his pain but above all to carry the message, because there are no words that he can add that generate more comfort than those he said, there is nothing else he could say or do that would have given Spinner a minimum sense of peace than knowing that until the end the LoV was Shigaraki's driving force, that he remained firm until the end in keeping his word and that he wanted to be the hero of the villains, wanting to fulfill his promise to Spinner.
Midoriya's recognition of the league is important, because he doesn’t detract from them but rather recognizes them as a central point of Tomura, that child and then adult who was manipulated in every aspect, at the end of the day he had his own will when he formed the LoV and that is out of AFO's hands. At the end of the day they were his last thought, and this is very similar to what Ochako told Toga when she recognized that she could not replace the LoV as Toga's family, Ochako recognizes them as importance for Toga, and Izuku in turn recognizes this in Tomura and conveys this to Spinner, as Tomura said "Even if I become an empty shell and all my hatred fades away, I still want to be a hero for them".
In the same way he also consoles him in his final words by encouraging the book and says he will never forget Tomura, by recognizing these two things he is telling him that he should tell his vision knowing that he would not be in a good light from his perspective and above all when he assures that he will not forget him, he does not say it because of what he did to him or his friends, but as a response to tell Spinner that Tomura's life had value and that he will not be just one more on a list of villains, because those are Spinner's words, that for heroes like Midoriya he will only become one more name on a list but Izuku says that Tomura will accompany him always, that is why also after those words Spinner loses his defensive posture and allows himself a few words about Shoji.
All of this is about Midoriya, but we still need to touch on what Spinner said from his own perspective. The way he slowly begins to lose control of his emotions and tells himself that he must stop thinking because otherwise the pain would return. The way he talks about Tomura as his hope and his friend, someone who gave him acceptance and who little by little breaks a little more especially because he is not only angry with Izuku but with himself, because he blames himself and his inability to reach his friend when there was still time.
Spinner acknowledges that he let everything take its course, that if he had been a little more involved, that even if he had objected to Tomura's plans to merge with AFO, then he could have changed the outcome, Spinner was a bystander, who could have taken action. but he didn't, he feels like he failed his friend because there was a moment where he could have taken a step forward even if it meant confronting Tomura's own plans and then everything seemed impossible to stop to the point that the only thing left to do was move forward and take a quirk from AFO to continue with the plans. Spinner's feelings about both his loss and his own inaction become a central focus and the book becomes his way of ensuring that even a memory of Tomura and the LoV is not forgotten, because perhaps he failed to be there for Tomura. but he will make sure that people know the real Tomura Shigaraki, the one they call without convictions or simply as a monster, he will be in charge of telling who Tomura was, the person who gave him a place of belonging, who played with him and accepted him when he had already given up and couldn't find a place to fit. Maybe that won't change the perspective of citizens in general, but it's better than hundreds of strangers talking about someone they don't know. Ultimately it's the only thing Spinner can do for his friend, that at the end of the day people know that his convictions stood even to the bitter end. I didn't think I was going to write something so long, but honestly this chapter is one of the few things that I liked and I felt that all its aspects deserved an analysis or at least an attempt at analysis. I clarify that I didn’t use the official translation because Manga Plus in my region does not allow me to read a certain number of chapters, but I remember that the original translation does not differ grossly from the chapter to alter the interpretation.
