imagine bridgerton if eloise had a gun
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@glintglimmergleam
imagine bridgerton if eloise had a gun
s2e3 quote of the episode:
Lewis: Just for the record, sergeant. Is there anything I ought to know about you and Will McEwan?
Hathaway: Like what, sir?
Lewis: Anything relevant to the case!
Hathaway: [carefully drawing breath] No.
ah now, only if Lewis had asked the right question!!
same
only 12 minutes in and it's RIDICULOUSLY obvious Hathaway should have been pulled off this case immediately for conflict of interest. Lewis should have called it as soon as Hathaway admitted he'd once stayed at the victim's house for the summer when they were teens.
I guess the only excuse is that only 2 seasons in, Lewis can't yet parse Hathaway's dry tones for the lie.
anyway. time to go watch the [fandom-]famous Conflicted Catholic/Repressed Homosexual episode of my murder mystery show. byeee
Ruth is a Cinderella story, one of the oldest: the story of a poor, hard-working young woman whose kindness merits her a kind, wealthy prince in return. But what separates it from other Cinderella stories for me is the grief and the famine. And Naomi.
Someday I'll write a Book of Ruth post about how the protagonist of the story is actually Naomi, and why that matters.
Sometimes lately when I am struggling, I remind myself of the incredible hope that is the Book of Ruth: when you are at rock bottom, fighting against despair, someone may come around the corner and join you in something new. The desert of Moab is not the ending.
“autism wouldn’t have been difficult before capitalism” “nothing that caused me burnout existed before industrialization” well what if your boots feel weird against your skin. and your cape is itchy and too heavy. and your brooch keeps making an annoying sound everytime you move and this party is too loud and you’re hungry and there’s pigeon stew but you can’t stand the texture of pigeon so you ate some olives and now your hands feel oily and gross and you drank a little bit too much wine (bc there’s no clear water. also it was too bitter) so now your head hurts and you feel a little hot but not hot enough to take your cape off and you promised this time we leave when I asked, Aurelius! you promised! and don’t forget we still have a three hour ride back home you promised it’s not going to be like last time! or something of the sort.
the ‘Life only started sucking in the 19th century’ attitude as anti-capitalist praxis is truly hilarious like. personally, if the sun was even a tiny little bit too hot on the back of my neck while i was being kidnapped and taken as a war captive after *insert empire here* conquered my home i wouldve been pissed. praefectus if the shackles feel weird on my skin im killing us both
just saw someone say they were "hyperfixated" on cooking with seasonal squash i love that nothing means anything
i’m seriously traumadumping pepper all over these boiled eggs
I’m gaslighting my stove
Wild that there are people upset over Nolan's Helen casting, given that he was legally obligated to cast Lupita Nyong'o since she is factually the most beautiful woman in the world
When I started my transition and began to come out to a few more folks than the tiny few that knew about me, there was something I kept saying as a part of my spiel…
“This is what I am, not who I am.”
I think I believed it fully at the time.
But then the interaction in the comic above occurred this past summer and completely changed my mind. Sure, being trans is something that I just am, but it’s also something that can be part of who I am as well.
Seeing that kid completely light up the way they did sparked in me a desire that I really didn’t think I’d ever have. Suddenly, that kid made me want to be visible.
Like the comic says, I wasn’t ready to be publicly out so I felt safer lying about myself at the time, but I truly hope that the next time I’m up there they have the opportunity to see me…
…a transgender person who’s included and having fun, just like we all should be.
me: im disabled and have limits
the smartest most intelligent guy in the world with the most hugest dick ever like so big, like the biggest dick ever, man and also soooo intelligent and thoughtful and just so so intelligent: have you tried pushing yourself?
from my own experience and also from what i hear from others, the issue seems to stem from a fundamental misunderstanding of how i know my limits. i know because i have discovered and tested them. i push them sometimes, carefully. and occasionally i get ok results or at least nothing bad happens. but sometimes something does happen, so i MUST respect my limits.
but when i talk about disability to abled people, they assume its just a bad attitude. like ive defaulted to a "i cant" attitude. and that stems from a fundamental mistrust of disabled people, and the cultural grift of acting like bad things can only exist in the mind. yes i know this is old news. anyways.
how do we know in the books that john is indigenous? can you say more about how his indigeneity is important to his story?
hello! so there is a word of god post on race (doesn't mention John but mentions that Gideon is "mixed Maori"), BUT I frankly don't think word of god statements are worth any weight without actual in-text support (see: the "dumbledore is gay" situation). SO!
Specific evidence that John Gaius is Maori, as revealed in Nona the Ninth:
When he is listing his education, John mentions having gone to Dilworth School (John 20:8). Dilworth is an all boys boarding school in Auckland and accepts students based on financial need instead of academic or sporting achievements. Demographics appear to be about 70% low income Maori boys, indicating that it is highly likely that John is Maori
John reports that P- said he looked like a "Maori-TV pink panther" (John 15:23) when his eyes turned gold. Maori TV is a TV station that is focused primarily on Maori culture & language revitalization, with presumably all or mostly Maori hosts, and tbh I don't see why P- would say this unless John was himself Maori
John uses a te reo Māori phrase ("kia kaha, kia māia") (John 5:20) when he is saying goodbye to the corpses in the cryo lab before the power is shut off. Though it is possible he said this as a non-Maori kiwi, but in combination with the previous two points of evidence I think this all very strongly points to him being Maori
He also renames his daughter Kiriona Gaia, "Kiriona" being just literally the name "Gideon" in te reo Māori
TLT is not a series that hands you anything on a silver platter but to ME this is all pretty solid proof
Why is this relevant to The Locked Tomb?
In Nona the Ninth, we learn that before he completed apotheosis and ate the solar system, John was basically trying to save the earth from capitalism-caused climate change. Climate justice and the rights of indigenous people over their own land are deeply tied together, in the same way that climate catastrophe and capitalism/ imperialism/ colonialism are linked. disclaimer that this is NOT my area of study and others have definitely said it better; this is just the basic gist as I understand it, but on quick search I found some sources here and here if you want to do some reading.
TLT is not a series that hands you anything on a silver platter, but i don't think it is a stretch to see John as an indigenous man trying to save the earth and getting ignored and shut down at every turn by primarily western colonial powers (PanEuro, the USA) who declare him a terrorist and then as a reader thematically connecting that to the experience of indigenous climate activists IRL
there are absolutely TLT meta posts that have discussed this before me; tumblr search is nonfunctional and I have been looking for an hour and a half and cannot find anything specific even though i KNOW i reblogged multiple posts about this in the first few weeks following NTN's release. sad & I am sorry
I think that by the time the books take place, John is 10k years removed from the cultural context he grew up in, with the Nine Houses having become a genocidal colonial power in their own right (with more parallels to be made between John's forever war for the resources of literal life energy and like, oil wars), but I also think that John Gaius is a fictional character who can represent and symbolize multiple different things in service of telling a story. (not to mention the potential thematic parallels being made to how oppressed people sometimes are pressed into replicating the power dynamics of their oppressors and continuing the cycle--now that is a tumblr post i KNOW i read last year and definitely cannot find right now, once again sad & I am sorry)
How Radical Was John Gaius, Really is a forum thread that was locked by the moderators after 234534645674564 pages of heated debate
actually if i were a second son who didn't want to inherit the title, marrying a mermaid would be a great way for the privy council and the church to cut me the fuck out of the line of succession on grounds of Being Fucking Weird
Rewatching the original "The Little Mermaid" animated movie while working on something else... I can't quite recall at the moment (early into it atm) if this movie ever establishes Eric as the heir of the throne of his kingdom.
I think it'd be really funny if Eric was actually a younger brother. So, like, maybe he's a duke, actually, but he still gets the title of Prince. Travels the sea a lot, unlike a more landlocked heir. Hanging out at this summer seaside palace while the rest of the family is elsewhere for some reason.
Like, imagine Eric's parents and older brother and maybe sister-in-law and niblings getting that letter at the end of this movie. Nearly drowned. Miraculously washed ashore. Fell in love with a mysterious voice and then a mute girl. Got enchanted by a shape-shifting sea witch and nearly married her. Killed the sea witch after she turned into a giant. Married the aforementioned girl who turned out to be the beloved youngest daughter of the mythical King Triton instead and have now established a strong alliance with the merpeople. Wild summer! Wish you were here!
(via @owl-librarian)
Yahhh I have to build Rome. Yup it’s due tomorrow.. noo I haven’t started yet haha is that bad?
It is taking all my energy not to reblog someone being Incorrect about the cottagecore narrative of Little House on the Prairie. You can tell who's only read one book in the series (or seen the 1970s tv show) bc Laura Ingalls Wilder's life as portrayed in her novels was far messier and far more conflicted about homesteading libertarianism than some people make it seem.
The Ingallses moved around a LOT as a kid. Laura lived in at least 4 states/territories/unceded Native land. And during that time, they often lived with or very near other white settlers. The isolated self-sustaining farm...that was a dream that her Pa never achieved. Turns out you need to be part of a society to survive.
Also, her books are themselves fictionalized - the events of Little House on the Prairie are probably almost entirely made up (her family did live on unceded land in that region but when she was probably too young to have vivid memories) and Little House in the Big Woods is an amalgamation of two times in her life when her family lived in Wisconsin. Their value is in material history more than authentic biography (accurate biographies do exist! and The First Four Years is much more grounded in reality! but not the other books) - most kids first encounter detailed descriptions of pioneer life through them, and her memories of food preparation or house building are more historically accurate than the plots. This is relevant because The Actual Ingallses are even more intertwined with society than their book selves - at one point they all lived and worked in a hotel! The version of the story we see in her novels is itself romanticized and starry-eyed about Homestead Farming, even with its complexities.
For sure! I think most people probably remember the small details like the pig bladder balloon during hog butchering or one candy cane at Christmas more than the plot itself: the aesthetic impression of it all.
But you don't even have to learn how much of the true story Laura invented/changed to see the non-romantic reality of homesteading. The material hardship and the challenges (if not all of them, like the death of her baby brother) and the family strife are all there in the novels. She made a lot of stuff simpler but even the simple version as presented is depressing if you take a step back from the hazy fireplace glow.