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[thesilvertonguefox]

“What have we got to lose?” I said. Nightingale looked up and gave me a strange, sad smile. “Oh, everything, Peter,” he said. “But then, such is life.”

False Value by Ben Aaronovitch

Safe to say I'm delighted to discover that my favourite character is confirmed asexual (as if he couldn't get any better). This is my first time posting any kind of art, but I've never felt so compelled to contribute before, so please enjoy.

"I've never really understood what you might call physical love," said Nightingale. "But I do understand the bonds of friendship and family."

The Masquerades of Spring by Ben Aaronovitch

[gotoemopunk]

Wings in the Snow

This idea came from this tweet.

☺️ The wing prints left by a hunting owl looked so incredibly beautiful that they immediately gave me Destiel vibes🤩

Sadly, burnout meant I didn't get around to drawing it until summer, lol. But I think I needed that time, because I finally managed to bring it to life exactly the way I imagined🥰

[mr-sardelli]

Just finished this hand-drawn animated snippet of a scene from Feet of Clay.

Thought I'd share.

[kidovna]

will byers with a prosthetic eye in the 90s (insp)

+ insightful feedback from @andiwriteordie

[jarrows]

taking the long way home pt ii

[jarrows]

Written on the back: “I was NOT sleeping, I was resting my eyes.”

From Hugh Oswald’s personal collection, gifted to the Folly photo archives in 1966

3/?

[boo-setsu]

Soo. I had this illustration to a fic with Peter being literally a starling. And so the idea of Nightingale being, well a nightingale was born. So half a year later my hand slipped.

[travellingdragon]

unsurprisingly I'm getting ideas for a Rivers of London/Temeraire crossover

dragons can do magic

most british dragons (especially the heavyweights) die during the second world war, that also includes many members of the Folly

if Nightingale is a human then he maybe was captain (which is his official military rank i think) to a dragon who died during the war

if Nightingale is a dragon then I would love to see him as a polite little Winchester with a posh accent who's hopping around with a cane in his claws. (And now he's facing not only the loneliness of most wizards having died but most dragons too)

I just think that Peter Grant being taught magic by a very posh dragon is a neat idea tbh

some of the rivers should be dragons too. Tyburn for example; I think she'd use it to loom over people

[travellingdragon]

The poshest Winchester you'll ever meet! Molly polishes his scales until you can use them as a mirror, and instead of a staff he has two staff cores wrapped around his horns. Since his job does sometimes include saving people he wears a very reduced harness (also polished to a shine). But he does also wear a bespoke vest over a mesh that he uses in lieu of a pocket.

He's fairly small for a Winchester; about 1.80 at the shoulder. Here's a size comparison: a human (about 1.80/6ft in height) and an average Winchester

He learned magic in the shell when a bunch of practitioners from the Folly picked up his egg and meant to only deliver it to the nearest covert. On the way there they did a lot of magic around the egg, mostly werelights. So one evening:

His first words were in a dragon language, which reminded the practitioners of birdsong. And so they named him Luscinius for Latin luscinia; nightingale. He picked up the name Thomas Nightingale to be less conspicuous in the Met.

[that-is-a-name]

Elias would've taken one look at Arthur Lester and promptly yeeted Jon out the institute window because no one could ever be as marked by all fears as much as Arthur Lester. Hell, he's marked by 3 additional fears that don't even exist, but he manifested somehow! He's a walking ritual to any and all entities, and he just needs a push that Elias is more than ready to deliver.

Elias gets promptly stabbed and his eyes gouged out by Arthur Lester after Arthur figures out his whole Jonah Magnus deal when he accidentally falls down a hole into the tunnels and finds The Panopticon and Jonah's body.

[joanjehanne]

rough animatic of a tv show style malevolent title sequence (WIP)

[yujateaandpi]

THIS ROCKS WONDERFUL JOB (ack Parker my poor lad)

[kidovna]

yearly rain/lake scene manifestation post 🕯️

[wondersmith-and-sons]

“Fuck me, I thought. I can do magic.” Rivers of London fancast (v2.0):

elliot knight as peter grant james d’arcy as thomas nightingale emily berrington as lesley may adelayo adedayo as beverly brooks

bonus Toby:

[pyralart]

I don't think Belos is taking it very well

First part (You are here) >> Next Part

First batch of this little series, inspired by @petitprincess1's idea! I couldn't get this scenario out of my head so of course I drew it.

Get ready because it will have at least 8 pages! Probably my longest comic yet

There will be some angst but the violence will overall be canon-typical!

[lune-moon-nuit]

The Heart as Anchor and Myth: Love, Memory, and Narrative Resistance in Mike and Will’s Arc

I was reflecting on the scene between Will and Mike in Season 2, when Mike reassures Will by suggesting that he can use the “now memories” and his connection to the Mind Flayer to their advantage—turning it into a means of spying, of becoming a so-called “super spy.” At that point, Will is utterly terrified. He is enduring the torment of partial possession, with no real control over what is happening to him. He barely understands the phenomenon consuming him, and on top of that he is already weighed down by trauma and PTSD from his earlier experiences in the Upside Down. In that moment, Will is physically, emotionally, and psychologically depleted.

And yet, Mike comforts him—using “the Will voice”—urging him to see the glass as half full rather than half empty. When Will, fragile and uncertain, asks hesitantly, “Do you really think so?”, Mike replies with warmth and conviction, smiling as he says, “Yeah, I really do.” Importantly, Mike is not merely placating him. His words are genuine: he truly sees Will’s potential, and he believes in him.

When Will, overwhelmed by fear and anxiety, then asks, “What if he spies back?”, Mike responds firmly, “He won’t.” And when Will presses again, desperate and in tears—“How do you know?”—Mike takes his hand and reassures him with quiet determination: “We won’t let him.” This moment is crucial. Mike does not say “I won’t” or “You won’t.” He instinctively says we. Without hesitation, he positions himself beside Will, ready to fight the Mind Flayer with him, on equal footing, despite being only a thirteen-year-old boy with no supernatural abilities or real comprehension of the forces at play. For Mike, standing with Will is automatic, natural—he doesn’t need to think about it.

What follows underscores the impact of this exchange. Immediately after, when Will wakes from his vision of the Mind Flayer attacking Hopper, he actively tries to harness the very ability that once terrified him. In the car, he closes his eyes, focuses, and uses his connection to track Hopper. What Mike suggested has already taken root: Will is no longer paralyzed by fear of his visions, but is instead learning to channel them strategically. Mike does more than reassure him—he inspires him. He gives Will the strength to confront what once felt unbearable.

Crucially, Mike does not idealize Will for this ability, nor does he feel threatened or diminished by it. Unlike with El, where powers can create distance, Mike never places himself outside of Will’s experience. Instead, he listens, observes, and tries to understand, offering a new perspective that lends Will courage. Their bond is built on mutual inspiration and unwavering support, making them the team they have always been—and the team Mike longed to restore in Season 4, when he apologizes to Will in his bedroom and, with a softness bordering on flirtation, tells him he wants things to be as they once were.

I also think it’s significant that the Mind Flayer’s hold over Will intensifies immediately after the soldiers burn the vines and free Hopper. Yes, the Mind Flayer was enraged and injured, and Will suffered by extension—but it also recognized something else. It realized that Will had dared to “rebel,” to weaponize the connection against it. That is why, once Will is taken to the hospital, we see so little of Will himself. Aside from the brief moments at his arrival, when he screams in pain as his body burns from within, and later when he pleads, “He made me do it. I told you, they shouldn’t upset him. It’s too late”—for the rest of the episode, it is not Will we see, but the Mind Flayer speaking through him.

And yet, even in that state, when Mike enters the room, Will’s recognition cuts through. The iconic moment—“That’s my friend… Mike”—is telling. The Mind Flayer cannot disguise that Mike is a fixed point in Will’s psyche, the one presence strong enough to reach him even through possession. I believe this is why the Mind Flayer (or rather Vecna behind it) grows increasingly aware of Mike’s significance. He is not fooled. He notices that Mike is the one who consistently pulls Will back from the brink, the one who inspires him to resist. By delving into Will’s memories and emotions, he must have realized that it was Mike who gave Will the courage to defy him, to turn fear into strength.

When Will whispers, “You shouldn’t upset him,” I think he isn’t just speaking of the soldiers. It is a broader threat—directed at anyone who interferes with the Mind Flayer’s designs, including the positive, protective influence that Mike has on Will. In that sense, Mike is not simply Will’s anchor—he is also a threat to Vecna’s control, the one force the Mind Flayer cannot fully anticipate or extinguish.

I also believe all of this speaks volumes about the scene in which Joyce, Jonathan, and Mike attempt to break through Will’s possession just enough to reach him. As @aviannabuckley’s post (here) so brilliantly explained, the Mind Flayer (and by extension, Vecna) realized in that moment that Joyce, Jonathan, and Mike were Will’s anchors: Joyce and Jonathan as his family, and Mike as his best friend, his teammate—and the boy he is in love with.

It is these three who bring Will back through the power of memory, each recollection a testament to their love for him. They know every facet of who he is, having been present for the most formative moments of his life—good and bad, joyous and tragic. There is not a single significant memory shaping Will’s identity that does not include one of the three. And yet, every single memory that was used to anchor him in Season 2 was later shattered, and each time, the break was tied to Mike.

Joyce speaks of Will’s birthday? By Season 4, everyone forgets it—on the very day Mike arrives in California, which also happens to be the day of the infamous “Rink-O-Mania” fight.

Jonathan recalls building Castle Byers? Will destroys it in anguish and rage after his Season 3 argument with Mike, the one where Mike cruelly lashes out with, “It’s not my fault you don’t like girls.” 

And Mike himself, in Season 2, recalls the first day they met, calling it the best thing he ever did to ask Will to be his friend—a speech that carries every hallmark of a love confession. Yet by Season 4, under Will’s very eyes, Mike redirects that narrative to El, proclaiming that meeting her—the very day Will vanished—was the day his life truly began.

Every anchor, every memory, every argument that once tethered Will to life and love in Season 2 has been systematically broken in the following seasons. And each time, it revolved around Mike. Each time, it touched upon the love triangle between El, Mike, and Will. Each time, it was a fracture in the bond that means the most to Will, a scene that shattered his heart—and each time, it was Mike at the center. That cannot be coincidence. There is something crucial to unearth here.

Vecna will undoubtedly attempt to exploit this. He thrives on corrosion, on isolating the vulnerable so that despair becomes a doorway for corruption. I believe he has already been laying this groundwork, subtly, since Seasons 3 and 4. And Mike’s relationship with El has been nothing short of a gift to Vecna, a perfect opportunity to weaken Will by making him feel forgotten, unloved, and replaceable. Nothing is easier to manipulate than a soul already fractured by heartbreak and convinced of its own isolation.

This, I think, is exactly what Vecna has been doing all along: cultivating Will’s loneliness, widening the cracks in his heart, ensuring he feels unattached. And in Season 5, this will become far more direct and unavoidable.

But the solution will not be some abstract “power of love.” The truth is sharper than that. Mike was the instrument that broke the anchors once used to save Will—and therefore Mike must be the one to restore them. He is the ultimate anchor, and the only one who can stop Will from falling completely. Yet he will only succeed when he comes to terms with his own feelings—when he admits what he feels for Will.

Only then will they become what they were always meant to be: an equal team, drawing courage and inspiration from one another, reinforcing each other’s sense of self-worth. Not a bond that makes Will feel like a mistake, but one that affirms that being different together is a strength. A partnership where Mike is, and always has been, the heart—and when the heart finally realizes who it beats for, that recognition will be Will’s liberation. Together, they will be untouchable.

In the end, the meaning of that Season 2 moment—Mike’s hand reaching for Will’s, his voice steady with the promise of we—extends far beyond the immediate comfort it offered. In that simple pronoun, in that instinctive refusal to let Will face the darkness alone, Mike reveals himself as more than a friend or teammate. He becomes Will’s anchor, the intimate center of gravity to which Will’s fragmented soul can return. Where the Mind Flayer seeks to sever, to isolate, to hollow out, Mike instinctively binds, gathers, and restores. He does not stand above Will, nor outside of him; he stands beside him, equal, inseparable, bound by a loyalty that transcends explanation.

The symbolism here borders on the mythological. If Vecna is the architect of despair, then Mike is the living embodiment of hope. If the Mind Flayer thrives on fracture and loneliness, then Mike embodies the antithesis: the force of love that heals, steadies, and makes whole. He is not the wielder of supernatural powers, nor the warrior armed with weapons, but rather the heart—the very organ through which life, courage, and meaning flow. And the heart is, in the end, the most formidable weapon of all.

That is why the “we” matters. It is not simply a word of reassurance; it is a vow, one that transforms Will’s terror into resistance, and his resistance into defiance. It is why even in possession, even under Vecna’s dominion, Will recognizes Mike—because the heart recognizes what the mind cannot deny. For all of Vecna’s cunning, he cannot comprehend nor fully sever this bond, because it is not built on fear or necessity, but on love.

Thus, the narrative is not simply about survival or strategy—it is about the triumph of love as both anchor and weapon. Just as Orpheus once sought to bring Eurydice back from the shadows, or as mythic heroes descended into darkness armed with nothing but faith and devotion, Mike and Will’s story echoes with the resonance of a modern myth. Vecna’s corruption preys upon isolation, but against him stands a force older and stronger: the love that binds two souls into a single heartbeat.

When Mike finally accepts this truth—when the heart at last realizes for whom it has always beaten—Will’s liberation will not only be possible, it will be inevitable. Together, they will be more than untouchable; they will embody the very thing Vecna cannot corrupt: love as defiance, love as shield, love as the weapon that makes the darkness powerless.

[kidovna]

Imagine if Will created the Upside Down-Hawkins in 1983 when he got lost, wanted to go home, and his emotions were strong. So he also manages to dissolve said Upside Down-Hawkins when his emotions are just as strong and he’s finally found his way home.

And imagine if Outside the Realm played in the background as a callback to the crazy together scene.

[kidovna]

constantly thinking about flickergate

still images below the cut because the gifs turned out extra crispy on tumblr

[kidovna]

new beginnings