I'm collecting them like pokemon
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DEAR READER
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@totallyanartist
I'm collecting them like pokemon
there's a common belief that artists know how to make art. this is untrue. i've yet to meet a single artist who has any idea what they're doing
Always make bad art. You hear me?
This artfight season, feel free to send me bad attacks. They dont have to be polished or coherent they just have to be made with care!
Always make bad art. You hear me?
being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that you’re supposed to do warm up sketches every time you’re about to work on serious art when you’re fuckin twenty-five
someone: oh yeah, do this exercise during your warm ups! it’ll help
me: my what
What’s up I have an actual college degree in art and I was never ONCE taught to do warm ups.
when i was in undergrad, it was kind of mentioned in and offhand way that we should do warmups, but we were never shown what that meant. And, y’know, we were young so it didn’t matter so much.
Being older now and having an art job it’s…kind of essential.
So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’
1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust!
2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:
a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it!
In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support.
I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose
b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me!
c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface
d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)
e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them
f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics.
g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper.
h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more.
And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc.
This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah.
Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks.
so, yeah! that’s a lot of words, but! Warmups are important! Save your joints, take less advil, do better drawings!
How on earth are you supposed to draw from a sholder? might as well tell me to draw from the foot. It makes no sense
https://youtu.be/pMC0Cx3Uk84
https://youtu.be/NBE-RTFkXDk
:3
Reblogging to save a wrist
Hi I have a literal animation degree and I learned fucking ✨none✨ of this
artfight's coming up!
An art gifting game
also pspsps go fill out my artfight hitlist
first time making an artfight hitlist lets gooooo
COME ATTACK ME!
Equiping an armor tutorial
i'll prob make more bc i love talking ab armors
It’s here !! The guide for two-legged people who don’t know how to draw wheelchairs !!! 7 pages of infodump ! Disclaimer : I don’t know everything, I have one (1) experience of wheelchair user who used both bad and good chairs, and I share what I learned.
Image description :
1) Calvin in his wheelchair saying “yo” under a huge title “how to draw manual wheelchairs properly by Calvin Arium, a wheelchair user comic artist”.
2) A character says “my character self propels in a chair that was outdated in 1970 lol” Calvin says “so it looks like you two legged people don’t know the difference between an hospital chair and a chair made to be independant” an arrow point the crapppy chair, saying “we never want to see this again”
a bubble says “the hospital chair is extremely unpractical, tough considering it’s cheaper than a good custom chair a lot of us have only this”
3) a character hurt himself trying to reach the wheels of the hospital chair. Several arrows point why the chair is unpractical : “high backrest restrain shoulders movement” “huge armrest restrains wheel access” “separated footrest : amovible, cheap, bulky” “x structure, foldable but heavy” “huge front casters for stability” “heavy wheels”
4) Several arrows point an active wheelchair (the KSL by Küshall) : “usually no armrest” “a low backrest allow more movement” “light, design, ferning expersive” “special cushion to avoind injuries” “knee angle is usually 90°” “one single piece of frame, sometimes entirely welded” “weight : from 4 to 10kg” “often rigid” “center of the wheel is the center of gravity” “higher quality wheels : less spikes”
5) A hand grab different parts of the wheel, pushing harder in the second half. Bubbles says “some have gloves, some don’t. The hand must grab the biggest area possible. Less movement = more energy. This is a common but not only way to push.Calvin is on his back wheels, rolling on grass and dirt bubble says “popping a wheelie is when a wheelchair user rolls on their back wheels to roll on every complicated surface.
6) several drawings illustrate the folding frame, the ergonomic but rigid and expensive backrest, the separated footrest (only for folding frame), the handles, the folding handles, athe amovibles handles, or no handles, the cool fancy loopwheels, the pretty custom colors
7) More Features ! The fancy rigid-foldable frame, the anti tippers (sometimes used by beginners), the motorization (wheels, smart drive) when propelling yourself is difficult Calvin says “and now vroom vroom motherfuckers”
Consider also supporting me by buying me a coffee on ko-fi : ko-fi.com/calvinarium
Thanks !
EDIT : Here is a youtube playlist about choosing, cleaning and using active manual wheelchairs in the public space, I learned a lot from those videos when I was a wheelie newbie. (Not sure they’re all captionned tho) https://www.youtube.com/playlist?list=PL3j9XB2x5HYmZqgLakRCNt_fjsVZjDAkJ
Sharing
psa for fellow formal wear enthusiasts
draw more fat characters ok. i love you
devastating: artist who has not practiced fundamentals enough to execute high concept idea eats shit
hello fellow artists. google has fallen. pinterest/duckduckgo AI filters don't work. do not despair; here is a list i made of places to find reference images without having to sift through piles of worthless garbage. (for future editing convenience i am just linking my blog post on dreamwidth.)
✨ good places to find art reference that are not full of AI trash 🌈
THANK YOU SO MUCH! I have been despairing as it is so hard now to find references and photos of succulents and other things for my designs!! T_T
most tragic thing about wanting to see more stuff of your oc is that the c is o and YOU have to make the stuff. devastating. why can’t art of my beautiful baby just appear in my hands. just materialize under my pillow, like from the tooth fairy
this is not a tutorial this is just me rambling
Natural Black Hair Tutorial! Usually Black hair is excluded in the hair tutorials which I have seen so I have gone through it in depth because it’s really not enough to tell someone simply, “Black hair is really curly, draw it really curly.”
The next part of Black Hair In Depth will feature styles and ideas for designing characters and I will release it around February. If you would like to see certain styles, please shoot me a message!
YES! BOOSTINGGGG FOR MY FOLKS WHO WANNA/NEED TO KNOW HOW
because this is the first time i have seen a tutorial on this, or even a specific mention of it, how has this just been ignored this whole time??
(racism. racism is how it’s been ignored this whole time. but still.)
I see ye olde discourse about the use of art references being "cheating" is on the rise again lately. I suppose in the age of generative ai and ai accusations, it was just inevitable that we'd get the reference discourse again...
As someone who actually went to college art classes and learned some art history, references are the oldest tool artists have. And as a matter of fact, the ability to directly trace a reference has been around far longer than you might expect! There are some very old ways to project images from reality onto a page/canvas! So even "well you can use references but never ever trace!!" is a bad argument! All those unusually high detail old paintings we admire in art museums? There's a chance a good number of those used some form of tracing! not just observation!
the trouble with tracing comes when you're using it to do art theft. And I do include the tracing of ai references in that.
The best way to use references, traced or observed, is to make sure you vary your sources and use irl images whenever possible. This is more helpful for growing your art skills and keeping the fundamentals of anatomy and proportion in your reference pool. the end goal is not to become the type of artist who never needs references, it's to become the type of artist who knows how to use references well!
I also don't think you need to go crediting every single image you reference, that one might be a more controversial opinion. if it's the only reference you used and it's from a source that requires credit, then please do credit that source! but my goodness, if someone is just tracing a hand pose over here and a stock photo over there, cobbling together multiple pose references, etc, there's really no reason to add all those credits to your final art post. I understand it's a courtesy to help avoid art theft accusations, but most of the time it's probably not necessary. It's more helpful to just generally refer other artists to your favorite resources, like senshistock, posespace, or the animal photo reference repository.
Anyway, I made a post some time ago about how to use references, I might remake it.