venez, mes amis

AJ || he/they bandom, les misérables, dead poets society, all manner of goofy and pretentious BS

[inked-ir1s]

he said so

[mechanizedgoblin]

Like a deer in the headlights

Really happy with how this one turned out, been thinking about this since the madrid show

[til-tonight-do-us-part]

you know the funniest fucking thing about this disorder? is that at the end of the day, when it’s just me in my bed, i don’t know who the fuck i am. i don’t recognize myself. i’m a shell of what i wanted to be.

[til-tonight-do-us-part]

i like the way cigarettes make my chest hurt. i will become something bigger and more terrifying than you’ve ever imagined, just you wait and see.

[til-tonight-do-us-part]

[chemerges]

[curlyqcat]

[axolone]

It will never stop

-Leviticus (2026)

will post art process soon

[til-tonight-do-us-part]

tumblr friends i require advice

me and my ex-best friend who have serious baggage of a codependent nature have planned to meet up in our hometown to have "a serious conversation", but she's given me the choice of where we go

where do i take her for said serious conversation? especially since it might be the last time i ever see her?

[badymaru]

#mcrmadrid

[keznated]

ryanaim my beloved <3

[wykonii]

She’s in a band!!!!

[luna-azzurra]

Something neuroscience-y that helps with prose: attention is selective. A character will not notice everything in a room. They will notice what matters to their goal, fear, desire, training, wound, or obsession. A jealous character notices hands. a hungry character notices food. A soldier notices exits. A lonely character notices pairs. Description becomes character when attention has a bias.

[asoftepiloguemylove]

ANY TOUCH OF A LOVED ONE COULD BE THE TOUCH OF GOD // NAIM AND RYAN

unknown // Leviticus (2026) dir. Adrian Chiarella // Benjamin Alire Sáenz Aristotle and Dante Discover the Secrets of the Universe // Mitski Geyser // Leviticus (2026) dir. Adrian Chiarella // Keaton St. James BLACKLUNG // Emily Skaja It's impossible to keep white moths (via @annori) // Leviticus (2026) dir. Adrian Chiarella // @nixscriptum // unknown // @/foldyrhands // Leviticus (2026) dir. Adrian Chiarella

[insomniac-ink]

I enjoyed this movie, no notes they cooked

[frenetic--energy]

what i fucking love about this scene is that we know it's not really ryan, naim knows it’s not really ryan. there's no part about this that is naim being lulled, being seduced, being tricked, being gotcha!'d. it's not him but it wears his face; it talks like him, it caresses like him, it comes close and smiles and laughs like he would. naim is leaning in despite the danger, moth to flame, knowing full well what's in front of him and craving it anyway.

this is queerness as fantasy—what we could be if not for circumstance. it's queer desire in a world determined to treat us as aliens. more than any other moment in the film, this scene exemplifies leviticus thematically in one brutal, efficient stroke. they want us separate and alone and scared, but we don't have to be. loving hurts, and we love anyway.

[vampleclerc]

the media's insistence on labeling every queer thing as an extension to heated rivalry is getting ridiculous. it was fun, it was a nice little tv show and we enjoyed it. stop trying to make that shit happen. i mean who in their right mind will compare hr to a coming of age religious horror movie. open your EYES people . start thinking