Andrea Gibson, "DEPRESSION [VERB]“, Lord of the Butterflies

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@theinfaethable
Andrea Gibson, "DEPRESSION [VERB]“, Lord of the Butterflies
This meme but Hardwon reincarnating
wednesday night….the thinking man’s friday
𝑰𝒕'𝒔 𝒊𝒏 𝒕𝒉𝒆 𝒆𝒚𝒆𝒔. 𝑰𝒕'𝒔 𝒂𝒍𝒘𝒂𝒚𝒔 𝒊𝒏 𝒕𝒉𝒆 𝒆𝒚𝒆𝒔.
what do you mean this isn’t what happened
NEED him (to lose my entire life savings at roulette)
i know we love the board checks during the fuckfest montage but this check post-tuna meltdown fucking kills me. ilya is just so. look me in the eyes. do you miss me. do you regret it. am i losing you for good am i losing you for good am i losing you for good.
Bridgerton men get told to shut the fuck up for the first time in their lives and start imagining themselves in a wedding dress
it's important to me that ilya remains captain of the centaurs after shane joins, but i have a specific picture in my mind of shane being assistant captain and being generally harmless and super chill , so the centaurs see him as like the chill parent (something to be said about shane being content in letting someone else, specifically His Someone, have the reins and enjoying not being in charge) but then ilya has to be out for a few weeks for like health or smth so shane goes into Captain Mode and the centaurs are scared shitless by how intense he gets all of a sudden. the most intense drills of all time. the hardest plays they've ever heard of. the strictest practices on earth. and they suddenly understand why shane led the metros/voyagers to victory so many times and why ilya treats him like the boss in their relationship. and then as soon as ilya comes back he turns it off and the centaurs are like Oh Thank Fuck Because What The Hell Was That
I know we’ve talked about this before but the retroactive realization for Shane Hollander that Ilya has been his future husband the entire time must have sent that boy spinning. What do you mean I introduced myself to my future husband. What do you mean my husband was there standing beside me the day I got drafted. What do you mean I jerked off to thoughts of my husband on the most important day of my entire life up to then. What do you mean my husband took my virginity. My husband and I watched each other grow up. My husband and I fell in love for the first time together. My husband was my first ex. My husband has been the most consistent, sensual, irritating, understanding, solid, loving presence in my entire life. Since I became a man, the thoughts I have reached for to comfort myself or bring myself pleasure have been those of my husband. I memorized the moles on my future husband’s body before I fully understood the wants and needs of my own. My husband taught me how to pleasure a man by pleasuring me. The first person I willingly came out to was my husband. My friends have NEVER known me at a time in my life when I was not in love with my husband.
from @/narivaaaal on twt
All I want is you. It's always you. I'm so in love with you and I don't know what to do about it.
You want to get me pregnant too? I don't think I'm ready. I think I still have some good hockey left in me.
x.com/chicca_art
the bright sword is a book about how even in the highest of all fairytales there was always something higher and more glorious that came before and is just out of reach . which is SO, so very arthuriana, a story about all the many ways in which the golden age is over before it begins, in which the crowning of a king is the cause of his dying
I lied I have one more piece in me before the year ends.
This is an experimental illustration though. I'm not comfortable with the flat graphic stuff but I thought I'd give it a go again.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).