Silly Symphony - The Wise Little Hen (1934)
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@to-think-things
Silly Symphony - The Wise Little Hen (1934)
I tried something different!
I grew up watching sailor moon and I recently started thinking about it! I really liked the 90s anime like style so I wanted to make my bois look like they were from one! I also needed to do a lore post soooooo.
Also I know that I look different and have a different name. I am no longer sunspot and I have a new Tik Tok!
Anyways, 32TH POST WOOOOOOOOO!!!! I STILL HAVE NO IDEA WHAT I'M DOING!!!!
Jesse: "Yo, Mr. Fring, I've been thinking about this quote, man. "One must imagine Sisyphus happy." What do you make of that?"
Gus: "Ah, Jesse, I see you've stumbled upon the existential musings of Albert Camus. It's an intriguing concept, to say the least."
Gus: "Sisyphus, condemned to an eternity of rolling a boulder uphill only to watch it roll back down again, represents the futility and absurdity of life's struggles."
Gus: "However, Camus suggests that by accepting and embracing this absurdity, one can find happiness."
Jesse: "Yeah, but I mean, isn't that just some crazy philosophical bullshit? How can someone be happy in such a fucked-up situation?"
Gus: "Happiness, Jesse, is a state of mind. It's not about the circumstances we find ourselves in, but rather how we choose to perceive and respond to them."
Gus: "Sisyphus, despite his eternal struggle, can find meaning and purpose in his repetitive task. By embracing his fate and finding fulfillment in the act itself, he transcends the burden he carries."
Jesse: "That's deep shit, man. So, what, you're saying we should just accept all the crap that comes our way and be happy about it?"
Gus: "Not necessarily. Acceptance doesn't mean complacency. It means acknowledging the realities of our situation and finding a way to navigate them while maintaining our inner peace."
Gus: "It's about finding meaning in the journey, even if the destination remains elusive."
Jesse: "Yeah? I guess that makes sense in some messed-up, twisted way... Hey, speaking of finding happiness, have you tried Taco Bell's Nacho Fries? They're insane, man!"
Gus: "...Nacho Fries, Mr. Pinkman?"
Jesse: "Oh, you gotta try 'em, Mr. Fring! They're like these crispy, seasoned fries with this gooey cheese dipping sauce. It's like a flavor explosion in your mouth, man. I bet you'd love 'em."
Gus: "If they are as remarkable as you claim, perhaps we can find a moment to indulge. After all, even in the face of existential ponderings, we mustn't forget to appreciate life's simpler pleasures."
Jesse: "That's what I'm talkin' about, Mr. Fring! We'll have ourselves a little culinary adventure amidst all the fucking chaos. Life's all about finding those moments of joy, even if it means embracing the absurdity along the way, right?"
Gus: "Indeed, Jesse. Life's contradictions often lead us to unexpected discoveries. Perhaps, we may find a glimpse of Sisyphus' elusive happiness in the process."
Thinking about Lancelot removing the strands of hair from Guinevere’s comb and sniffing them. He’s a major league freak and I love that about him.
Wait, did he actually do this?
he was freakier about it than I remembered
Akram Khan's Lady Macbeth (Royal Danish Ballet, 2026)
if you watch iron lung with an ava-centric perspective (which involves heavily blacking out during most scenes where the radio isn't on, only do this if you have a really good grasp of the film) you start to notice how extremely weary and sad she is. like, the entire time. from the beginning. she's harsh, but she is not cruel to simon. she's angry with him, but its mostly because, from her view, he's backing out of the deal they made because he, what, got scared? she doesnt have time for dealing with outbursts and overreactions, so she yells over him because that makes him listen, and then she keeps yelling because he keeps listening to that. she tempers his expectations from the beginning - he starts talking about going free as soon as he collects a little bit of data, when she believes that the deal was to finish a full dive and gather as much information, samples, photos as possible. she tells him again and again that his job is not done yet, and he chooses to believe that means he's going free as soon as he finishes her next step. she has a crew to look after. she has a responsibility to integrate him into COI society and she cannot do that until she knows he's going to be okay with the way the collective works - orders and missions, duty rosters and strict scheduling. at every point she is as honest as she can be - as @itsgotgills pointed out, the only time she really intentionally lies to him is when she's telling him that he is the first down, he's the test driver - and it's probably because her last convict killed himself at the bottom of the ocean, wasting time and resources and neglecting to gather any data. she can't risk another failure like that - they are literally running out of food, water and air. if you listen - "all we have are surface scans, that's why you're there." sounds rehearsed, almost bored. (and it's not bad acting. we know how good caroline kaplan is.) her immediate follow-up, though- "well. one of the reasons." sounds genuinely angry. THAT is ava. that's her, sick of the consolidation's script, sick of eden's destructive bullshit, taking it out on the one person she has to hand, reminding simon of his position - lucky enough to have survived the filament station tragedy, lucky to have survived the consolidation, now lucky to be allowed to finish his realisation and rejoin society. (is this a correct worldview? definitely not. but it is ava's). she is still working under someone else's orders. her choices are shaped heavily by the consolidation and she mostly believes in them, but sometimes - and increasingly often towards the end of the film - she doesnt. her response to simon's "i would really, really like to not be down here anymore." - "yeah, i know. i don't think that's possible." she holds off letting him know that she's been ordered to leave him down there, and she sounds so very tired. as soon as she realises there might be something worth diving for, she becomes genuinely enthused, completely determined despite the consolidation's direct orders - she starts to act for herself, in the interest of her personal goal (saving humanity, survival. altruism queen). she's genuinely, truly at the end of her tether. there is nothing she will not do for a little bit of hope - sacrifice the health and safety of her own crew (jack), directly contradict COI orders (sm-14 dive), risk her own life (piloting the 14 alone), even dying to ensure the black box gets to the surface. every line of dialogue, every action she takes, every order and decision is all in the name of survival - she has no interest in hurting or killing convicts, because she needs them. she's been doing this for twenty one years and she is so deeply tired and she is doing the only thing she can to try to provide a future for whoever comes after her.
Hey hi did a bunch of studying for my hematology class today and thought of something Iron Lung related, as one does when one is obsessed.
Hemoglobin, the chemical material that holds onto oxygen, has a low affinity and high affinity state. Affinity refers to the strength of oxygen's binding to the Fe2+ divalent ion. When hemoglobin picks up oxygen in the lungs it is high affinity, when it releases it in tissue it's low affinity. That's all also related to oxygen partial pressure and reactions and whatnot and other BUT. POINT BEING.
The blood is oxygenated. The blood entering the Iron Lung submarine is releasing oxygen.
The blood ocean recognizes the Iron Lung as tissue.
major iron lung spoilers ‼️🩸
thinking about when simon was in the crawlspace trying to get the engine to start, and then he's startled by THE SOUND OF FOOTSTEPS WALKING IN THE SUB AND PUTTING TAPE ON THE BUTTON?!?!??! literally like an echoed soundbite of the scene right before he went into the crawlspace?? true eldritch fuckery. i love being right there with him in his delirium, not knowing what's real and what's not. simon's being fucked with and so are we, because we are him.
haven't seen anyone else talk about this. it took me a couple watches to notice, but you can literally hear the tape UNROLL.
I feel like this falls into the same category as simon seeing the bloody figure sitting at the controls, which I've seen people say is what he turns into by the end of the film, and I agree, with the mutations and the missing arm, YES.
there's this blending of past/present/future throughout the film that is done super well because simon is not only haunted by his past, but also his future; he just wants his freedom, he just wants to live... but not everyone gets to be saved. which then ties back into the whole concept of the quiet rapture, the massive, catastrophic event that killed almost the entire human population. nobody could save them. not even if they wanted to.
god i want to see this movie again.
No way ANOTHER thing I missed! And I missed the last day of showings yesterday!! I am so gagged by the time loop he seems to be in, no wonder authors on ao3 are writing about it
was it his own mind playing tricks on him? or was the living blood preparing him?
light, i feel like you don’t love me as much as i love you! like it’s not mutual!
I was thinking about @ctrl-shift-alt-9 's worldbuilding idea of the Edenites being wary of the Last Tree (and plants in general) as much as they were reverent of it... That combined with giving Simon tree-mutations...
MARK E FISCHBACH IPLIER. I BEG YOUR PARDON.
Renders of the eel's full body by molly brown
I'm doing further transcription work (I'm in the second half of the movie at last!) But, I noticed some little things about the Eel...
The SM-8 Research Lead and her Assistant were bickering with each other directly in front of Simon, and he didn't fucking notice ⁉️
Then again, I didn't notice until doing the transcription work. I guess choosing two voice actors who sound vaguely similar, and then crunching it up to sound like radio static probably didn't help the case.
Some examples of their bickering:
Seems like the Research Lead is a bit more open about talking, more emotional. She has a British accent. The Assistant has a slightly different accent (sounds a little Russian in some lines?) A bit more of a biting, brassy tone, more secretive about things. They seem torn between showing Simon the Light. The Research Lead wants to help him, and get Ava's attention. The Assistant wants to stay away.
The eel is very distinctly two people. I thought maybe there might have been more who amalgamated, but this concept art seems to give off "conjoined twins" vibes:
These two girls were biting at each other and having a full conversation about him, and Simon was none the wiser. Holy cow.
Distant Utopia - from ひきだしにテラリウム (Terrarium in a Drawer) by Ryoko Kui
now that Dungeon Meshi has an official English translation, i hope someday Kui’s other work will get translated too. this anthology was really good, and this story was one of my favorites
this is getting a lot of reblogs lately and i’m so glad. i know people hype Ryoko Kui a lot but she really is that good at comics, and this 75%-tongue-in-cheek 10 7* page comic unironically showcases what makes all the politics and worldbuilding in Dungeon Meshi so good. some one please publish her other short stories in English please please please