Kyle Kuznik via Instagram

@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap

⁂
No title available
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me
will byers stan first human second
DEAR READER
let's talk about Bridgerton tea, my ask is open

JVL

祝日 / Permanent Vacation
noise dept.
Not today Justin

tannertan36

Janaina Medeiros
seen from United States

seen from Canada
seen from United Kingdom

seen from Malaysia

seen from Philippines

seen from Bahamas

seen from United States
seen from United States

seen from Singapore
seen from Romania
seen from Norway

seen from Australia

seen from Canada

seen from Canada
seen from United Kingdom
seen from United States
seen from United States
seen from Saudi Arabia
seen from United States

seen from Japan
@therealbeachfox
Kyle Kuznik via Instagram
okay im gonna hypnotize you with my ruby amulet now DONT BE WEIRD ABOUT IT. im doing this to make you betray the king. IT IS NOT A SEX THING
I think the fact that you immediately thought about clarifying it’s not a sex thing kinda makes it sound like it is a sex thing.
FOOL. i would be using my sex amulet for that
had to draw this
5 songs I've got on repeat
thank you @brokenphoenix99 for the tag 🥺
right now, i don't have individual songs on repeat so much as an entire playlist on repeat. been working on tbobt a lot and so most of my listening has been my tbobt playlist. it is, however, 53 songs long, so i shall choose the five that i'm vibing with the most.
Broken Crown by Mumford & Sons
Daylight by David Kushner
Wolves by Down Like Silver
The War by SYML
Babylon by Barns Courtney
bonus, the song i was listening to on endless repeat a few days ago
Dog Prophecies by Josie Edwards
some no pressure tags! @clearbluewaters @kcrabb88 @starcatboy @bucketofdeltav @paleoleigh <3
Oh hai thank you!
I have theme tunes for specific work so right now I have:
Velveteen's See You Bruise for the next chapter of that one fic I'm keeping on anon
Florence + The Machine's Cosmic Love for the prologue to Fragments of a Life
Leonard Cohen's Who By Fire for planning the rest of Fragments of a Life
Fazerdaze's Misread for the last chapter of that fic
And uh, switching between the tbobt playlist, which is a banger, and Talking Heads' Stop Making Sense album, for doing my actual job!
Aaaaaaaand you already got her so double tags for @paleoleigh and no-pressure tags also to @moltengoldveins @moonsstarsandscience @jediqueen95 and @thatlittleegyptologist if she’s feeling like it.
Bold of people to believe I remember what I'm listening to (I do not 90% of the time) and usually for writing it's either silence or an ocean sounds with lofi playlist! But I've kicked my brain into gear for this:
Kygo's remix of Whitney Huston's Higher Love
Sabrina Carpenter's Manchild
Farruko's Pepas
The Spinner's Working My Way Back to You
Gipsy King's A Mi Manera
Yes, my music is a tonal whiplash near constantly and I like it that way!
uhh tags @rudjedet, @ritterum, @the-navistar-carol, @23-tiny-wishes (it won't tag you for some reason), and @en-theos
(finally, apologies to OP because I can guarantee this will get reblogged far from me)
oh boy. um well i dont listen to songs so much as... stuff... and only when im in specific moods. which i happen to be in at the moment! so without further adieuxeghes:
Mahler: Symphony No. 2 (Gielen/SWR Symphonieorchester)
Mahler: Symphony No. 3 (Bernstein/Vienna Philharmonic)
Mozart: Der Hölle Rache ("Queen of the Night" aria) from The Magic Flute (Marriner/Acad. of St. Martin in the Fields; soprano: Cheryl Studer)
Vaughan Williams: A Sea Symphony (Haitink/London Philharmonic)
Da Vinci's Notebook: Enormous Penis
i am tagging! the following people: @togglesbloggle, @whereisthedamnlostandfound, @bubobubosibericus, @erkhyan, @mutantenfisch
I could do WAY more than five but
Austin wintory -I was born for this
Enya - on my way home
Sturgill simpson - a good look
Glen Gabriel - Rán
Florence + the machine - Free
Now to bop some peeps on the head with a prototaxites: @eclipsedrawsthings @cosmic-tuna @hykedike @shacklesburst @idesin @thatmintleaf
Oh, wow, thanks for tagging me! I don't so much have a song, or even playlist on repeat, as I've got a shit tone just thrown on shuffle. But there are a few that I find myself searching out more than the others.
Terminite - Work
Odd Chap - Timepiece Power
LongestSoloEver - Take A Ride
Little Violet - Good on Me
The Chalkeaters - Roll out the Fallout!
And now my turn to tag! @re-the-bear @shadowsragon @therealbeachfox @stillarobyn @redxluna
Hrm. I usually just throw on random play and let the music gods take me, but I've also been jamming my Crime Alley Kid playlist as I try to break through my writers block, and the five most played songs from that would be:
A Good Song Never Dies -by- Saint Motel
Promiseland -by- MIKA
Another Way Out -by- Hollywood Undead
Bang Bang -by- N'NAAN
Wonderland -by- Caravan Palace
No tags because... what I'm sure will be a good reason once I think of it.
So sadly the Slur Song has become too powerful and the shadowy powers that be have joined forces to stop it from charting
On the upside it means a whole panel of professional music industry executives had to sit there and awkwardly listen to the whole song which is hilarious
dont worry guys i have a foolproof plan
looooooool
Always bear in mind that there is absolutely no legitimate evidence that Luigi was actually the one who killed the insurance company guy.
Of course he wasn't. He was at a party with me that day.
No but like literally, actually. All bits aside.
He didn't do it.
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
wake up people. big bad wolf breath can’t melt straw beams. the first little pig was an inside job
Swine/11
no there were 3
Another mad mage falling for the lies of Big Wolf.
LLM psychosis is simply the democratisation of being surrounded by yes-men and unctuous toadies, an experience previously only accessible to dictators and kings and cult leaders and venture capitalists
Did you play AD&D? I can't remember how old you are, so hopefully that's not too offensive. If so, was a typical game really as hostile as people say it was?
That's one of those question where the answer hovers somewhere between "no, with a couple of massive caveats" and "yes, but not in the way most people think".
A lot of AD&D 1st Edition's GMing practices are pretty hardass by modern standards; however, they need to be understood in the context that the game's authors were writing for a target audience who mainly played the game in college wargaming clubs, where players would frequently transfer between groups and group sizes tended to be very large – six players per GM was considered a bare minimum, and up to a dozen player characters in a single party was by no means unheard of!
In particular, players would often bring their character sheets with them when hopping between groups, and it was considered a faux pas for a GM to reject an incoming player's existing character or request any substantive changes be made, so managing expectations could be quite challenging; even as late as 2nd Edition, the Dungeon Master's Guide contains extensive discussion of how to gracefully handle players bringing existing characters with them who aren't necessarily a good fit for the present game's tone or resource economy.
The upshot is that the culture of play these iterations of Dungeons & Dragons are targeting inherently obliges the GM to take a much firmer hand to keep things on track than a pickup game that draws players exclusively from within the GM's established friend group might – and to be sure, some GMs abused these expectations to act like petty tyrants, but some contemporary GMs do that, too.
A big part of the modern perception that 1E and 2E were extraordinarily player hostile, meanwhile, has nothing to do with the previously discussed GMing practices; rather, it emerges from the transition away from that culture of play in a slightly unexpected way.
In brief, back when D&D was mainly played by wargaming clubs, it was fashionable to run pre-written adventure modules competitively at conventions; the competition wasn't between players, but between parties, with multiple groups running the same adventure in parallel to contend for prizes. Tournament play sometimes chose its winners based on the fastest real-time completion of the module in question, or set specific objectives within the module which would award points when completed, a bit like speed-running or achievement-hunting in a video game (though neither practice existed yet at the time).
It was the survival module, however, that quickly emerged as the most popular tournament format. In a survival tournament, each player would provide or was furnished with a binder containing a fixed number of pre-generated character sheets, switching to the next character sheet in the set as each preceding character died; the winning group was the one whose last surviving character's corpse hit the dirt furthest from the dungeon entrance.
Many of 1E's most popular adventure modules, including the infamous Tomb of Horrors, were originally written as survival modules to be run at tournaments in conventions. As such, they were designed to kill off player characters both quickly and efficiently, so as to reduce the likelihood that the tournament would run overtime and get kicked out of the convention venue. When they were later cleanup and repackaged as commercial adventure modules, their text rarely bothered to explain any of this – who doesn't recognise a survival module when they see one?
The answer to that question, of course, is kids who didn't come up through the mentorship system of the college wargaming clubs, but taught themselves how to play D&D from first principles using books they bought at their local hobby stores – and when D&D's popularity unexpectedly exploded in the early 1980s, there were suddenly rather a lot of them!
These kids purchased the repackaged survival modules along with all their other D&D books; having no frame of reference, they assumed that these represented what a "standard" D&D adventure was supposed to look like – and since they weren't experienced players with whole binders full of pre-generated backup characters at their fingertips, the result was a lot of seemingly unfair total party kills, and a lot of kids concluding that the previous generation's GMs must have been objectively insane.
There is an additional amusing point of order here, which is the answer to the following two questions. I once had a discussion with someone in Gary Gygax's gaming group, who was involved in early TSR work a bit. Allow me to paraphrase my questions and his answers.
Why publish survival modules as your primary format of published adventure?
"Because that's what we had -- they were already laid out for publication. Why not publish them and make some money off it?"
Did it ever occur to you at the time that publishing adventures like these would shape the larger D&D culture's expectations of what play was supposed to look like?
"No, why would it?"
they got married btw
oh you’re not kidding
they killed him for this
honestly "oracle that nobody believes" is such a solid trope. imagine trying to convince anybody in 2006 what the next two decades was gonna look like
If you were able to vote in 2016 this is actually what it felt like trying to tell your family about why donald trump would not make a good president
Honestly, in 2006 it was already pretty obvious that 'long slide into murderous fascism' was absolutely one of American's possible "Where I want to be in 20 years" options. It's just that the actual process has been so much stupider than anyone could've possibly imagined.
"Okay, so take the Tea Party. Now imagine a splinter movement that's about 100 times crazier and disconnected from reality. Right, so those are the people who storm Congress to try and physically threaten them into declaring Trump president. Yes, the world-wide plague is still going on at this point. It's January of '21 so the United States death toll is about a million. No, they still don't believe it exists. No, they never will. Like I said, discounted from reality. Where was I... Oh right. So they're setting up this guillotine outside, see..."
hey you. teenage girl writing in her diary. quit talking about the boy you have a crush on and start writing about the current political situation, the valuation of currencies, and the level of technology your people hold. your diary might be the only piece of evidence our society existed after nuclear war fries all of our data backups. future historians don't need to know about damian, they need at least a secondhand accounts of the great water wars and whether or not your leaders truly did worship a deity called "the free hand of the market"
Keep writing about your crush Teenaged Girl. About your clothes, and how that other girl wore the same dress as you. Paint me a picture of what you were like.
Historians are going to hear about Damian and they're gonna LIKE IT
Make those future Historians reverse engineer the socioeconomic hierarchies of the 21st century from dreamy descriptions of Damian's current fashions. It's giving them enrichment.
So my sixth grade math teacher.
...Shit, that would explain so much about him.
reverse isekai when a desperate vice-principal summons someone from another world who can turn around their high school english program
"My 9999 Combat Ability Is Of No Use For Teaching Humans in Another World!" is a sure-fire hit and I expect someone to drop me a link to a fan-translation of its first ten volumes any minute now.
So my sixth grade math teacher.
...Shit, that would explain so much about him.
where were you at 1:00 AM EST on June 2, 2026
This is one of those stories where - if you haven't played it yet but think you might want to - you should probably play Slay the Princess first before reading; but if you never plan on playing it - and you have the faintest idea of how Disco Elysium works with or without playing it - I cannot recommend The Fury of a Shattered Mirror strongly enough.
The Persona Voices of StP -and- the multitude of DuBois' Skill Voices all bouncing off each other -and- the Narrator -and- the bugout mind-fuck that is Slay the Princess' plot?
Beautiful.
Also, it's done up with all the CSS needed to make it look like Disco Elysium screen shots.
And it suddenly doubled in size overnight. That too.
oops! i ate some frozen tilapia and i feel my body rejecting it oh god
oh god not this
if i listed everything i did wrong with this one meal i think i would owe my followers for emotional damage
no you guys will be mad at me :(
I cooked tilapia in an air fryer i didnt clean before using that i cooked chicken in a few days earlier
Oh sweetheart. No.