Eric Bogosian as Travis Dane in Under Siege 2: Dark Territory

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Sweet Seals For You, Always
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he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

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Misplaced Lens Cap
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@thuselah
Eric Bogosian as Travis Dane in Under Siege 2: Dark Territory
It's so nice being on tumblr because you don't even have to make your own post but people would still follow you anyways if you're good at rebloging posts they like
There’s something truly exquisite about stories where the real tragedy is the price you paid to stand on top of the world
Hollow victories … sacrificing your humanity on the altar of what you perceive to be the greater good … the loneliness of godhood … regret for the person you used to be … the realisation that there is no way back … *chef’s kiss*
there’s a cultural obsession with labelling all female authors as unintelligent or otherwise only capable of accidentally stumbling into brief moments of genius in their works that we need to start pushing back against
“I was always bothered when people say, ‘I cry to your music, it sounds like a diary, it sounds so personal,’” Mitski says. “Yes, it is personal. But that’s so gendered. There’s no feeling of, ‘Oh, maybe she’s a songwriter and she wrote this as a piece of art.’”
(source)
feel like it's related to the phenomenon mitski's discussing here - if women's art is only seen as unfiltered diaristic emotion then of course it can only ever be accidental genius, never created with intention and thought
I think it's cool when people draw anthropomorphic lab rats who are mad scientists. However, I think we should extend this idiom further. Where are the koi that do landscaping? The cow slasher villains wielding cleavers and bolt pistols? And, most importantly of all, the horsegirls with whips and riding boots?
I think it's cool when people draw anthropomorphic lab rats who are mad scientists. However, I think we should extend this idiom further. Where are the koi that do landscaping? The cow slasher villains wielding cleavers and bolt pistols? And, most importantly of all, the horsegirls with whips and riding boots?
sources: s.z., unfinished poems iii -- Traci Brimhall, Vive, Vive -- https://lena-oleanderson.tumblr.com/post/752214187782127616/collected-writings-on-trying-to-submit-to-the
good to keep in mind
great example from the notes, courtesy of @jordynhills
Source
Emos & scene kids got this close to abolishing gender for real. I try not to think about it too much.
The idea of a popular teenage subculture where girl & boys pretty much all dress the same feels impossible now but for a while it was reality and it was beautiful.
it's not so much that a cyclops is monstrous because a one-eyed giant who eats people must be a monster; it's that anyone who does not follow your laws, your customs, your culture must be a monster.
polyphemus eats his guests not because he's a cannibal — cannibalism also being a taboo that applies to humans, and he's not human — but because he doesn't follow xenia. polyphemus says to odysseus "we don't respect zeus here," but odysseus approaches polyphemus as if polyphemus is the foreigner. he expects his customs (which serve him, a conquering hero) to take precedence, even though he is the one away from home. he's been away from home for over ten years.
because to odysseus, there's not much difference between the trojans (the city he's sacked) or the cicones (a people he raided on the way home) and polyphemus, right? except that polyphemus is able to turn the tables. he is a monster, not in the sense that he is not a human being — the trojans have not been treated as human beings — but because he can insist that his law be respected in his own home.
and it's not that odysseus can't adapt. look at how differently he approaches nausicaa, or even circe. but his perspective is what we wayfind by, and all the while odysseus, at troy and during the wanderings, is himself foreign.
and then he comes to phaeacia and weeps over songs of war. and then he comes home and doesn't recognize it. and then divine intervention both hides him from and reveals him to his son and wife. and then he has to conquer his own homeland. and then the poem ends, abrupt and final journey spoken of but unresolved. and each of these things makes his perspective strange to himself, and by extension to us. it is exactly at the moment odysseus comes home that he believes himself to be lost, foreign, for good.
its not funny but i do think about it a lot
This made me think about this panel from Calvin and Hobbes:
But unlike the adult in this strip, Calvin’s dad actually APOLOGIZED for yelling at him when he saw how guilty his kid was:
have u guys noticed the phenomenon that's like
- m/f ship between a nonblack man & a Black woman
- it's either canon (e.g. mel/jayce arcane, arthur/guinevere bbcmerlin) or entirely plausible (e.g. prism or coupé/robert dispatch)
- fanbase overwhelmingly pairs nb man off with another nb man and disengages from the Black woman character, shunting her into a background wise & sassy caretaker role (for which there is a name) or leaving her out of fanworks entirely
- fans who do this ^ claim it is an expression of love and admiration for the Black woman character, actually, bc the nb man (who may be her canonical partner) "can't handle all that" (he may be perfectly competent and engaged; she may be totally low maintenance; it has no bearing), she's just too wonderful (too much) and out of his league (lacking in flaws and interiority and fan appeal)
have we all observed this and can we see the multiple dimensions in which it is racist ☝️ i'm not bringing it up to make any beautiful fujos feel bad abt shipping this or that, just to ask for some consideration of what ppl are saying abt Black women when they make their excuses to each other. like you can just not make the excuses. yk?
the fact that dark worlds feel like lively vast worlds full of people with their own thoughts and feelings, while hometown feels like a last thursdayish bubble where every other npc is slowly losing sentience, really drives home how it feels to see no future or interest in your real life and having to sink into fiction to escape that feeling of emptiness
what if ralsei/flowery. hello is the mic on. is anybody listening. ralsei/flowery complicated sexually charged non-relationship. guys listen. ralsei tops. guys. guys. flowery ragebaiting ralsei into kissing him. ralsei being angry about being attracted to flowery.
Every work of art says things the creator hasn’t considered, but if you’ve really thought about what you’re trying to say then generally the additional dimensions you didn’t know it had are in alignment with your purpose, whereas if you think you’re making no cultural comment at all you are actually making a LOT of cultural comments, most of which will be unflattering to you
Porn is one of the most culturally rich types of media imaginable so the answer is: you cannot do this
“I don’t want to make anything with cultural dimensions. That’s why I only write within the genre that is legally sequestered away from every other kind of storytelling because of my culture’s attitude towards depictions of sex.”
no, i do not have cameras in your home (yet)