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@thismasterpieceofmine
āyouāre my best friend, now iāve got no one to tell iāve lost my best friend.ā
ā¦.
Tips for Writing Injuries
ā§ Broken ribs suck.Ā You donāt just āwalk it off.ā Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries wonāt be doing heroic sprints.
ā§ Concussions arenāt instant naps.Ā Dazed vision, nausea, dizziness, maybe even personality changes, but theyāre not going to collapse neatly like in the movies.
ā§ Blood loss is sneaky.Ā Itās not just about dramatic pools of blood. Itās dizziness, confusion, and the body getting cold as circulation tanks.
ā§ Adrenaline lies.Ā Someone can take a serious injury and not feel it until the fightās over. That āI didnāt realize I was bleeding until laterā trope? Very real.
ā§ Twisted ankles are brutal.Ā One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.
ā§ Burns linger.Ā Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, itās not just a cool scar later.
ā§ Dislocated shoulders = useless arm.Ā Characters canāt keep swinging a sword or firing a gun. Theyāre basically fighting one-armed until itās fixed.
ā§ Shock is a thing.Ā Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.
ā§ Stitches arenāt magic.Ā Getting sewn up is painful and recovery takes time. Theyāre not instantly battle-ready after a needle and thread.
ā§ Scars tell stories.Ā Some fade, some donāt. Some stay sensitive forever. Donāt forget the aftermath when the wound becomes part of the character.
Peeling the worst mandarin ever. The peel won't come off, you can claw the orange zesty part off the white skin but the white part clings to the fruit meat like it's human skin. It's like trying to peel an apple with your bare hands. You're seething. It's the worst. Eventually you claw most of the peel off and stick the entire shitty fucking fruit into your mouth whole because you're not going to get that fucky little golf ball split into sections and just because you had to peel it like an apple doesn't mean you can bite into it like one. It's the worst, and you immediately have to grab another mandarin right after it to make up for the horrible experience so that this one doesn't ruin your entire day.
You start peeling the new mandarin. The peel won't come off.
is this a metaphor or did you buy shit mandarins and needed to went
Whoever cursed me with these shittiest mandarins the world has ever known: I will peel you alive with my bare fucking hands. It will be easier to do than peeling these goddamn mandarins.
one of my favorite things to do in limited perspective is write sentences about the things someone doesn't do. he doesn't open his eyes. he doesn't reach out. i LOVE sentences like that. if it's describing the narrator, it's a reflection of their desires, something they're holding themselves back from. there's a tension between urge and action. it makes you ask why they wanted or felt compelled to do that, and also why they ultimately didn't. and if it's describing someone else, it tells you about the narrator's expectations. how they perceive that other person or their relationship. what they thought the other person was going to do, or thought the other person should have done, but failed to. negative action sentences are everything.
The good plot twists aren't the ones that are wild left turns out of nowhere, they're the ones that make all the other little things that didn't quite add up before suddenly click
highly recommend: making that characterās mourning WORSE!!!! make them play pretend with that corpse. make it seem like theyāre moving on until they start telling the new person to start dyeing their hair the color of the person they lost and start calling them their name to make it clear that theyāre hanging out with this person now to try and make them into the old one. make your grieving character put people in the same situation the person theyāre mourning died in and have them hope they die to prove it was unpreventable. make your grieving character put people in the same situation the person theyāre mourning died in and have them hope they live to prove that it wasnāt doomed to happened. make your grieving characters actively harm the people around them and the memory of the person they lost. I love you morally dubious grieving characters
50 tips for (fanfic) writing
have fun
write whatever is interesting to you, even if it wonāt be interesting to anyone else
appreciate kudos when they come, but donāt expect them
appreciate comments when they come, but donāt expect them
if you wish you could just write that one scene you have in your head, do that. you donāt need to create a 30K backstory for it first.
embrace one shots
embrace drabbles
embrace writing your story out of order
rough drafts are meant to be rough. if you canāt think of a word, put in a placeholder for it and keep going.Ā
try not to get stuck on the little things
itās okay if your readers canāt see the picture inside of your head
some people work well when they have a posting schedule. some people work well when they donāt. itās okay if you donāt know which kind of person you are, and itās okay if the type of person you are changes over time.
if a rule you created for yourself isnāt working for you, get rid of that rule.
make fandom friends. even if they donāt read your fic, theyāll cheer you on while you write it.
cheer on other writers you know. youāll be cheering yourself at the same time.
no trope or genre is better or worse than another one. they all just appeal to different audiences.
quality and popularity are not the same thing, although they do sometimes overlap
numbers and statistics will never tell you whether or not youāre a good writer. they will never tell you how valuable you are as a person.Ā
you belong in fandom if you want to be there
youāre a writer as soon as you start writing things
writing and posting are two different things. your story is still worth writing, even if you never plan to share it
you donāt need to apologize for what you write or what you post.Ā
donāt worry about taking up too much space. the internet doesnāt have a maximum size.Ā
keep your readers in mind when youāre tagging your content. how could they search for your fic? if you use a tag, will be a reader who loves that tag be satisfied with how much it appears in your story?
if you have a relationship in your fic that plays a minor role, tag it in the Additional Tags section instead of the Relationship section so that people who love that ship donāt get their hopes up
be cautious when looking at bookmarks on your fic. they arenātĀ āextra comments.ā thatās a space where readers make notes for themselvesĀ and each other, not for authors.Ā
you donāt need to know everything about canon before you start writing fic
you donāt need to read fic in the same fandoms you write for
you donāt need to read fic at all in order to write it
love your work because sometimes youāre the only one who will - and thatās okay
if your hobby starts feeling like a job, you might need to take a break before you get burnt out
if you get stuck on a story, you can always start a new one
if you fall out of love with a story, you can always stop writing it. if youāre worried about your readers, you can always give them a bullet point summary of where you were planning to go with thing. for a lot of people, thatās satisfying and provides closure
if you get hate, report it
use the tools at your disposal to block hate before it can come in (limiting or turning off comments, limiting or turning off asks, blocking users, etc)
try replying to comments sometimes. it can be a lovely way to make fandom friends
donāt be afraid to reblog your own writing posts.
if you get stuck on your summary, just write 1) who the story is about 2) what they are doing and 3) what problem gets in their way
notice when your writing makes you smile. that moment is a gift. enjoy it.
notice when your writing makes you cry. that moment is a gift, too.
even if youāre disappointed in how your story turned out, thereās something in there thatās fantastic. find that thing and focus on it and feel proud.
some ideas are ones you want to write. some are ones you want to read. if you ever have too many ideas to deal with at once, give some of the latter ones away to someone else.Ā
sometimes the things you write will be really personal. be careful about putting them where other people can comment. they wonāt know how personal it is for you, and you need to remember that comments arenāt about you, theyāre about the story.
remember that you can write series as well as stories. if the story is done but you still have passion or ideas, start a new one in the same universe.
enjoy the satisfaction of finishingĀ a story. savour it. bask in it a little while.
donāt feel guilty about abandoning a story. not every story gets finished, and thatās okay
you can have separate accounts for different fandoms. you can have one account with a million fandoms in it. do whatever works for you.
sometimes writing is more important than sleep - but only sometimes
it doesnāt matter if that story has been written before by someone else. it doesnāt matter if it was written by you. write it again.
only follow the advice that makes sense to you. the rest isnāt important.
Okay, we got a new one, boys.
Okay so, definitely this is about not giving your protagonist a spontaneous murder tail, but more largely and it's about building a living breathing world where things fit and work together within an established framework, rather than just adding new mechanics and features in isolation and outside of the rules the reader expects the world to follow.
media trope that makes me want to throw up and cry is when a character realises there's no way they're making it out of a situation in one piece. and in a single moment they accept it and turn to their distraught loved ones with The Smile. you know The Smile. sickening
PETITION FOR ALL LOVABLE CHARACTERS TO STOP DOING THIS SHIT. IT BREAKS ME.
[ID: A comic of a person turning back with a haunted expression before turning more fully and breaking into a rueful smile. End ID]
[Caps transcript: Petition for all lovable characters to stop doing this shit. It breaks me. End transcript]
Talking to myself out loud like a point and click protagonist
Losing it over some of y'all's tags btw Here's my favorites
and lastly.
good night
ive talked about "childhood friends gone wrong" on here before right
there's probably already a name for this but it's a trope i coined for a very specific type of dynamic that im consistently obsessed with. give me two people who grew up together and played together and were each other's best friend and then Something Happened and now everything's fucked up but they're still friends. or they want to be at least. you look so different now and everything is so much more complicated now than when we played in your backyard but literally who else knows me better than you. who else could i ever call my best friend
tbh im not entirely immune to a villain with a tragic backstory but i do think villain origins are a lot more interesting when the focus is less "here is the original sin, the first big bad thing that happened to them that made them who they are" and more "here is the first time a person who maybe otherwise felt powerless in their life realized that they could hurt someone and get away with it"
you can get a lot more mileage out of analyzing a truly abhorrent character through the lens of like. what sort of conditions would allow or even incentivize this kind of cruelty? what kind of person benefits from those conditions and how? over the more typical who hurt them type analysis. imo.
Since discovering your blog I've been going through and reading all the lessons in your pinned (which I think every artist and writer ever should do, whether their trying to write Black characters or not but especially if they're trying to write Black characters), but I also wanted to ask if you have any general tips for people trying to write Black character who don't have much or maybe even any exposure to Black people or Black communities/culture irl. (I live in a very white state with I think maybe a less than 1% Black population. Most of our non-white population is Latino.)
As a storyteller, I want to be able to write diverse characters, and I want to be able to portray them well and with dignity, but I've found that a bit difficult when I myself am a very white woman living in a very white state and have been surrounded predominantly by other very white people most of my life.
Watching media created by Black people and following Black creators online. There are plenty of movies and TV shows and such by Black folk over the years that you can find. I know I have folks that I watch on YouTube, that I follow on IG, even my peers on here. It's about being purposeful.
And before someone says it. No, it's not racist to say "hey I don't know anything about the Black community, let me seek them out so I can learn about and support them". What IS racist is demanding that those people then teach you about themselves like they're monkeys in a zoo exhibit once you show up. They're already talking about things and posting it- take the time to listen!!! Be quiet and listen!!
I didn't know too much about Palestine, for example, before 2023. So I made it a point to seek out voices who were discussing it, particularly Palestinians. I followed them, and I followed who they followed. I had to listen, educate myself off what they were saying and what resources they were offering. Learned to start applying, and built relationships. It's not gonna happen fast- you spent your entire life learning about your own culture. Be willing to spend the time.
and what if the character wasn't directly rejected but at every turn they were made to experience situations that made them feel completely irrefutably unwanted. what then
Writing villains people actually fear (and remember)
Itās not about darkness. Itās about a precise use of habits and small things, their behaviour both when acting the villain and not.
1. Give them a contradiction.
Villains are scariest when theyāre almost human. It's alot harder to harm, or even kill, when you can the part of them that is kind.
āHe always apologised before hurting someone.ā
2. Let them think theyāre right.
No moustache twirling ('mustache twirling villain' is often used as a pejorative to describe poor antagonists/bad guys, usually they in comedy) ā just conviction. Their ideals and values should stem from something important to them. Doesn't have to be important or make to others, just them.
āIām not saving the world. Iām correcting it.ā
3. Give them a normal habit that becomes unsettling.
⢠humming off-key
⢠straightening objects mid-argument
⢠collecting peopleās abandoned pens (this was something I got from primary school where I watched someone collect them and i thought it was evil they were stealing pensš)
4. Make their kindness selective.
Kind to dogs. Cruel to friends.
Kind to children. Absent to their own.
This really adds to their character and backstory, even if you don't elaborate or tell it.
5. Make their presence change a room.
Not with theatrics ā with tone.
āThe laughter thinned when he stepped inside.ā
Making antagonists who arenāt evil (but still hurt you emotionally)
Some of the best antagonists are just⦠people.
1. Give them the same goal as the hero ā different methods.
Hero wants peace.
Antagonist wants peace.
Hero uses unity; antagonist uses control.
2. Let the antagonist be right sometimes.
That stings.
3. Make the hero almost agree with them.
āYouāre not wrong,ā she admitted. āBut youāre not right either.ā
4. Show glimpses of softness.
āHe tucked the childās drawing into his coat.ā
5. Let them break their own rules.
Instant complexity, villains change the rules to fit their momentary desires and whims.
(Edit: ive written this up from a book that ive been filling with writing tips and tricks from classes, im putting here a few pages from it
So I get it, I need to change how I format things š)
Ive also read "Read This If You Want to Be a Great Writer" a book by Ross Raisin