psssst, don't tell anyone but the secret sauce of getting your players invested in your TTRPG is to make likeable (or hateable) characters that care about whatever's going on in the plot. Humans are social creatures, and we'll pack bond with anything INCLUDING fictional entities.
You're afraid to write because you care too much about your craft. Not because you suck.
You want it to be perfect. Worthy. You're scared it won't be good enough. But the thing is, everything you write is worthy if you write it with heart.
That fear doesn't make you a fraud, or lazy. It makes you a perfectionist who doesn't write as much as they should because their fear is choking them. Your writing will never be perfectânothing ever is.
So stop waiting for the perfect moment and go pour your heart out. Unleash your wildâand slightly disturbingâimagination onto those pages. Go create magic that only you can make.
GO WRITE THE THING YOU KEEP THINKING ABOUT DAY AND NIGHT. And make sure you write it for yourself before anyone else!
Obviously Anya is adopted. We all know this. She knows this. She loves her family but knows it is incredibly fragile.
But unlike most adoption stories (say Natsume Yuujinchou) Anya is not adopted into a loving functional family who's main goal is to support and love her until she heals from all the hurt she has been through.
Because Everyone in their family is adopted.
Yor enters thinking she is entering an existing family dynamic of a man and his daughter. She is the step mother, eagerly wanted but a definite outsider. She does not know about how they lost Loid's first wife. They both Never mention her but Anya clearly has Huge feelings about her Mommy that she cannot touch. Because Loid refuses to acknowledge her. Which means she's not allowed to.
She's a wife brought in to solve a problem. The fact she adores Anya and loves Loid (eventually) doesn't make her any less of an outsider from her perspective. To Yor she's the adopted family member.
Meanwhile Loid, the one who brought them all together almost instantly finds himself on the outside of the family. He works too much and doesn't make it home for dinner frequently. He struggles to connect with his 'daughter' and wife. Can't understand either of them despite constant efforts. Something incredibly distressing for him.
Yor instantly connects with this child when he struggled to hold her hand in public. In his eyes Yor and Anya are a family and he is the outsider only there for the mission. The man who is destined to Not be there. He too often fills the role of the outside child brought into a happy family. One he constantly feels he is fumbling or failing. (If I'm not good, if i'm not perfect- my family will leave me. So I have to be. I have to figure out how to be better)
They are a family of adopted members all holding so tightly to each other. Each one of them chooses the others over and over again. Struggles against their own limitations and fears to be a part of a family they're all terrified to really call their own.
But it is that choice that makes them a family. Not blood or marriage or any certificate. That they all keep trying to be a family to the others. I'll be a good girl and study hard Papa. I'll be a good wife, I'll play my role well so don't abandon me. I'll be a good father and husband, I will try to be a good husband and father if you both will just stay with me. Please. I will figure out how.
the concept of how sir arthur conan doyle was as a person always sends me into fits. imagine making the most famous literary character of all time but you hate the character so much you try to kill him off. but everyone is so horny for this asshole detective they make you bring him back. even your own mother gets mad when heâs dead because she likes him. raising your prices to ridiculous rates to avoid writing holmes stories backfired and now youâre rich. itâs absolutely a pain because itâs keeping you from your true passion which is spiritualism despite how one of your good friends harry houdini keeps telling you itâs bullshit. you consider your best novels to be historical ones but theyâre well over shadowed by the nemesis of your own creation sherlock fucking holmes. some fake photographs from some kids convinced you faeries were real and you wrote a whole book about it. you started writing stories in medical school. and yes, also you are a doctor. after youâre dead, they erect a statue of sherlock holmes across the street from your birthplace, causing you to probably roll over one hundred eighty degrees in your grave and scream into your casket pillow.
Hiromu Arakawaâs genius is obvious throughout all of FMA but her first and biggest leap of genius was in how she crafted her protagonist.Â
Arakawa realized the burgeoning youth of the early 2000s wasnt interested in another plucky spry optimistic young shonen protag. Instead she gave us a short ugly egotistical asshole smarter-than-you atheist with so much money and power that people could no longer best him in arguments by telling him âdude shut up ur literally like 12âłÂ
Five pages in weâre told Edwardâs famous and rich and powerful. Five more pages and heâs calling some girl stupid for thinking God exists. Five more pages and heâs proven right. Five more and heâs kicked an evil priestâs teeth in. And no one can tell his mom on him.
Hiromu Arakawa figured out the dream of every edgy young weeb discovering internet arguments for the first time and she cast them an idol made of gold.
âFor example, if youâre trying to convince people to boycott a segregated store, your object is to convince them that boycotting the store will have a strategic effect, not that desegregation is morally important. For whatever reason, on a cognitive level human beings have a really hard time with this. Smucker cites an example of a Lefty roleplaying session where people were tasked with selling an action to people who agreed with them on principle but didnât see the strategic merit of the action. Surprisingly, the sellers couldnât make the conceptual switch to sell strategic merit: instead, they doubled down on THIS ISSUE IS IMPORTANT â even though it had been stressed to them that the people they were selling to bought into the importance of the issue. People react poorly to âthis is important, so do WHATEVER I SAYâ; they want to be convinced that what youâre proposing will work.â
âBob Wing, a grassroots organizer, explains this nicely: âIf winning feels impossible, then righteousness can seem like the next best thing.â But righteousness is not conducive to getting normies to join your team if your team cannot demonstrate ability to, at least sometimes, win. Nor does righteousness help you make real inroads with regular people.â
like, the most compelling ships for me always stem out of one thing: the characters have a profound, ongoing effect on each otherâs senses of selves. when they are apart, the charactersâ actions are still affected by each other. the way they approach the world changes because of the other.Â
which is this deeply Austenian view of ideal romantic relationships as mechanisms by which we come to know ourselves better and become better versions of ourselves. good romance, for me, is always tied in with a sense of self-actualization, and the way in which a beloved partner allows a person to know themselves better.
Bear religion probably fucking rocks. You're a fucking bear, you're the deadliest thing on earth, once a year an endless supply of salmon just flings itself up the river to gorge on and then you nap for 3 months.
The most delicious food in the world is protected by tiny demons who can defend it from everyone except you. Your natural armor is thick enough that you can just eat the damn hive while they buzz around you. God's chosen animals right there
Regular bears tell stories of angel bears sent by the Bear God, pure white and twice as strong as any normal bear could be, who rule the summit of the Earth and kill all who stand in their path.
And they are right, those bears exist and totally do that. Humans just have fake angels as a cope.
love the idea of bears being the chosen species actually. having a near death experience and glimpsing heaven and realising it's just full of bears, no humans at all, humans not ensouled actually, humans an accidental byproduct of God's plan for bears
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But, one issue that has remained unaddressed throughout the entirety of the LOZ canon and apocrypha is the lack of a royal mint.
This implies that rupees are a commodity (a physical material that has value) rather than a fiat currency (a currency not backed by a commodity but by faith in a specific government that ensure it's value).
Most modern governments use Fiat currencies because:
"Fiat money isn't a scarce or fixed resource like gold so central banks have much greater control over its supply. This gives them the power to manage economic variables such as credit supply, liquidity, interest rates, and money velocity." [1]
We can see evidence of Hyrulean government's failure to manage their economy during the runaway inflation of Wind's era
This graph depicts the price to buy an arrow in each specific era of the Legend of Zelda games. The price of arrows between Wind Waker and Phantom Hourglass jumped by two rupees and arrow, indicating inflation.
The Origin of Rupees
So if Hyrule's Royal Family isn't minting rupees, where do they come from?
The Hyrule Compendium entry for blupees mentions that "these peculiar little things have a penchant for collecting rupees" but the identity of the compendium's author is unverified and so is their research.
The unregulated nature of Hyrule's commodities-based currency becomes a problem in Tears of the Kingdom, when Koltin asks Link to slaughter all 167 bubbelfrogs.
The life cycle of blupees, bubbelfrogs, and the King of the Mountain requires further study but it is evident that when a blubbelfrog is killed, a blupee is generated. So Link's quest to collect bubbelgems introduces 167 more blupees into Hyrule's ecosystem. These 167 extra blupees eat, drink, and more importantly to us, shit.
So how much did this quest impact Hyrule's economy? To answer that question, some math is required.
The first number we need is the average amount of rupees that blupees shit. To determine this, I shot 30 blupees and fitted the resulting data to a standard distribution.
Blupees Moneybags Georg who shat 51 rupees was an outlier who should not be counted and thus was removed from the dataset.
Multiplying that average amount of rupees that blupees shit by the blupee population [2], gives us the amount of rupees being shat in hyrule.
As you can see, a lot more rupees are being generated during the events of Tears of the Kingdom than in Breath of the Wild. How big of a problem is this? Well, to answer that, we need to know the size of Hyrule's economy.
The Size of Hyrule's Economy
I deciding to determine the size of economy by collecting the prices of every item sold in Hyrule by every merchant (except Ramella, I forgot Ramella).
With the collected price data, we are able to estimate the amount of currency changing hands among the people of Hyrule every year.
So after all this, we can see that the amount of rupees being shat per year should cause significant inflation. And yet, you may recall from our first graph, the price of arrows hasn't significantly changed and neither has the cost of most goods and services across Hyrule with some limited exceptions.
So why aren't prices skyrocketing?
Because the Great Fairies act as the Federal Reserve. They regulate the economy by removing varying amounts of money from circulation via their enchanting services.
In Breath of the Wild, the Great Fairies collectively charge Link 11,600 rupees to wake all 4 great fairies.
In Tears of the Kingdom, they charge Link per individual item of clothing enchanted. This, in total, costs 78,280 rupees.
Accounting for a target 2% rate of inflation, the Great Fairies remove 3.28% of all rupees shat during Breath of the Wild. In Tears of the Kingdom, their rupee removal rate is 5.17% of all rupees being shat.
The Great Fairies are definitely removing less rupees than are being shat but most blupees inhabit far-flung locations that most Hyruleans are not venturing to in these chaotic times. I have confidence that the Great Fairies can adjust their rate of currency removal should the need arise.
But who is attempting to cause this inflation and why?
One thing has always bugged me about Tears of the Kingdom, it wasn't the emptiness of the depths, or the fact that it was easy to miss out on the paraglider, or even the fact that that one cutscene kept being repeated after every temple. It was that Koltin asks you, Link, to go on a rampage of ecological destruction, to hunt the species of Bubbelfrogs to Extinction.
Koltin is clearly passionate about his quest to become a Satori, but he also has a secondary motive, to help out his brother: Kilton.
Kilton started his own currency that competes directly with the rupee and admits as much.
Kolton recruits Link under false pretenses in order to destroy the Bubbelfrog population, increase the amount of blupees, and cause skyrocketing inflation. This would devalue the rupee and incentivize the adoption of mon as a currency.
In the end, Koltins crimes caught up with him and Link helped the Great Fairies stabilize the economy, but Kilton is still out there and who knows what he has planned next.