Kino
d e v o n
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2025 on Tumblr: Trends That Defined the Year

Kiana Khansmith
YOU ARE THE REASON
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DEAR READER

#extradirty

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Lint Roller? I Barely Know Her

roma★

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Aqua Utopia|海の底で記憶を紡ぐ
Claire Keane
wallacepolsom
NASA
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@thelimey-estblog
Kino
people who use guns are pussies. i just throw bullets really fast
if you say derp in 2017 an elite internet sniper kills you f
goodbye
They sacrificed themself… To warn us…
Jikuu Tenshou Nazca - 時空転抄ナスカ (1998)
Malcolm in the Middle - 中央のマルコム (2005)
The single best piece of writing advice I ever got was from a professor teaching a playwriting class, who told us that in every scene, especially scenes that were just dialogue, every character should want something. Making every character in a scene have a goal is an easy way to avoid dialogue that’s just exposition, and to make sure your dialogue drives the plot forward and/or reveals characterization.
It doesn’t have to be complicated or super weighty–as long as the characters have a goal, there will be tension in the scene even if the goals are small. Character X wants to borrow a pen, and character Y wants to make a good impression on character X. X wants to insult Y until they go away, and Y wants to annoy X by pretending not to notice the insults. X wants Y to give them the last slice of pizza, and Y is super full but still doesn’t want X to have it. No matter what your character’s goal is, it will reveal something about who that character is to the reader, and the conflict between your characters’ goals will give the scene momentum.
me: i’m gonna go to bed early tonight
me at 4am on the cryptids wikipedia page:
secondhand embarrassment is pure agony and i wish a lot of comedy didnt rely on it
I cannot deal with it. I have to literally leave the room.
It’s a sign of being extremely empathetic.
thanks! i hate it, how do i uninstall?
i feel like im in the sims where it takes 5 hours to make pasta and then u have to immediately go to bed
Wisdom from Sherm Cohen by way of Character Design References!
U FEEL ME?