Pattern selection, picking colors out of my stash, and making my HSTs in January… total quilt top assembly in May! It’s not done yet but it’s a gift for July, so hopefully I have time to quilt and bind it by then.
let's talk about Bridgerton tea, my ask is open

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@threesails
Pattern selection, picking colors out of my stash, and making my HSTs in January… total quilt top assembly in May! It’s not done yet but it’s a gift for July, so hopefully I have time to quilt and bind it by then.
Adam Pogue for Commune at E.R. Butler & Co.
Introducing our latest collaboration with Adam Pogue, a collection of one-of-a-kind flags, ottomans and prayer mats created especially for E.R. Butler. They are on display and available for purchase at E.R. Butler in New York until June 30th.
Adam Pogue works with Commune on product and special projects using textile remnants and vintage fabrics that Commune finds along the way. Obi fabrics from a trip to Japan, army canvas used for upholstery, and discarded carpet and drapery remnants are all reconfigured to create a new textile experience. Adam creates compositions that are familiar and yet completely original; with hand stitched details, pops of unexpected color, and unconventional shapes and material combinations.
See more of Adam’s work available for purchase here.
Projects to finish this summer:
Baby quilt
Hem 2 pairs of pants, one shirt
Curtains
Learn how to take in pants
Art quilt for Cat
Additional ongoing projects:
Coasters
Hat for Ruthy
Sashiko sampler for gram
(Big) memorial quilt project
Black chunky sweater, mosaic sweater
Pigeon Purse, a free crochet pattern designed by Emma Manos on Ravelry.
Pylon quilt!
made my me
It's waterproof. It's windproof. It's lightweight and durable. And it's made from the intestines of two bears, painstakingly cleaned and sew
I really wanted to know more about this, especially how the water proof stitching works. Here's more information on this project, and hopefully more in the future!
I love the bee fabric, and I love the quilt pattern. I'm looking forward to getting this quilted and finished
I learnt to spin in the rural Andes of Peru. I was five years old and already alarmingly behind the curve. [...] It took me over three years to become an adequate spinner. The year I was eight, my spinning was considered acceptable in quality by Andean standards (if slowly produced). Andean weavers require one type of yarn, fine and strong and smooth - and they are exacting judges, so this was no small feat. By this age, most girls in my peer group were spinning yarn for the family's weaving supply. Others had shown particular gifts for spinning and produced yarns for some of the town's finest weavers. The rest of us, the merely adequate young spinners, regarded these girls with mild awe. Although it might sound like we'd spent our childhoods being sternly schooled in how to spin (and we had), our textile activities were our primary social outlet. We went out in the Inca ruins to pasture sheep, taking our spinning and weaving with us. We raced up and down hills and terraces, played tag, and gossiped. Spinning was one more game, even though we knew it was an important life skill. Those girls who were fast, perfect spinners at that age were like the girls who could sing or dance or run the fastest, only spinning was more important than that. And we were competitive: we challenged each other to improve, constantly. By this time we were fearless with our spindles, which were never out of our hands unless we were weaving or eating. We spun while running, jumping, chasing sheep. We would pass spindles to each other while walking, talking, and spinning on them; we spun off the sides of Inca terraces, hearts pounding while the other girls watched, joking, chattering, saying, "You can't do it! It's going to break! You'll be chasing that spindle all the way down the hill!" The really good spinners never had to chase their spindles. As for me, it was a good thing I was one of the faster kids, because I chased my spindle a lot. With these games and challenges and the strict standards of our elders, even the completely average spinners among us became capable of production spinning. It was simply part of our lifestyle, as commonplace and essential as tying shoes or talking on the phone are in the industrialized world.
Abby Franquemont, Respect the Spindle
@namelessennes
Transgender quilt
🧵 Mx.domestic on IG
New Small-Scale Scenes Created in Colored Lace by Ágnes Herczeg
Rooms for Reading . Frank Halmans
Even more rooms for reading 01 02 04 05 . 2014
Rooms for reading 01 . 2019
Ten Rooms for Reading 00 03 06 07 . 2016
www.frankhalmans.nl
Whipped this quilt top out in a five day fugue state. This is a commission!
I've been doing an old fashioned internet dive following links on very old quilting websites, and I found the website of Caryl Bryer Fallert and her really amazing quilts--many of them are all hand-dyed fabrics on top of intense geometric piecing
Quilters. Photographs by Henry Groskinsky (1971)
According to Getty, the woman wearing the pink cardigan in the first two photos is Mrs. Lulla Pettway, here together with other members of the all-Black cooperative at the Martin Luther King Freedom Quilting Bee headquarters hand sewing quilts, Alberta, Alabama. (Photo by Henry Groskinsky/The LIFE Picture Collection)
Colour Tunnel · Munich 2025